OSCAR 2022

Oscar 2022 is upon us (Sunday, March 27th to be exact) and even though I’ll be watching, it will be done with less enthusiasm than in years past. Because the Academy is always doing things to improve ratings, especially among younger viewers, they are constantly changing things that in my opinion are NOT for the better. It’s been stated that several awards will not be aired this year, such as Best Film Editing, in the interest of time and glamour quality. What a stupid idea! It was bad enough when they decided to not air the Life Achievement Awards a few years back, opting instead for a montage of it as a separate event. How the hell are people going to know the important contributions of the individuals awarded for their work if it’s not aired? Geez, don’t get me started!
   As I said, I will be watching Oscar 2022, but the greatest misgiving I have are the films that are up for the major awards.  It seems to me the choices each succeeding year get more and more lackluster.

Back in the day, say when Lee Marvin won his Oscar (smooth segue, doncha think?) the films and the performances were worthy and memorable. Oh, speaking of Lee Marvin, the night he won was full of surprises as you can read here. But I digress.
 Here’s my issue with the current crop of nominees. Granted I have not seen the majority of them but of the ones I have seen….
Nightmare Alley: Was very much looking forward to this remake as I love the original and the art direction looked superb in the trailers. Finally watched it the other other night and was sadly disappointed. Why? The supporting cast was excellent but lead actor Bradley Cooper was woefully miscast. Where’s the charm he should exhibit when playing the high-class mentalist in the classy nightclubs? He registered zero or any charisma, even as a carny. Sad but true.
Licorice Pizza: Also was looking forward to this one as I truly enjoy the work of director P.T. Anderson. What an amazing disappointment! Again, the lead actor, Phillip Seymour Hoffman’s son, Cooper Hoffman cannot act, period. The plot had enough gaping holes in it you could drive a truck through them (how the hell does an underage teen get enough seed money to start 3 different business enterprises?!?). Bradley Cooper was infinitely better in his glorified cameo than in Nightmare Alley but the best scene he had, running amok in the gas station as shown in the trailer, was cut from the final film! Oh, please!!
West Side Story: Unlike a lot of other film purists, I was actually looking forward to this one as well, but once again, was soundly disappointed. Could not tell the Sharks from the Jets; the friendship between Tony & Riff was non-existent; the songs seemed out-of-place among the new story threads; Tony & Maria had no chemistry whatsoever. Saving grace? Rita Moreno given the song “There’s a Place For Us” in a touching and poignant rendition. Was she even nominated? Of course not.
The Power of The Dog: Due to the previous awards shows, this one is considered this year’s front runner. No, I haven not seen it…yet. I probably will eventually but it’s not something I’m excited about per se, despite the presence of Benedict Cumberbatch. Why? As several others have said, it just seems like pure Oscar bait.
Okay, so where does that leave us? Sadly, even more disappointed than before. You know why? The single best film I saw last year, and I do mean best, is not eligible to be nominated for Best Picture based on Academy rules. Look, if foreign language films can now be nominated, and animated films can too, why not documentaries? They are some of the best films made every year! If they did allow it, Summer of Soul would win in a walk! Yeah, it’s just that damn good! So much for Oscar 2022.

– Dwayne Epstein

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5 thoughts on “OSCAR 2022

  1. Hi Dwayne,

    The absolute worst Oscar telecast was last year’s, at LA Union Station, and I actually had a good excuse to give up on it because I was in agony from getting my 1st COVID shot that weekend, so I took to my bed to escape Oscar reality.

    My favorite era for the Oscars, and I’ve watched the entire show every year since 1975, was when Billy Crystal was the host, particularly the year Jack Palance won best supporting actor early in the show, and he included the one-arm push-ups as part of his gracious thank you speech. Being Jack’s co-star in the film in which he won (can’t remember the title), Billy turned the speech/push-ups into an opportunity for a deadpan, dry running gag throughout the rest of the show.

    Speaking of Jack, my mom taught me early that his name is “Pa-LANCE” with the accent on the 2nd syllable. This may have been due to her mid-western accent. In every interview/documentary/“What’s My Line 1955” appearance, etc., I’ve heard it as “PAL-ance” with the accent on the 1st syllable, but I still, because I learned it this way, say/read his name as “Pa-LANCE”, most notably when watching his 4 Lee appearances.

    • Hi Shawn,
      Yeah,the shows themselves could always be better which may have something to do with the quality of the films that are up for Oscars, at least a little bit.
      Oh, the film Palance won for was CITY SLICKERS, a role Lee Marvin would have been perfect for and even Charles Bronson had turned down.
      Palance was a very strange yet interesting man. I met him briefly and when asked how his name was pronounced “Is it PALance or is it PaLANCE?” he responded with the strange whisper-y voice, “It’s JACK!”

  2. Ha ha! 😛 👍
    If you haven’t seen Jack’s 1955 appearance on “What’s My Line”, check it out. He does an Irish accent to disguise himself. It may still be on YouTube.

  3. Thanks, I just looked it up on YouTube. If I was on the blindfolded panel, I would have asked, “could it be the wire?”…(in “Bad Day”, when Lee sabotages Spence’s escape by pulling “the wire” from that creepy-looking hearse owned by Doc (Brennan).

    Speaking of Steve, in the film Bullitt, I know this doesn’t mean anything, but there’s a well-known chase scene that ends with Steve’s beloved mustang (?) being run off the road (Guadalupe Canyon Pkwy.) and 2 speechless thugs and an explosion. Directly south, on the other side of the mountain that’s seen in the background is my K-6 school, which I started the following Sept., the film being shot in the spring of ‘68.

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