Lee Marvin Movie Quotes
Writing and researching Lee Marvin Point Blank allowed me good reason to watch ALL of his films and on occasion, he proved to be the best thing to watch. Take for example his official film debut, You’re in the Navy Now (1951) with legendary actor, Gary Cooper.  Readers of Lee Marvin Point Blank know how he got the handful of lines he spoke in the movie and its a pretty amusing story, thanks to the chutzpah of his acquired agent, Meyer Mishkin. The very fact that he spoke on screen for the first time makes it worthy of some memorable Lee Marvin movie quotes.

Top image shows Marvin waiting to go on camera while bottom image shows hm with costars Gary Cooper and Jack Webb.

Director Henry Hathaway cast Marvin initially as an extra, allowing him to appear throughout the film as a crew member, in this case, the radio operator. Marvin later claimed him he did the voices of 5 other characters offscreen in which he actually talked to himself! Other actors also made their debut in the film, including future Marvin costar, Charles Bronson. Bronson had a bigger role in the flop later retitled USS Teakettle. Marvin’s first words on camera? “Sorry, captain. I can’t get a rise out of them.”

Another example of Marvin’s early, albeit small contribution to film was in the all-star comedy We’re Not Married (1952). Played out like an episode of Love, American Style, it told the tale of 5 different marriages discovering that the clergyman (Victor Moore) who married them was not ordained. The film boasted the likes of Ginger Rogers, Fred Allen, Eve Arden, Paul Douglas, Louis Calhern, Eva Gabor, and a young Marilyn Monroe married to David Wayne (!). The last segment starred Eddie Bracken married to Mitzi Gaynor, who is pregnant with his child but Bracken is going overseas with his Army unit. It being the 1950s, the dilemma of Bracken’s offspring not being legitimate is a major crisis. Since it is the 50s, Bracken’s buddy, Lee Marvin, informs the C.O. that, “He don’t want his kid to be no oddball.”

Marvin & Bracken in the final segment of WE’RE NOT MARRIED.

Don’t you just love that 1950s euphemism for bastard? It’s one of my personal favorite Lee Marvin movie quotes.

And then there’s The Wild One.

Marlon Brando as Johnny and Lee Marvin as Chino in the world’s 1st biker movie, THE WILD ONE (That’s cult legend Tim Carey smiling behind Marvin).

Marvin comes in the middle of the film and commits grand larceny in his scenes with then red hot 50s icon, Marlon Brando. Everything Marvin says and does in the classic is memorable, from his entrance (waving like the prom queen on his chopper as he and his gang ride into town) to his final scene sneaking out of jail when no one is looking. I was lucky to find a letter he wrote his brother before the film was cast and his take on the project is reprinted in its entirety in Lee Marvin Point Blank. Hard to pick a favorite line of his as they’re all delivered brilliantly (“Call my old lady and tell her I’m in the can! Oh, the shame of it all!”) But the one I like best is the one with cultural resonance. When Marvin tells Brando: “We miss ya, Johnny. All the Beetles miss ya.” Apparently another ‘Johnny’ liked that line, too. Any guesses?
– Dwayne Epstein


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September 29, 1913, marks the birthday of the prolific producer/director Stanely Kramer, who blazed new ground in dealing with the human condition’s most pressing issues. He also helped bring to the screen some of the postwar era’s greatest actors, such as Grace Kelly, Marlon Brando, Kirk Douglas and Sidney Poitier. Less remembered is the fact that he also played a highly siginificant role in the career of Lee Marvin. Early on, Kramer proved to be the one major Hollywood figure to recognize Marvin’s talent and utlized that talent to great effect for more than a decade. One of the first and most important roles in the actor’s career was an appearance on Jack Webb’s TV series, Dragnet. It was one of Marvin’s first lead roles, playing a homicidal natural foods fanatic (!) who gives Joe Friday and his partner a run for their money…..

Lee Marvin's appearance in this Dragnet episode caught the attention of producer/director Stanley Kramer.

Lee Marvin’s appearance in this Dragnet episode caught the attention of producer/director Stanley Kramer.

