Because Lee Marvin Point Blank proved to be as successful as I hoped it would be, a film adaptation seems plausible, so, to continue that line of thinking from the previous blog entry, how about considering the biopic family casting? Lee Marvin’s parents, brother, costars and friends were an integral part of his life story and casting them would round out the biopic family nicely.

(L-R) Lee’s father Monte, mother Courtenay and Lee shortly after he finished USMC basic trying.


First up, his father Monte. Described in letters and first-hand accounts as being physically imposing (Lincoln-esque by one account), one friend of Lee’s who knew him said, “If someone went in a bar to give everyone shit, they’d walk a wide circle around Monte. Monte was pretty tough”

Actor J.K. Simmons

Several actors come to mind for the role, such as Tommy Lee Jones, this year’s Oscar winner Gary Oldman, Harrison Ford, Liam Neeson, even Bruce Willis. The two most impressive to my mind would be either Oscar winner J.K. Simmons, or Lee’s Emperor of the North costar, Keith Carradine.

For the role of Lee’s mother, Courtenay Washington Davidge, certain specific characteristics are also most prominent. According to Lee’s first wife, Betty, Lee’s mother had a soft little voice with a Virginia accent that she used to subtley manipulate her husband and two sons. A veritable steel magnolia by way of Tennessee Williams, by some accounts. Reese Witherspoon, Kate Winslet and even Meryl Streep come to mind. Then again, Meryl Streep comes to mind for every role. Based on what I’ve heard and read about Mr.s Marvin, my personal choice would be Renee Zellweger.

Actress Renee Zellweger.

Rounding out the Marvin family cast is Lee’s older brother, Robert. I had the good fortune to get to know Robert towards the end this life and at that point in his life, I would describe  him as rather curmudgeonly, irascible and eventually, quite affable. What I learned about him was that as a younger man he was understandably quite jealous of his brother’s success. Only 18 months apart in age, the Marvin brothers were both close and distant with each other throughout their life times.

Robert visiting his brother in Tucson in the early 70s.

For that reason, I see the character of Robert Marvin as being portrayed by an actor who can elicit both laughs and sympathy, such as Will Ferrell, Jon Heder (Napoleon Dynamite), John C. Reilly and the like. My own personal choice would by Bill Hader, the SNL alumni who was a gifted mimic on the show, but more importantly the possessor of both funny bones and an as yet untapped dramatic talent.

SNL alumni and underrated actor, Bill Hader.


Another major supporting role might be several real-life individuals rolled into one. The reason has to do with an aspect of Lee Marvin’s persona I discovered in my research. Early on, Marvin learned that if he’s going to get in trouble for some of his nefarious escapades, it’s always better to do it with a partner to take part of the heat for whatever transpires. Whether riding his motorcycle through the Beverly Hills BMW showroom with Keenan Wynn, wreaking havoc upon the ‘Vegas Vic’ sign while filming The Professionals with Woody Strode, causing a barroom brawl over a game of darts in London with Bob Phillips while filming The Dirty Dozen, or creating the bizarre prank of ‘the vibrator salute’ with Tony Epper while filming Paint Your Wagon, the legendary exploits he indulged in always required a partner.

Woody Strode and Lee on the set of THE PROFESSIONALS.


Any number of contemporary actors could do it but if it were up to me, I’d like to see it be along the lines of someone more like Woody Strode. As he told me himself, “We were like brothers.” So, with than in mind, Dwayne Johnson would be a nice choice or, barring the monetary chances of that, some well-built, talented young up-and-coming actor would do nicely.

A Woody Strode Google search resulted in this young actor, France’s Eebra Toore popping up. Anybody know if he speaks English…without an accent?

And so, with lead role possibilities considered, possible directors in mind, and now supporting cast members short-listed, all that’s left is a wise producer willing to take a chance on a story that resonates like a cross between Mad Men and The Hurt Locker. Hey, just because Lee Marvin was famous doesn’t make a movie. A fascinating story is mandatory no matter who it’s about and Lee’s life, work, and influence more than covers all those bases. After all, what Hollywood faked, he did for real.  Any takers?
-Dwayne Epstein




Readers of Lee Marvin Point Blank are well aware of the coverage given to the 1966 classic action film, The Professionals, which was done with much research via the likes of Nevada Magazine, for instance. On newsstands in the fall of 1966 to coincide with the film’s November release, it’s a short piece but contains some beautiful photography of the Valley of Fire State Park location used in the film. In fact, the images belie the sweltering temperatures all the participants groused about on and off camera.
The article’s author, Don Payne, does a commendable job in summarizing the film as well as its production. Being a Nevadan, he make sure to include such colorfully named locales  used in the film as Deadman’s Canyon, Coyote Pass and of course, California’s own Death Valley. It’s a p.r. piece, to be sure but after reading it, one does certainly want to see the film the author is writing about.
It’s interesting on another level, as well. Payne mentions in passing an event during the film’s production. He refers to it as “An impromptu downtown archery exhibition staged by several cast members.” Rather tame description of the event. I was fortunate to interview several individuals closely involved to the film, such as Jack Palance and producer Phil Parslow. Best of all were lengthy interviews conducted with stuntman Tony Epper and costar Woody Stroe. They were the key participants in the “impromptu exhibition” and to hear them tell it, the event was anything but staged. In fact, it practically — and it truth, should have — landed the two of them and unwitting participant, Lee Marvin in jail. The shenanigans of The Rat Pack could not hold a candle to what Epper, Strode and Marvin perpetrated. Those unfamiliar with the wild and woolly tale must read the book, of course. For those who have read the book, read the article below with tongue planted firmly in cheek.
– Dwayne Epstein

Cover of Nevada Magazine, Fall 1966.

