Robert Shaw would have been 91 years-old last Thursday, August 9th. Sadly, he never lived beyond the age 51, dying shortly after completing principal photography on Avalanche Express, his sole costarring credit with Lee Marvin.

Old style advertising artwork for AVALANCHE EXPRESS, which was infinitely better than the film.

The old-fashioned Cold War spy thriller left Robert Ludlum and John LeCarre nothing to worry about.  Shaw played a Russian master spy defecting to the west with KGB chief Maximillan Schell hot on his trail. Shaw’s defection is arranged through the auspices of American spy master Lee Marvin who plans to use Shaw as bait to ferret out some old KGB adversaries. Mike Connors, Linda Evans, Horst Bucholtz and even Joe Namath join in on the title train’s cliche’d yarn.

AVALANCHE EXPRESS production stills from the film’s pressbook.

Readers of Lee Marvin Point Blank are well aware of the film’s bedeviled production. For example, veteran director Mark Robson died suddenly, June 20, 1978 as principal photography was near completion, followed two months later by Shaw’s untimely passing from a massive heart attack near his home in Ireland. Producers were left in a quandary about what to do about it as some footage was actually still needed, or in some cases, reshot. Enter maverick filmmaker Monte Hellman, who took over the production in ways only Lee Marvin Point Blank readers know about thanks to an exclusive interview he gave me.

The great Al Hirschfeld’s drawing of the AVALANCHE EXPRESS costars. Can you spot all 3 Ninas?

It proved to be the great Robert Shaw’s last screen appearance as the actor was coming more and more into his own following the success of Jaws (In the role Marvin turned down) and The Sting.
It isn’t widely known but he had actually wanted to be remembered more for his writing than his acting. His play, The Man in the Glass Booth earned him a Tony Award and an Oscar nomination for the performance of his Avalanche Express costar, Maximilian Schell. The loss of Shaw’s talent can never be fully measured.
As for Lee Marvin, he had not made a film in 3 years but came out of semi-retirment just to work with Shaw. He was not disappointed as the two men got along wonderfully, making Shaw’s passing even more tragic for Marvin. He was in Ireland shooting scenes for The Big Red One when he got the news. He said at the time: “In leaving Ireland I am leaving a piece of my heart with Robert Shaw and his family.”
-Dwayne Epstein

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Back in the studio days of Hollywood it was quite common to see caricatures of popular stars in everything from Bugs Bunny cartoons to the walls of the Brown Derby. The trend faded with time but in its prime, Lee Marvin was a ripe target as shown below….

cartoon6Famed caricaturist Cristiano cleverly rendered James Stewart, Lee and John Wayne in the climax of The Man Who Shot Liberty Valance (1962) without giving away ‘too’ much of the plot twist that has to be seen all the way to the end.

cartoon3The rave review for Ship of Fools (1965) in the old NEW YORK WORLD TELEGRAM included this cartoon rendering of co-stars Vivien Leigh, Jose Greco, Lee and Michael Dunn.





Lee’s great oscar-winning performance in Cat Ballou (1965) resulted in the poorly rendered cartoon below…cartoon4





A wonderful caricature by STARK for Lee’s 1967 cult classic Point Blank is shown above.




You never really made it as a celebrity unless you were rendered by Al Hirschfeld. For 1977’s Avalanche Express are Lee, Linda Evans and Robert Shaw. Can you spot the Ninas??

cartoon5Court artist Bill Robles strove very hard NOT to render Marvin as a cartoon during the palimony trial of 1979 as shown here in Los Angeles Magazine. Think he succeeded?


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