STEVE RUBIN PODCAST

Steve Rubin, a fellow retro film fan, recently contacted me about being on his podcast entitled “Steve Rubin’s Saturday Night at The Movies” as he would be discussing The Professionals, starring one Lee Marvin. 

Poster art for THE PROFESSIONALS.


  I met Steve through the auspices of my work for Filmfax when Publisher Mike Stein assigned me to interview Steve when his Encyclopedia of The Twilight Zone was published. It went well which you can read here.
Steve also helped immeasurably with several projects i worked on and consequently, a friendship was born. Okay, fast forward a few months ago to when Steve contacted me out of the blue about a podcast he had launched concerning films he wanted to explore and discuss. Since he had read Lee Marvin Point Blank he thought I was a good choice for a guest, along with fellow film historian, Steve Mitchell. 
  And now a confession: I wrote down the day and time to call in and like a complete schmuck, I got the time wrong and called in a half hour late! That’s why when you listen you hear me come in at the 28 minute mark. Oy! That aside, I also sound a little manic in talking about the subject, but I can put that down to enthusiasm for the subject… I guess. 
 Oh, and one more confession. I have been Facebook friends with Steve Mitchell for some time and though I do know him, I had no idea what n impressive resume’ he has, from working for DC Comics (my favorite!) to the cult horror film Chopping Mall (1986). I am definitely going to be in further contact with him!
 As to Steve Rubin, he e-mailed and phoned me last week that the podcast is up and available for listening, which I finally did. Here’s Steve’s e-mail to me…
“STEVE RUBIN’S SATURDAY NIGHT AT THE MOVIES – Episode 2 of my podcast is now up and clickable. See link below. Writer Steve Mitchell joins us for a spirited discussion of his 1986 cult film, “Chopping Mall.” Author Dwayne Epstein then discusses the life and career of actor Lee Marvin, which he encapsulated in his marvelous biography “Lee Marvin: Point Blank.” Together, we all wade into a good conversation about one of our favorite Marvin films, 1966’s “The Professionals.” Enjoy.”

And so without further ado, I give you Steve Rubin’s podcast
 Dwayne Epstein

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NOVEMBER 2021 ON TCM

November 2021 on TCM is going to be terrific for us Lee Marvin fans. They’ll be showing three of his films and a plethora of other films related to his career. The choices may seem to be a bit of a stretch, but one need merely read Lee Marvin Point Blank to see it’s no stretch at all. The titles below bear this out:

The Rack (1956) Thursday, November 11, 3 a.m.

As Capt. John R. Miller, Lee Marvin perpetrates an ambush on fellow P.O.W. Paul Newman that sets the tone of the film.


Starring Paul Newman in one of his first films, Marvin costars in a small yet important role as a fellow Korean War-era P.O.W. who testifies during Newman’s court-martial for collaborating with the enemy. A similar theme akin to Marvin’s Sergeant Ryker (1968), the film is rather dated but does have its moments, due mainly to the all-star cast. Interesting trivia discovered by yours truly after my book came out but blogged about here.

The Dirty Dozen
(1967) Thursday, November 11, 12:30 p.m.

Composite of scenes from the TCM perennial, THE DIRY DOZEN.


A TCM favorite that is, like The Rack, airing appropriately enough on Veteran’s Day this November 2021. There’s not much more that I can possibly say about this timeless classic that made me a Lee Marvin fan and also hoisted him into the rare atmosphere of superstardom but as my next project suggests, I’m discovering fascinating, unheard of details all the time, so stay tuned!


The Professionals
(1966) Saturday, November 20, 9 a.m. 

The Professionals, 1966.


Not only one of Lee Marvin’s best films, but a solid classic in its own right, The Professionals deserves a much better reputation than its legacy suggests, which means no matter how many times you’ve seen it, you’ll want to see it again…and again, and again. Yeah, it’s that good. See for yourself if you don’t believe me and discover also some behind-the-scene factoids along the way.  

Below are some other films airing November 2021 that have an interesting connection to Lee Marvin’s career:



Out of the Past
(1947) Friday, November 12, 10:30 a.m.

Foreign issue poster for OUT OF THE PAST highlighting the male leads.


Considered by many to be one of, if not the greatest film noir of all time, Marvin would have fit in quite comfortably in this film, although it was made before he launched his acting career. Robert Mitchum stars as a man looking to forget his dubious past but his former gangster boss played by Kirk Douglas ferrets him to find his femme fatale girlfriend played by Jane Greer. Naturally sparks fly and soon all hell breaks lose. Marvin would be right in either role but I’d like to think he’d add and extra something in the Kirk Douglas role. You be the judge.

The French Connection (1971) Saturday, November 13, 5 p.m.

(L-R) Gene Hackman, Roy Scheider and Fernando Rey pictured in the DVD graphic for THE FRENCH CONNECTION.


