WWII movies, one of the most popular sustained genres of film, is the subject of a recent online article I happen to come across. Naturally, everybody’s opinion is different, but if the subject is “20 of the Best,” there’s bound to be conflict. Actually, I agree with a lot of the choices in the article, but of course, there are exceptions.
As the author of Lee Marvin Point Blank, I was heartened to see two of the actors best WWII films on the list. However, I of course think they should be ranked a little higher.
The fact that the British author of the piece included some British films is to be expected, as well some underrated WWII movies worthy of rediscovery. But if he’s going to do that, he should have included the criminally underrated Attack!
(1956), which, like The Dirty Dozen (1967), was harrowingly directed by Robert Aldrich. By the way, the mention of the film Overlord (1975) also has a Dirty Dozen connection in that it was directed by Stuart Cooper who played Roscoe Lever.
Back to the list, itself. One problem I see in the choices is if you going to make the point about the prolific writing of Alistair MacLean why choose Where Eagles Dare over the much better Guns of Navarone (1961)? Weird!
Also, since WWII had so many varied aspects to it, why not break up the list by sub-genres? After all, if you put the legendary Casablanca on the list in terms of the effect the war had on civilians, there should be a place for The Diary of Anne Frank (1959), The Best Years of Our Lives (1948), The Tin Drum (1979), Hope & Glory (1987), The Men (1950, Since You Went Away, (1944), So Proudly We Hail (1943) and several others. In doing so, it would include another Lee Marvin classic: Bad Day at Black Rock (1955). Just saying.
As far as sub-genres are concerned, there should be one for biopics and if so, it is absolutely appalling not to include the likes of Patton (1970). George C. Scott’s performance (turned down by Lee Marvin) is one of the greatest in movie history!
It can also be determined by branches of the service, which would include the likes of the navy in Mister Roberts (1955), They Were Expendable (1945), or the Marines via The Sands of Iwo Jima (1949)…well, you get the idea.
Basically stated, if you’re going to write a list of “The Best…” anything, be prepared to be corrected, debated and possibly duck some brickbats as the cinema of WWII is a pretty big subject to ever narrow down to just 20. In the mean time, watch a Lee Marvin movie and then find out how they were made in Lee Marvin Point Blank.
– Dwayne Epstein