JERRY GOLDSMITH

Jerry Goldsmith, the legendary composer of great film music, never scored a Lee Marvin film, and as classic film fans, we are less enriched because of it. I say this as the author of Lee Marvin Point Blank and genuinely wish that he had, as it would have been a wonderful marriage of an actor’s persona and a musical entity’s talent.
I should explain in that I am a huge fan of Jerry Goldsmith’s music and given the theme or setting of a project, he excelled even beyond his very talented contemporaries. For example, if a film involved a train as part of the premise and Goldsmith composed the score, the result was breathtaking. Listen to his main themes to the likes of  Von Ryan’s Express (1965), Breakheart Pass (1975) or The Great Train Robbery (1978).  He evokes the the motion of the train, the period the stories takes place and creates a hummable main theme…all at the same time!
With that in mind, I find it very disappointing that director Robert Aldrich failed to hire Goldsmith to score Emperor of the North (1973), choosing instead to go with Frank DeVol. Mostly known for his lighter scores for TV and Doris Day movies, DeVol was also an actor, most notably playing the dour-faced conductor Happy Kyne on “Fernwood 2-Night.”

CD cover of the belated release of Frank DeVol’s score to Emperor of the North.

I doubt if a Jerry Goldsmith score might have saved Emperor from its box-office disappointment, but it would have, at the very least, made for a great opening credit and rousing theme for the fight scene.
Another example is yet another Robert Aldrich film scored by Frank DeVol. Granted, The Dirty Dozen (1967) really didn’t need any help in reaching its classic status and DeVol’s main theme is pretty good. However, his reliance on variations of “Don’t Sit Under the Apple Tree” may have been period correct but lazy composition, in my opinion.

Original DIRTY DOZEN vinyl soundtrack cover featuring Trini Lopez.

Having scored many films with military themes, most notably his Oscar-nominated score for Patton (1970), I think Jerry Goldsmith would have done amazing things with The Dirty Dozen. However, composers, like actors, are often hired based on their working relationship with a a given director, or are typecast based on the film’s subject. In this case, Robert Aldrich almost always went with DeVol, while Goldsmith frequently worked for several other high-profile directors, such as Franklin Schaffner and Joe Dante.
As a huge admirer of Goldsmith’s rich melodic scores, I just think it’s a damn shame that he never composed a rousing score for one of Lee Marvin’s films. In those golden days of rich music film scores, it’s a true pity that we shall never see the likes of Jerry Goldsmith again, nor, for that matter Lee Marvin.

Rare CD cover of the great Jerry Goldsmith conducting some of his best scores. I treasure it!

  • Dwayne Epstein
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JAMES GUNN, SUICIDE SQUAD & LEE MARVIN

James Gunn and Lee Marvin are not two names often associated with each other but surprisingly, recent news via a Google search has done just that. 
Director James Gunn, of Guardians of the Galaxy fame, is also the director of the new and highly anticipated Suicide Squad movie reboot for 2021. He recently tweeted that one film and one film only was the inspiration for the upcoming all-star comic book film and that film was another all-star production from a few decades earlier. That’s right. None other than The Dirty Dozen (1967).

Opening image I used for LEE MARVIN POINT BLANK is the actor’s performance of Major John Reisman in The DIRTY DOZEN, the film that helped make him the number one male box office star in the country.


Matter of fact, the news generated an online story, just a few days ago. I’m not a particular fan of comic book inspired films but I did grow loving comic books, especially D.C. superhero ones. Knowing that, the revelation involving The Dirty Dozen hardly came as a surprise. There were similiar titles even more effective, such as Marvel’s Sgt. Fury and The Howling Commandos. The same Sgt. Fury would later become Nick Fury Agent of S.H.I.E.L.D., the only Marvel title I liked, as written and drawn by the great Jim Steranko. But I digress….
 Glad to see Marvin’s most well-known film getting it’s just respect. Of course, it’s influence is far more reaching that that. It proved to be the inspiration for several other films, as well. A short list would include:
• Quentin Tarantino’s Inglorious Basterds (2009), which at one point was to include a character named ‘Babe’ Buchinsky to be played by Michael Madsen, as an homage to Dirty Dozen costar, Charles Bronson. 
• Joe Dante’s fantasy film Small Soldiers (1998), featuring voices of several original cast members.
• The original Italian version of Tarantino’s film with Bo Svenson and Fred WIlliamson, The Inglorious Bastards (1978). Note the spelling difference which Tarantino has never fully explained. 
• Even Roger Corman’s Secret Invasion (1964) used the same premise which predates the novel’s publication by a year. Makes you wonder if Corman knew something the author didn’t.
Kind of makes you wonder if perhaps the premise is based on fact. According to the original novel’s author, E.M. Nathanson: “This story is fiction. I have heard a legend that there might have been men like them, but nowhere in the archives of United States Government or in its military history did I find it recorded.”

Makes sense but then again just because it’s not recorded, doesn’t mean it isn’t true.
– Dwayne Epstein

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