DIRTY WHISPERS

Dirty whispers, for lack of a better term, is a rather lascivious device used in some films to set the stage for an eventual brutal showdown. There are of course several memorable examples but this being a blog dedicated to the life and career of Lee Marvin, I can think of no better example to start with than the man himself. 
 In researching Lee Marvin Point Blank, I discovered that he attempted this device in The Killers (1964) but ran into conflict with costar, Ronald Reagan, who hated the idea. Instead, he let it be known to the audience what he intended when he gets in the face of frightened costar Angie Dickinson and angrily whispers, “Lady, you tell us what we want to know or so help me god you’re going out that window.” 
  A few years later, he was able to use the device to much better effect when he collaborated with British director John Boorman on Point Blank (1967).

Lynn (Sharon Acker) warms up to a drunken Walker (Lee Marvin) as they circle each other on the Santa Monica pier in POINT BLANK.


In the opening prologue, in which Marvin as Walker confronts his estranged wife, played by Sharon Acker, an ingenious montage is utilized  to give the films’s back story to the viewer, as narrated by Acker. Costar Angie Dickinson told me how Marvin and Boorman would themselves whisper on set about how they would do a scene without letting the other actors in on it to maintain the film’s freshness. The opening montage is one example. Acker’s narration of course explains what’s going on for us, but in the scene itself, no words are heard but we do see Walker saying something to her (of probably the most lascivious nature) ,as they circle each other amid the other drunken denizens of the pier. 
   Later in the film, as Walker confronts his adversaries up the chain of command in an effort to get what he believes he is owed from the organization, he employs the device again to even greater effect as Marvin wanted to do in The Killers

Walker (Lee Marvin) uses a dirty whisper on a reception in POINT BLANK. Note the placement of his gun barrel.

Bursting into the outer office of kingpin Lloyd Bochner, he confronts the receptionist before she can even react to his entry, and while he scares her to near death with whatever dirty whispers we can’t hear, he uses his oversized Oxford to smash the secret alarm hidden under her desk. It’s a brilliantly realized moment in a film spilling over with brilliant moments way ahead of its time for audiences and film critics alike. 
   One can only imagine not only what Marvin was saying but what he must have sounded like, as his voice, whether booming loud or frighteningly whispered, was one of the actor’s greatest attributes.

 Film history has provided some other noteworthy examples of dirty whispers. Chronologically, to my mind, one of the first and still best is Edward G. Robinson terrorizing Lauren Bacall in Key Largo (1948). It’s amazing to think Robinson was never Oscar nominated for any of the memorable performances he gave throughout his lengthy career as this should have been one of them. 

Lauren Bacall reacts accordingly to Edward G. Robinson’s lascivious dirty whispers in KEY LARGO.


The scene induces shivers in the way Robinson gleefully does it, as much as the way Bacall reacts to it. It’s one of many stand out moments Robinson has in the film as over-the-hill Prohibition-era gangster Johnny Rocco hiding out in a Florida Hotel besieged by a hurricane. The greatness of his menacing performance has faded in moviegoer memory, since the film is largely remembered for the well-known sparks that flew and ignited between Bacall and toplined star, Humphrey Bogart. Pity, really, as Robinson was amazing in it.

The memorable near fight scene in From Here to Eternity (1952) that leads to a an even more memorable confrontation is not remembered as such but it’s initiated by another dirty whisper.

Ernest Borgnine (center) drools over the photo he snatched from Frank Sinatra (right) in FROM HERE TO ETERNITY as Montgomery Clift (left) prepares to respond.


As Frank Sinatra as Maggio shows off a photo of his big Italian family to his buddies in the bar, stocky and vicious Ernest Borgnine as “Fatso” Judson ambles into the bar. He snatches the photo, sees the image of Sinatra’s sister, kisses it, smiles menacingly, then leans over to Prewitt, played by Montgomery Clift, to whisper what has to be an undoubtedly filthy suggestion. Clift rises to the challenge but is pushed out of the way by the more maligned Sinatra who proceeds to smash Borgnine with a bar stool. All looks lost until Burt Lancaster steps in with a broken beer bottle. Damn exciting stuff, again the result of a probably forgotten dirty whisper.  
 Last but not least is possibly the best example of a dirty whisper and its aftermath. In The Hustler (1961), the great Piper Laurie plays Sarah Packard, the tragic and crippled girlfriend of the title character, ‘Fast Eddie Felson, played by Paul Newman.

(L-R) Paul Newman, Piper Laurie & George C. Scott enjoy Louisville’s Derby Day party in THE HUSTLER.


