GAY ICONS

Gay icons exist in the movies and two of the most well-known worked with Lee Marvin. Since June is Gay Pride month (which not so coincidentally is also a theme on TCM for the month) I thought it a good time to comment on Marvin’s work with these two prominent gay icons. It’s important to keep in mind that at the time of these two actors’ greatest popularity their sexual orientation was NOT known, as it would have meant professional suicide. This fact of course allowed them to become major stars and sex symbols to their admiring fans.
First up, Rock Hudson, an often mediocre actor at best but a wonderful and legendary light comedian with a charming air when most befuddled. Marvin’s films with Hudson were not memorable in and of themselves but they certainly helped his career. Released in 1953, Gun Fury and Seminole both top-lined Hudson in rather bland performances. Something, in my opinion, that was often the case with him in dramas, with the sole exception being the riveting performance he gave in Seconds (1966). Gun Fury was released in 3-D and allowed Marvin to put on his resume’ that he worked with the great Raoul Walsh as well as a friendship with Leo Gordon. Other than that…

Seminole, on the other hand, actually had scenes in which Marvin and Hudson interacted — albeit, briefly — throughout the movie.

(L-R) Lee Marvin as Sgt. Magruder and Rock Hudson as Lt. Lance Caldwell in Budd Boetticher’s SEMINOLE.

It was simply another programmer for Hudson, but for Marvin it meant working with cult director Budd Boetticher for the first time, who would go on to cast Marvin in Seven Men From Now (1956), one of the actor’s best performances. What did Marvin think of working with Hudson in the overtly macho period films? I have no idea. I do know, however, that for a man of his generation, he had some surprisingly forward-thinking ideas on the subject of homosexuality that he expressed in Playboy Magazine.
As to other gay icon, that would be Montgomery Clift, the legendary Method actor who’s tragic life Marvin witnessed firsthand.

Lee Marvin (left) and RAINTREE COUNTY costar Montgomery Clift photographed by Bob WIlloughby.

Marvin had gone on record as not being a fan of Method actors as a rule yet ironically, he claimed two of the best actors he ever encountered were Marlon Brando (when he cared) and Clift. Raintree County (1957) was the film he made with Clift and was also the film in which Clift suffered a disfiguring car accident early into the production.

(L-R) Lee Marvin and Montgomert Clift as ‘Bummers’ during the Civil War scene in Raintree.

Marvin’s performance in the film is one of his best while Clift is naturally just painful to watch, no matter how hard he tried. That aside, Marvin had his own theory on the accident’s cause which will not be expressed here, as it is strictly hearsay. Luckily, the tragedy of Clift’s forced hidden sexuality and disfiguring car accident does not hamper his legacy as a superb actor, thanks to his many extraordinary film performances.
As to the Gay community in general, Marvin had several run-ins with members of the community on a personal level. One such encounter was hilariously retold to me by Marvin’s friend and costar Bob Phillips and concerns Marvin’s dedication to the USMC. Another concerned one of his children and both tales can be found in the pages of Lee Marvin Point Blank. So happy Pride, dear readers, and remember, Gay Icons may be everywhere but on film, they are often legendary.

– Dwayne Epstein

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FEBRUARY 2021 ON TCM

February 2021 is upon us and so is a new list of watchable films for interested Lee Marvin fans. Unfortunately, they are only showing one actual Lee Marvin film for February 2021, but there are a couple of interesting highlights to consider, as well. All times are PST so set your DVRs accordingly…

AVALANCHE EXPRESS (1979): Tuesday, February 2nd, 4:45 am. 

Old style advertising artwork for AVALANCHE EXPRESS, which was infinitely better than the film.


Lee Marvin heads an all-star cast of Robert Shaw, Maximillian Schell, Linda Evans, Horst Bucholtz, Mike Connors and Joe Namath in this Cold War thriller that’s part dated spy film and part creaky disaster film. Marvin had been off-screen for a few years and he effect is jarring as he looked infinitely older than his mid-fifties. The production was fraught with disaster itself, including the untimely death of both the film’s director Mark Robson and costar Shaw. Readers of LEE MARVIN POINT BLANK discovered the truth behind the finished film and the input of filmmaker Monte Hellman. Like any Lee Marvin project, though, it’s still worth viewing. 

