Clint Walker’s passing occurred a year ago and as such, karma had a say in such things. I was browsing at a used bookstore a day or two ago and came across a copy of SCREEN WORLD 1959, the annual journal of films on a given year. I was missing that particular one so I picked it up, opened it to peruse and came across this page first…..
Pretty amazing timing considering I came across it almost a year to the day of Clint Walker’s passing. Consequently, he’s been on my mind a lot, lately. At the time of Clint Walker’s passing last year, I did blog about it. Since then, some interesting things have transpired.
To start with, I was most fortunate to meet Walker the first time at the the Beverly Garland Hotel (GREAT lady, by the way) at one of her Hollywood Collector Shows back in the 1990s. He agreed to be interviewed for what eventually would become Lee Marvin Point Blank and his stories on making The Dirty Dozen (1967) and the follow-up of sorts, Small Soldiers (1998), were priceless! His anecdotes on Trini Lopez on both projects are unintentionally hilarious.
A few years back I had the idea of interviewing him again, but this time it would be about his entire career for Filmfax Magazine. I discovered the best way to contact him was to connect with Deb Elsie, who handled his online presence. Once we spoke and she then contacted him, I took no small amount of pride, in this exchange from her: “He told me to give you his phone number and in all the years I’ve known him, he’s never told me to give someone his phone number. …..Dwayne, I’m super excited about this!!! Especially since it wasn’t that long ago Clint said he wasn’t interested in doing any more interviews. I know he trusts you and so anything you need, I’m here to help.”
The interview went well, I sent it to Filmfax, and liked the response it garnered upon publication. When it came out, I received much praise from his fans via social media and something I never expected. Author and historian Jeff Thompson read it and contacted me about something Clint Walker had said concerning a TV-move he made for Dan Curtis. Curtis, the creator of the cult TV show Dark Shadows (among MANY other things), was chronicled in several books by Thompson who had not known Walker’s input on the project entitled, Scream of the Wolf, that is until he read my interview. He contacted me….
“I am finishing up the revised second edition of my first book THE TELEVISION HORRORS OF DAN CURTIS for McFarland. I would like to quote your interview in my book thusly:
In a 2017 Filmfax interview, Clint Walker (1927-2018) revealed that he almost did not get the part. He explained, They wanted Jack Palance for it, but he wanted more money, and they didn’t want to pay it. So I said to my agent, “Let me talk to them.” I wanted to be the heavy. I said, “If you get Jack Palance, he’s a very fine actor and all, but people are going to know immediately that he’s the bad guy. With me, they’re not going to think of me in those terms until the last minute.” [Scream of the Wolf] was interesting.”
It just goes to prove you never know how one’s work may be perceived, or for that matter, live on beyond inception. I look forward to seeing Jeff’s book, and when it comes to work living on beyond inception, few have done so as well as the canon of work of Clint Walker. He was often a good guy on small and big screen alike but more importantly, he was a good guy in real life. Farewell Cheyenne.