THE DAN BOYD CHRONICLES

The Dan Boyd Chronicles is a podcast geared for seniors and as such, Dan Boyd himself recently approached me to be a guest. At first I wasn’t quite sure how he found me but apparently he discovered my work via social media, LinkedIn to be specific. From there, he requested a connection, contacted me and tld me about his podcast via an applicable link. I checked it out, saw that it and he were legit (you never can tell in this digital day and age), and agreed to participate.

The Dan Boyd Chronicles logo.


I’ve done a few other podcasts as I’ve posted about here previously. The majority of them have included video as well as audio but Dan chose to go simply with an audio interview about my work, focusing on Lee Marvin Point Blank
 I’d like to add that having done such podcasts over the past few years, some of what I’ve said is repeated here, so I chose to do something I had not done before: for the Dan Boyd Chronicles I revealed the status of several upcoming projects for the first time. It may be worth a listen for that reason alone.
  Dan’s a nice guy as he asked me not only about Lee Marvin but a few other actors he said his audience have been curious about, such as the late, great Robert Mitchum and James Coburn. Not one to miss an opportunity to discuss such subjects, I pontificate appropriately. 
  His format is rather interesting in that he starts with some self-penned poetry, segues into our phone conversation (starts around the 11 minute mark) and then ends with a re-broadcast of an old radio drama called Johnny Dollar from 1950 starring the legendary Edmond O’Brien. I thought it pretty cool. So, without and further ado, I give you  Dan Boyd’s Chronicles. Enjoy! 
– Dwayne Epstein

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JULY 2021 ON TCM

July 2021 on TCM is upon us and with it comes some watchable Lee Marvin classics, as well as a few other goodies within the theme of neo-noir. Readers of Lee Marvin Point Blank will appreciate these films as they certainly fit the oeuvre of the man’s work. Even the film’s in which he doesn’t appear are ones he certainly could have and it’s interesting to consider him in the roles while watching. Check local listings for air time. First up:

Point Blank (1967): Friday, July 2nd. 

Point Blank, 1967


Lee Marvin as Walker based on the book in which his name is Parker written by Donald Westlake using the pen name Richard Stark directed by England’s John Boorman in quintessential American locales such as San Francisco and Los Angeles. Confused? Don’t be as TCM could not have picked a better film for their July 2021 launch of their theme of neo-noir classics, as this is the one that started it all. It’s what I like to call the first arthouse action film. See it again and you’ll see what I mean.



Warning Shot (1967): Friday July 2nd. 

Original ad art for WARNING SHOT (1967).



Hot from his success as Richard Kimble on “The Fugitive,” David Janssen stars in this film with a similar theme, only this time he’s a cop wrongly accused of murder. Janssen heads an all-star cast of cameos including Lee Marvin’s good friend and Point Blank costar, Keenan Wynn as well as Carroll O’Connor. Along for the ride are George Grizzard, Joan Collins, Lillian Gish, Steve Allen, Ed Begley, Sam Wanamaker, George Sanders, Eleanor Parker, Walter Pigeon and Stefanie Powers and a terrific score by Jerry Goldsmith. It’s a forgotten classic as far as I’m concerned and July 2021 is all the better for it.


The Friends of Eddie Coyle (1973): Friday, July 9th.

Criterion cover for the DVD of THE FRIENDS OF EDDIE COYLE.



In the 1970s Robert Mitchum underwent a sort of renaissance in his career with three outstanding crime thrillers: The Yakuza (1975), Farewell, My Lovely (1975), and the best of them being The Friends of Eddie Coyle. This is yet another movie in dire need of rediscovery and thankfully, a few years back Criterion chose to give the film the blue ribbon treatment it deserves. Yes, it’s dark and depressing and yes rather unrelentingly so but I like to think of it as haunting as once seen you’ll never forget it. Seriously. Mitchum heads an all-star cast of rugged faced veteran character actors on the dirty streets of Boston as he himself gives the performance of his career. Once again, don’t take my word for it. See it for yourself and be amazed. As costar Peter Boyle told Rolling Stone Magazine at the time: “You know what the 2001 theme is? That’s the sound of Robert Mitchum waking up.”

The Wild One (1953) Saturday, July 10th.

Original ad for The WILD ONE in which 4th billed Lee Marvin is shown (barely) but not mentioned.



The seminal film that started the biker film craze of the late 1960s was actually based on an event in the 1940s and starred Marlon Brando as Johnny, titular leader of the Black Rebel Motorcycle Club (BRMC). He’s challenged at one point by a scene-stealing, hilariously over-the-top Lee Marvin as Chino. Great and exclusive stories abound about the making of this classic in the pages of Lee Marvin Point Blank, including a letter Lee wrote to his brother about what he thought of the character in hopes of winning the role. As for his opinion of Brando? Read and discover!

Night Moves (1975) Friday, July 23rd.

Alternate cover art for NIGHT MOVES.


Gene Hackman is at the peak of his long and amazing career as Harry Moseby, a former football star working as a private detective hired to find the daughter of a burned out movie star.  He’s also dealing with the break-up of his marriage and the oncoming strains middle-age. Along the way he encounters some unsavory characters, such as sexy Jennifer Warren, a young an creepy James Woods (isn’t he always creepy?) and more. The style and performances of this film is required viewing in my opinion as Hackman is rarely better than in the hands of the great Arthur Penn. Enjoy!

Cutter’s Way (1981) Friday, July 23rd. 

DVD cover for CUTTER’S WAY.