Celebrating the Kentucky Derby at a Jazz party, Felson’s manager Bert Gordon, played by George C. Scott, sees how vulnerable Ms. Laurie’s character is and proceeds to take advantage of it. While a Dixieland band blares in the background, he sidles up to the fragile woman, out of ear shot of everyone (especially Newman) and whispers something so devastating to her, she breaks down in tears and eventually does the unthinkable.
   What was said? Well, we may never know for sure what is said in such emotional scenes, but there is one interesting anecdote. According to Piper Laurie in her autobiography, “I finally asked him [Scott] what he had whispered into my ear in the big party scene in The Hustler that elicits a violent response from me. We shot it perhaps three or four times, and I could never figure out what he was saying: it sounded something like ‘isha-pa-pish-po.’ He told me he chose to use just gibberish, knowing he could never invent words or phrases as powerful as what my imagination could summon up. Probably true.” 
 Whether a result of avoiding the censor or the fertile imagination of gifted actors and actresses, such moments remain dramatic and powerful in their own right. Anybody remember any others?

  • Dwayne Epstein
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FROM THE 1998 FILMFAX ARCHIVES: THE RAT PACK

An old friend recently contacted me via social media about a question she and her husband had been pondering during dinner. It had to do with the infamous Rat Pack and instead of searching Google, she contacted me to ask about the group’s inception. I wrote her back based on what I remembered and the result pleased both her and her husband.
Of course, it also got me to thinking, how DID I know the answer to her query? The senior moment passed when I realized I had, albeit many years ago, written a rather tongue-in-cheek article about that very subject for Filmfax’s sister publication, Outre Magazine.
It was a favorite piece of mine as the subject is a favorite. Even though the articles are all done on spec, I didn’t have to sell this one very hard at all. A simple query was all it took. One of the many reasons I loved writing for the magazine was just that: They liked what I wrote and I liked their subject matter. A perfect fit. Besides, it allowed me to keep my chops up while I continued to research Lee Marvin Point Blank.
And so without further ado…..Oh, one more thing. The cable show I referenced but did not state by name was Mystery Science Theater. Very funny show in it’s day but I didn’t want to risk legal action….or something like that.
So NOW, without further ado, my homage to (please hold your applause until all names have been completed) Frank Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford, Joey Bishop, and supporting players Shirley MacLaine, Humphrey Bogart, and Lauren Bacall. I give you, THE RAT PACK!
Rather appropriate for this Good Friday, don’t you think?

The Rat Pack in Outre, Page 1

The Rat Pack in Outre, Page 1

The Rat Pack in Outre, Page 2

The Rat Pack in Outre, Page 2

The Rat Pack in Outre, Page 3

The Rat Pack in Outre, Page 3

The Rat Pack in Outre, Page 4

The Rat Pack in Outre, Page 4

The Rat Pack in Outre, Page 5

The Rat Pack in Outre, Page 5

 

 

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ARCHIVE: MY INTERVIEW WITH SAMURAI WIDOW, JUDY BELUSHI

I recently came across an article stating that a film is in the works based on Judy Belushi’s biography of her late husband, singer/actor/comedian, John Belushi. It stated that Ellen Page might play her and Emil Hirsh would play John. Unfortunately, it doesn’t look likely to happen but it did remind me of the time I interviewed Judy Belushi.
Before I was able to finally get a publisher for Lee Marvin Point Blank, I lucked into some great freelance work for Filmfax Magazine. Interviewing the former Judtih Jacklin in 2006 was a dream come true for this die-hard fan of her late husband. Shy at first, she could tell I had done my homework on her late husband’s career and quickly opened up to me with great tales not even mentioned in her book. The one about Lauren Bacall is but one great example. So, without further ado, here’s that interview from almost 10 years ago (yipes!)….

Judy Belsuhi Filmfax interview, Page 1

Judy Belsuhi Filmfax interview, Page 1

Judy Belushi Filmfax interview, Page 2

Judy Belushi Filmfax interview, Page 2

Judy Belushi Filmfax interview, Page 3

Judy Belushi Filmfax interview, Page 3

Judy Belushi Filmfax interview, Page 4

Judy Belushi Filmfax interview, Page 4

Judy Belushi Filmfax interview, Page 5

Judy Belushi Filmfax interview, Page 5

Judy Belushi Filmfax interview, Page 6

Judy Belushi Filmfax interview, Page 6

Judy Belushi Filmfax interview, Page 7

Judy Belushi Filmfax interview, Page 7

Judy Belushi Filmfax interview, Page 8

Judy Belushi Filmfax interview, Page 8

 

 

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