Domestic Lee Marvin is not something witnessed onscreen very often. Even more scarce is Father Lee. However, this being Fathers Day, it’s a good time to explore those rare occasions of domestic Lee in which, to my mind, only occurred twice on film and in both instances, they were not the classics the filmmakers intended.
In The Klansman, he’s Sheriff “Big” Trak Bascomb, married with a grown son preparing for college. A simple side plot to the rather unsavory and racially charged film that’s probably the worst film Marvin ever starred in, with costar Richard Burton fairing even worse. Unfortunately, the originally script by Sam Fuller was truncated which is a shame since it had a devastating un-filmed sequence in it involving Marvin’s son Alan Bascomb that I was able to get a copy of and write about here. In any event, the less said about the embarrassing film, the better.
The other instance of Marvin playing a paternal character was the action/adventure film from AIP entitled Shout at the Devil. Costarring Roger Moore and Ian Holm, the film takes place in WWI-era Africa with Marvin as a big game poacher protecting daughter Barbara Parkins and battling her betrothed (Moore), as well as the Germans, in this weak entry in the actor’s canon of films.
Obviously, the type of films Marvin made did not often make for a domestic Lee audiences could appreciate. He played married characters in The Professionals (1966) in the film’s back story as well as in Point Blank (1967). In both films, however, his spouses did not fair well, in the screenplay.
There were instances in which characters in his films acted paternally towards supporting characters, such as the gentle way in which treated Sissy Spacek in Prime Cut (1972) and the mentoring he administered to the novice bank thieves of Spikes Gang (1974).
These symbolic examples aside, Lee Marvin was just not cut out for domestic bliss, once again, on screen and off. Of his four grown children, none of them were willing to go on the record with me for Lee Marvin Point Blank with the sole exception being his son, Christopher. His poignant afterword was a worthy and surprising addition to the text. So, with Fathers Day in mind, feel free to check out the book’s afterword and then watch a better Lee Marvin movie to enjoy.
With dad, of course.
– Dwayne Epstein