Hollywood was still making films such as this in the early 1980s but sadly, few people wanted to see them. It’s a terrific character study in the guise of a thrilling whodunit. Jeff Bridges is Richard Bone, a Santa Barbara boat salesman by day and a “gigolo” by night (male prostitute, let’s be honest) who may have witnessed a murder committed by the riches man around. Enter John Heard as Alex Cutter, a disabled and embittered Vietnam veteran who wants to blackmail the suspected killer in a performance that reaches beyond the cliche description. It’s a performance worthy of countless acting awards but didn’t receive any. Ivan Passer’s direction, Jeff Bridges’ appearance (according to my girlfriend he never looked sexier!) John Heard’s riveting performance, the Santa Barbara locations and a chilling climax make this one a definite contender as a lost classic. Kudos to TCM for rediscovering it!

The Asphalt Jungle (1950) Saturday, July 31st. 

Montage of scenes and characters from John Huston’s ASPHALT JUNGLE. Can you name them all?



It’s a bit of a shame that this classic noir was made in 1950 as that’s the same year Lee Marvin began working in film as a glorified extra. Had he been a little better known by that time he would have fit right in with the cast of this hardboiled heist thriller in any of several different roles. The lead role by Sterling Hayden as the hooligan known as Dix would have been a perfect fit for the young Marvin. The ensemble cast as it is remains one of the best of all time. It also includes my personal favorite quote of all noir films when Hayden tells worrisome Marc Lawrence: “Why don’t you quit crying and get me some bourbon!”  A film brimming with double-crosses, subplots and believable characters, it’s one for the ages. Oh, and look quick for Pulitzer-Prize winning playwright Arthur Miller in the film’s opening line-up of suspected mugs. Honest!  


So there you have it. A plethora of terrific films for TCM’s calendar of July 2021. August brings even better fare for Lee Marvin fans. TCM is doing their regular installment of “Summer Under the Stars,” saluting one actor all day and on the 28th, they FNALLY get around to honoring Lee Marvin. July 2021 is pretty good. August will sure to be even better!

  • Dwayne Epstein 
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BRUCE SPRINGSTEEN & POINT BLANK

Bruce Springsteen, New Jersey’s legendary rocker, recently celebrated his 71st birthday –Sept. 23rd, to be exact — and as such, I thought it a good time to explore the possible connection between the man’s music (one song in particular), and a possible Lee Marvin connection.

Terrific cover art for the VHS release of POINT BLANK.


Readers of Lee Marvin Point Blank know why I titled the book what I did as it’s explained in the introduction. Yes, it’s partly due to the title of one of his signature films, but there’s actually more to it than that. 


What does any of this have to do with Bruce Springsteen, you may ask? Well, to start with,  Springsteen has often utilized imagery from films in his work, which is why I thought there may indeed be a Lee Marvin connection. For example, having been a long time fan, I was amazed the way in which he opened the first concert I ever saw. The arena went dark and over the sound system came the following dialog: “Me and the boys got us some work to do. Wanna come along? Won’t be like the old days….but it’ll do.” That end dialog from The Wild Bunch (a film Lee Marvin almost made, by the way), lead to the stage lights coming up and Bruce Springsteen and the E Street Band launching into Buddy Holly’s rocking “Oh Boy!” For the next four hours, I was enthralled and then exhausted by evening’s end. “The Boss’ put on one hell of a show! 

Article in the L.A. newspaper for the first Springsteen show I saw back in 1980


 That aside, Springsteen’s film references include everything from titling one of his signature songs “Thunder Road,” after the 1958 cult Robert Mitchum film, to to the title of his album The Ghost of Tom Joad, as in the character Henry Fonda played in the John Steinbeck adapted film, The Grapes of Wrath
Even more pervasive are the lyrics chosen for some of his songs. Take for example, “Cadillac Ranch” in which he borrows imagery from the likes Rebel Without a Cause, The Last American Hero and Smokey & The Bandit:
“James Dean in that Mercury ’49
Junior Johnson runnin’ thru the woods of Caroline
Even Burt Reynolds in that black Trans Am
all gonna meet down at the Cadillac Ranch.” 

1980 line-up of the E Street Band :(L-R) Bassist Gary Tallent,guitarist Steve Van Zandt, organist Danny Federici, Springsteen, drummer Max Weinberg, pianist Roy Bittan, and saxophonist Clarence Clemmons.


Which brings us to the haunting lyrics of “Point Blank” from his 1980 double album, “The River.” The song concerns the end of a romance in which the narrator describes how his ex-lover has been destroyed by her experiences. At one point in the song, he dreams they are dancing together again, only to wake up and discover she’s standing in the doorway trying to stay out of the rain “looking like just another stranger waitin’ to get blown away.” Hence the title and chorus, “Point Blank”. 

Libretto from THE RIVER for “Point Blank.”


Granted, it’s hardly the same premise or theme as the Marvin film. However, creative entities, such as Springsteen can be motivated in the most interesting of ways. Since he clearly is quite literate when it comes to film iconography, one can easily picture him watching the film one night and grabbing a pad and pencil with an idea once the premise of the film is established. Is Walker alive or dead? As Walker himself asks, was is all a dream that he was double-crossed by his wife and best friend then left for dead? 
It certainly is not a new premise for a writer to create a theme of blurred lines between life and death, or dreams and reality. I believe Ambrose Bierce’s classic 1890 short story “Occurrence at Owl Creek Bridge” set the standard for such a theme. A personal favorite is Dalton Trumbo’s “Johnny Got His Gun,” which realistically established a character grappling with the ability to know whether he is asleep or awake. In other words, Walker of Point Blank may have very well inspired Springsteen to use the premise as a springboard for what he would utilize as a dark concept of a tortured romance. Pure supposition, for sure, but certainly not unlikely. Judge for yourself in the video below and in closing, happy birthday, Bruce Springsteen!
– Dwayne Epstein

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