The actor was excellent in the role and impressed producer Webb with a hilarious anecdote recounted in Lee Marvin: Point Blank. Marvin’s agent, Meyer Mishkin, made sure to get a copy of the episode to show to all the major players in Hollywood at the time and the first to take notice was Kramer. He cast him in his first lead role as Sgt. Joe Mooney in the film Eight Iron Men based on the Broadway play A Sound Of Hunting, which had earned a film contract for Burt Lancaster in the same part. Marvin again proved to be perfect in the role, as seen below….

Left to right: Richard Kiley, Marvin and Arthur Franz. Franz had convinced to marry his first wife, Betty.

Left to right: Richard Kiley, Marvin and Arthur Franz in Eight Iron Men. Franz had convinced Marvin to marry his first wife, Betty.

Over the next several years, as Kramer continued to produce such films as The Wild One and The Caine Mutiny, he sought out Marvin to etch impressive characeterizations in roles both large and small. When Kramer decided to make his directing debut in the medical drama Not As A Stranger, as a good luck charm he cast Marvin in the small but interesting role of Brundage, a braggard med student who knew all the angles.

Over the years, Kramer took chances producing or directing such groundbreaking social issue films as Inherit the Wind (Evolution vs. Creationism), On The Beach (nuclear war), A Child is Waiting (mental retardation), and more. The two issues that he dealt with the most were the two that he believed to be at the heart of the nation’s greatest discord: racism (The Defiant Ones, Guess Who’s Coming to Dinner, etc.) and anti-semitism (The Juggler, Judgement at Nuremburg, etc). Producer Kramer even managed to combine both in one underrated project involving a black psychiatrist (Poitier) treating an American Nazi (Bobby Darin)!
The culmination of his belief in dealing with anti-semitism came with Ship of Fools, an epic project of pre-war Europe’s underestimation of Adolph Hitler. The film recieved mixed reviews over all, but when it came to Lee Marvin’s performance of Bil Tenney, a bigoted, misogynistic, burned out ex-ball player, the reviews were uniformly excellent in their praise….

In producer/director Stanley Kramer's Ship of Fools, Marvin managed to miraculously make his character sympathetic.

In producer/director Stanley Kramer’s Ship of Fools, Marvin managed to miraculously make his character sympathetic.


Towards the end of the film, Marvin has an amazing confrontation with screen legend Vivien Leigh which very few actors would be willing to undergo. When his character mistakes her for a prostitute he had planned a liasion with, Leigh proceeds to beat him mercilessly with the business endl of her high-heel shoe. Marvin took the beating like a pro and kept the shoe as a treasured memento!

A staged still from the climatic scene in Kramer's Ship of Fools in which Marvin takes a vicious beating from Vivien Leigh's high heel shoe.

A staged still from the climatic scene in Kramer’s Ship of Fools in which Marvin takes a vicious beating from Vivien Leigh’s high heel shoe.

I was extremely fortunate to interview the great Kramer toward the end of his life and his insight into Marvin’s persona was most impressive. He understood and knew the actor as well or maybe better than just about anybody Marvin ever worked with. All of his thoughts & opinions made it into the text of my bio and proved to be the highlight of my research. I have always been a fan of Kramer’s and his passing ( on Lee’s birthday!) is a constant reminder in today’s day and age of fluff film making that we sure could use him now….more than ever!

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While still cataloguing my mound of research material utilized for Lee Marvin: Point Blank, I  recently stumbled across yet even more lost nuggets from the man’s film debut that to my mind have remained unseen for decades…

teakettle+In the top photo from Marvin’s film debut, USS Teakettle (1951), Marvin can be seen second from left running towards costar Millard Mitchell in this scene in which one of the steam driven boiler’s explodes. Also visible, wearing a low-brimmed sailor cap, is Jack Warden, who also began his lengthy film career with this film. In the center is veteran comedy actor, Harvey Lembeck who, along with Charles Bronson, also made his screen debut in U.S.S. Teakettle. Not pictured is the film’s above the title stars, Gary Cooper, Eddie Albert, Jack Webb and Jane Greer. By the way, the film flopped, in spite of 20th Century Fox rereleasing it under the less subtle comedy title, You’re In The Navy Now.

The bottom photo depicts cast and crew setting up on shot on the ship’s bow with Marvin pictured far right wearing radio gear. He had been hired merely as a background extra but fate loomed large for the actor early on in the production as agent Meyer Mishkin recounted to me in Lee Marvin: Point Blank (pp. 75-76).


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