THE RISE & FALL OF LEGS DIAMOND (1960): Friday, February 5th, 6:30 am. Dashing Ray Danton stars as the title character in this classic genre film that also proved to be the film debuts of both Dyann Cannon and Warren Oates. The Marvin connection? The film was directed by Budd Boetticher, known largely for his cult westerns starring Randolph Scott, his contribution to Marvin’s filmography gave the actor’s career a major boost. As he told yours truly in an exclusive interview, “I directed a couple of westerns and they typecast me as western director. After Legs Diamond they called me a gangster director. Go figure.” Check it out and see how veteran filmmaker put his touch on the tommy guns and molls entry.


IN COLD BLOOD (1967): Monday, February 15th, 5pm.

IN COLD BLOOD writer/director Richard Brooks (behind the camera) and cinematographer Conrad Hall behinds Brooks.


Writer/director Richard Brooks brought this Truman Capote true-crime thriller to the screen with bone-chilling reality. Shot on actual locations by Conrad Hall in stark black & white and starring Robert Blake and Scott Wilson as Dick and Perry, the Marvin connection had been recounted here the last time TCM aired the film. Watch it again but by all means, leave the lights on!

THE PAWNBROKER (1965): Wednesday, February, 17th, 6:45 pm.  
Marvin won his only Oscar for Cat Ballou (1965) but the odds on favorite that year had been Rod Steiger who plays this film’s title character. As concentration camp survivor Sol Nazerman, Steiger gives an emotionally powerful performance as a New York City pawnbroker grappling with his memories of the camp. He seemed a shoo-in for the Best Actor statue but we all know what happened that night. Marvin’s wife had other plans, Marvin himself had a plan for Steiger and the cherry on the sundae happened after the show at a nearby traffic light, all recounted in LEE MARVIN POINT BLANK. So, watch The Pawnbroker and see for yourself who was more deserving of the award that year. 

Lee Marvin backstage after winning his Oscar.



In other TCM news the Star of the Month is the great John Garfield and that alone makes for wonderful viewing. Check listings for film titles and times. So there you have February 2021 on TCM. Until next month, stay safe and enjoy classic movies!

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RELEASED THIS DAY IN 1953: LEE MARVIN IN SEMINOLE

Lee Marvin’s earliest supporting roles are often overlooked, such as Seminole, released this day in 1953. The film itself is a typical Hollywood take on a fascinating aspect of U.S. history, as pointed out in Lee Marvin: Point Blank. In fact, when Marvin was in school Florida, he found the true story of the Seminole tribal chief Osecola so fascinating, he wrote a book report on the subject. He may have been equally thrilled to get the job in the film only to become equally disappointed once he read the script.

Original poster art for 1953's Seminole, in which 7th billed Lee Marvin is no where in sight.

Original poster art for 1953’s Seminole, in which 7th billed Lee Marvin is no where in sight.

TIME magazine aptly derided the film as “a swampy melodrama,” in which mean soldiers try to eliminate marauding Indians with a sympathetic White officer caught in the middle. Rock Hudson played the sympathetic officer Anthony Quinn played Osceola, and the the mean soldiers were headed up by RIchard Carlson. Marvin was listed SEVENTH down the cast list, but he did have a a substantial scene towards the end of the film.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

 

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

The film’s director, the underrated Budd Boetticher, did point out how the run-of-the-film led to better things for Marvin shortly thereafter…..
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“…..[Marvin] played Sgt. Magruder and he was very, very good. [Seminole’s screenwriter] Burt Kennedy brought him in. He suggested Lee to play the second lead on my next picture with Randy [Scott]. Now Duke Wayne [as producer], and you can quote me on this, Duke was either a son-of-a-bitch or the best friend you ever had, depending on the mood he was in. Burt asked Duke, “Who should we use?” Duke said, “Let’s use Randy. He’s through.”
The result was one of Lee’s earliest lead roles and one of his all-time best performances: Big Masters in Seven Men From Now (1956).

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