Quite possibly the best 1970s cop film ever that once again, just gets better with the passage of time. Airing for the film’s 50th anniversary, Gene Hackman earned a well-deserved Best Actor Oscar as Popeye Doyle, a tough cop doggedly determined to bust the biggest heroin ring in NYC history. Based on the real life exploits of Eddie Egan (who, along with partner Sonny Grosso, had supporting roles in the films), it also won the Oscar for Best Picture. All well and good and all properly documented. So, what is it doing in this compendium of Lee Marvin films and themes? I recently discovered that Marvin was considered (among many others) for the lead role. Seriously. Would have been interesting but in all honesty, I’m actually glad he didn’t do it. No one could have been better than Hackman.

The Lineup (1958) Saturday, November 13, 9 p.m.

Original poster for THE LINEUP.


Based on the CBS radio and TV series of the same name, this obscure little thriller pairs Eli Wallach and Robert Keith as a couple of professional criminals looking to retrieve a cache of smuggled heroin. So, once again, why is it mentioned here? The film was directed by the underrated Don Siegel who often provided brilliance on a small budget, such as the similar-themed The Killers (1964) a few years later. Watch the relationship between psychotic Wallach and his mentor Keith and see if it reminds you of Marvin and Clu Gulager. If you do watch it, make sure to check out that slam bang ending!

The Treasure of Sierra Madre (1948) Monday, November 15, 1 pm and Saturday, November, 27, 2:45 pm. 

Mostly in shadow, Humphrey Bogart and Tim Holt brutally battle big Barton MacLane for the money he owes them.



A classic in its own right, it also stands as one of Lee Marvin’s personal favorite films. And with good reason, as I showed in an earlier blog. Its reputation is well deserved but I’ll add my own two cents. I’ve never really been that big of a Humphrey Bogart fan, depending largely on the film itself. I thought the man came off rather stiff too often. However, when he played characters dangling on the edge of sanity as in The Caine Mutiny (1954) or In A Lonely Place (1950), then he was something to see. No where is that more true than his performance here as Fred C. Dobbs. It’s brilliant.

The Split (1968) Wednesday, November 24, 2:30 p.m. 

Someone forgot to tell Warren Oates to smile as this poster for THE SPLIT suggests.


Hot off the success of The Dirty Dozen, big Jim Brown reteams with fellow Dozen alum Ernest Borgnine and Donald Sutherland in this variation of Point Blank with a fascinating cast and premise. Brown is recently released from prison and is hired by mob boss Julie Harris (!) to rob a football stadium with cohorts Borgnine and Sutherland along with Warren Oates and Jack Klugman. As a typical 60s caper film it fits its time period but the sparks really fly AFTER the caper as the title suggests. Diahann Carroll is Brown’s love interest, Gene Hackman is a crooked cop who wants a piece of the split and James Whitmore is a psychotic sex criminal as crazed as any movie villain can be. Some cast, huh? Point Blank connection aside, check it out for yourself for that powerhouse cast alone!

So, there you have some cinematic goodies and thoughts about them that are airing November 2021 on TCM. Enjoy!

– Dwayne Epstein

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MOVIEFONE: 57 GREATEST WESTERNS

Moviefone, the ubiqiutous movie info and streaming site, decided to rank the 57 greatest westerns of all time and to its credit, three Lee Marvin classics are on the list.

Original poster to SEVEN MEN FROM NOW with 3rd billed Lee Marvin.

Poster to THE MAN WHO SHOT LIBERTY VALANCE.

Poster art for THE PROFESSIONALS.




I came across the Moviefone list by chance only recently as it was posted back in 2017. I mention this since it was posted in honor of John Wayne and Clint Eastwood’s mutual birthdate of May 31st. Eastwood is now an amazing 91 years old!
  Personally, I’ve never been a fan of “Best Of….” lists, especially since there are bound to be some obvious omissions. This list is no exception, despite the inclusion of three Lee Marvin films, the single best of his westerns was indeed omitted. The full list can be read here
Upon reading it it’s seems to be rather weak on any Gary Cooper classics, save for High Noon, which belongs on any list of great westerns. Where is The Westerner (1940) or Along Came Jones (1945) or The Virginian (1929)? 
 Also, if you’re going to include such western comedies as Way Out West and Destry Rides Again, why not Support Your Local Sheriff and of course, Cat Ballou? Also missing are such personal favorites How the West Was Won (1962) as well as Tom Horn (1980) and the string of 1972 greats of The Cowboys, When Legends Die, Bad Company, and The Culpepper Cattle Company
Okay, enough griping…well, what the hell is TV-movie mini-series Lonesome Dove doing on the list? Okay, griping over. As to the reason this is even posted in a blog dedicated to the life and career of Lee Marvin, author Gary Susman did have the presence of mind to include the three Lee Marvin films, all good choices but once again, left out the best of the bunch. No, not the aforementioned Cat Ballou
It’s not only one of Lee’s best films and performances, it’s one of the best westerns ever made. Any guesses? 
Of course, any more info needed or wondered about can be found in the pages of Lee Marvin Point Blank. Until then, in the immortal words of Bruce Willis, “yippie-kay-ay, mutha….”
 – Dwayne Epstein

Monte Walsh, 1970

 

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