Nevada Magazine article on THE PROFESSIONALS, page 1.

Nevada Magazine article on THE PROFESSIONALS, page 2.

Nevada Magazine article on THE PROFESSIONALS, page 3.

Nevada Magazine article on THE PROFESSIONALS, page 4.

Nevada Magazine article on THE PROFESSIONALS, page 5.

Nevada Magazine article on THE PROFESSIONALS, page 6.

Nevada Magazine article on THE PROFESSIONALS, page 7.



Since Monday, January 15th marks the 88th birthday of Rev. Dr. Martin Luther King, I thought I’d take the opportunity to recount Lee Marvin’s contribution to civil rights during the 1960s. Granted, it is indeed an extremely minor contribution compared to Dr. King and other civil rights leaders but in his own way, Lee indeed contributed.
One would think, based on his upbringing, that Marvin would hardly be in favor of civil rights and equality for all races, particularly African-Americans. His mother Courtenay Marvin was an old-world southern Virginian and all that would entail. However, his father Monte Marvin had been in command of a black calvary unit during WWI and had a much more liberal view of African-Americans. Then again, according to Lee’s brother, Robert, both parents hit the roof when Robert briefly dated a young black woman.  And yet again, both boys were cared for by a black maid named Erlene whom they adored. Growing up on the eastern seaboard also meant encounters with various races throughout their formative years, resulting in a rather different view of black people than the one held by their parents.
All that said, Lee Marvin was still very much a product of his time and not above using racially-charged language. However, if one believes that actions speak louder than words, even in those less enlightened times of the early 1960s, Marvin’s more liberal attitude was very much in evidence. Case in point: his lifelong friendship with black actor, Woody Strode. They met during the making of John Ford’s The Man Who Shot Liberty Valance and remained tight for the rest of their lives.

Although they had no scenes together, Woody Strode (left) and Lee Marvin are pictured at a cast ‘tea party’ during John Ford’s The Man Who Shot Liberty Valance.

I was extremely fortunate to get what I believe to be the last interview with Strode. His love of Lee Marvin (as well as John Ford) knew no bounds. Their hilarious initial meeting on the set of the film is well-documented in Lee Marvin Point Blank. Strode, by the way, was not as happy working on the film with Hollywood icon John Wayne. Consequently, he did enjoy watching Ford tease both James Stewart  and Wayne unmercifully for the sake of the performances he wanted from them. Like Ford, Marvin also teased the two conservative Republicans, particularly, Stewart. Reportedly, he needled Stewart by telling him that when the black man rises up, Stewart had better be rightfully frightened in his sleep. He may of course simply had been in character as Liberty Valance but such comments rankled Stewart and tickled both Strode and Ford.

Woody Strode (center) clearly enjoys seeing John Wayne (right) dumbfounded by Jimmy Stewart’s belt in the mouth in The Man Who Shot Liberty Valance.

Several years after Liberty Valance, Marvin and Strode appeared on screen again, this time in Richard Brooks’ underrated western adventure, The Professionals.

Lee Marvin discusses a scene with Burt Lancaster, writer/director Richard Brooks and Woody Strode on the Set of The Professionals.

It remains one of Marvin’s best films and should be required viewing by any fan. According to Woody Strode, it was Lee Marvin who managed to get Strode earlier screen time in the film. Again, all is explained in Lee Marvin Point Blank and is not said to deter from Burt Lancaster in any way. The man was only human and had his own foibles and insecurities as anybody else does. In fact, Strode explained to me why he only appeared in the outfit he wore in his opening scene, only in that opening scene. Want details? Gotta read the book.

Woody Strode as he appeared in the opening title sequence of The Professionals.

This may all sound far afield from the original intent of this blog entry but it actually does serve to make the point concerning Martin Luther King Day. King fought and died for civil rights as we all know and Marvin may not have done nearly as much but he did his part, getting his good friend unheard of billing in a period western. More to the point, as King famously said, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.”  According to Woody Strode, Lee Marvin upheld that creed and became one of the few white friends Strode had in Hollywood. One of the last times Strode saw Lee Marvin was after his success in Europe’s popular ‘Spaghetti Westerns.” As he tells it:

I hadn’t seen Lee for about four years. I got a job in New Mexico called Gatling Gun (1972). By now, I got a Mercedes. The good life had touched me. I called Lee. I said, “Lee, I’m working in New Mexico and I’m coming to see you when I finished.” We finished the picture. I didn’t let him know I was driving a Mercedes. Well baby, it took a couple of days for us get there. I parked out in front of the house, I think in Tucson. I honked the horn. He come out saying, “Who the hell is honking that horn?” He come outside and I said, “Hello, you son-of-a-bitch.” He said “Woody!” I said, “You see what I’m driving?”I got to the fucking money, in a foreign country.” …..So, we had our little weekend. […] When I got there, a writer from Australia was doing an article on Lee Marvin. He saw our relationship and said, “You guys are like brothers.” I been in Europe almost four years and he ain’t seen me in years. I’m in a Mercedes, got a little bank account. It made him feel good.”

As was said, they were like brothers.
If that’s not a worthy story for Martin Luther King’s birthday, I don’t know what is.
-Dwayne Epstein