LEE MARVIN & THE LADIES: ROMANCE?

The allegations against Harvey Weinstein are far from being considered a ‘romance’ but what is it called if flirtations or mutual feelings develop between costars? For Lee Marvin, who only had true romantic leads opposite female costars in only a handful films, the known results of a possible romance are three, based on my research. Of course, there may even be more as Marvin knew the meaning of discretion. As Betty Marvin told me, he was known to have fallen off the fidelity during their marriage but it was never anything one would consider a romance.
Who were the known three? Well, Lee Marvin Point Blank readers know with as much details as I was able to get.

Co-star Barbara Luna at the time she appeared in SHIP OF FOOLS.

Prior to my research, most Lee Marvin fans only knew the version of how he an Michele Triola met on the set of Ship of Fools based on what she told the media leading up to the palimony suit. The truth, however, as witnessed by such participants as Barbara Luna and friend Ralph O’Hara, is VERY different and exclusively documented in my research.

Lee and Michelle shortly after they began dating during SHIP OF FOOLS.

Then of course there’s the amazing Angie Dickinson. I was extremely fortunate enough to spend the day with her during my research and the results were fascinating. She worked with Lee more than any other actress, and to my mind, that was no accident (M Squad, The Killers, Point Blank, Death Hunt, and several Bob Hope TV specials).

Lee and Angie in THE KILLERS, their first film together.

I can’t really add anything here to what I already wrote in the book, other than the surprising results of an interview I considered a holy grail and was forewarned about by the A&E Biography producers. It was how I finally met her in-person and was told she wasn’t very forthcoming for their purposes. Naturally, that made me a little reticent when I finally sat down with here, especially since I wasn’t sure if there were aspects about her life & career that may put her off, such as the JFK assassination that happened just prior to The Killers. Believe it or not, she did indeed open up about that period, at least to the extent that it had to do with the project and Lee. Everything that she told me went in the book, or later, posted here in a previous blog entry. The only thing I can add is what Christopher Marvin told me off-the-record that I can now post here. He volunteered the following encapsulation: “Angie and my dad…WOW!” He didn’t elaborate of course, but truth be told, I  didn’t think he had to.
Lastly, there was a costar who proved to be not only Lee Marvin’s one true moment of onscreen romance, but even more so offscreen. Marvin went out of his way to get the actress to agree to costar with him and when she relented after he came to Paris, the results were true sparks in front of and behind the camera…

Contact sheet images of Jeanne Moreau and Lee Marvin while making MONTE WALSH.

The images from onset candid photographs included here tell the story better than any words can possibly convey. The look on Lee’s face as he talks to her, the way she brushes  his hair back, even the fact that they are completely oblivious to director William Fraker walking behind them, says volumes.

Jeanne Moreau brushes Marvin’s hair back while they speak.

MONTE WALSH director William Fraker walks behind Marvin & Moreau completely unobserved.

Costars such as Mitch Ryan and others were aware of the chemistry between the two stars, as were some of Marvin’s closest confidantes. In fact, when Marvin surprised his associates by announcing his marriage to Woodstock’s Pam Feeley after the film wrapped, the biggest surprised was that it wasn’t Moreau. According to Mitch Ryan, they actually discussed it but as Ryan said, Marvin didn’t want to move to Paris: “Can you see me living in Paris?” he told him.
Since Moreau proved to be his most romantic leading lady onscreen, and their scenes together are some of the best in the film, it does make you wonder: What would have happened if he had more romance onscreen than gunplay? Sadly, we’ll never ever know.
– Dwayne Epstein

Share

PRE-STARDOM: LEE MARVIN & THE LADIES

Unlike other male film stars, Lee Marvin didn’t have many romantic entanglements in his films, as readers of Lee Marvin: Point Blank are fully aware. When he became a leading star that changed only very slightly but it was even more true in his pre-stardom days.
Oh, he interacted with the opposite sex on screen but certainly not in the manner that normally befitted a future superstar. Take for example 1953’s The Big Heat, in which he played henchman, Vince Stone. His girlfriend, Debbie, was played by Gloria Grahame and anyone who has seen the film knows how their relationship winds up.

A self-satisfied Debbie (Gloria Grahame) hands the phone over to an impatient Vince Stone (Marvin) knowing it’s his boss after she just chided Stone for jumping whenever the big boss calls, in Fritz Lang’s THE BIG HEAT.

Of course Marvin’s chivalry towards the opposite sex is on display earlier in the film in how he treats Carolyn Jones and the way he offers her a cigarette. Talk about foreshadowing!

Then there’s the way Marvin’s aptly named Slob interacts with Terry Moore in the bizarre 1955 cult classic, Shack Out on 101. From the pre-credit prologue until the film’s finale,

Terry Moore as Cotty tries to deal with the advances of Slob in SHACK OUT ON 101.

Marvin and Moore’s way of dealing with each other is one of the highlights of the film. Terry Moore detailed the way in which Marvin threatened her on camera when I interviewed her for Lee Marvin Point Blank and she was delighted with the results. Less delighted was Donna Reed about her equally terrifying scene with Lee Marvin in Hangman’s Knot (1952). Her reaction delighted Marvin but certainly not her.
It seems the only time Marvin was allowed to be halfway human towards women was on television, in which his versatility was put to better than use than on film….

A tender moment with Patricia Donahue in The Last Reunion episode of the NBC anthology series, GENERAL ELECTRIC THEATRE.

As Lt. Frank Ballinger, Marvin has a uncharacteristically tender moment on his show M SQUAD.

Television notwithstanding, once viewers were able to attach a name to the familiar face, Lee Marvin was back in movie theaters enacting some typical love scenes…

As hired killer Charlie Strom, Lee Marvin gently persuades blind receptionist Virginia Christine  to divulge some vital infomation in Don Siegel’s THE KILLERS.

Vivien Leigh drives home her point to Lee Marvin in their heated debate concerning women’s shoe styles in Stanley Kramer’s SHIP OF FOOLS.

On the brink of major stardom in the early 1960s, Lee Marvin’s roles in such films as The Killers and Ship of Fools had him treating the opposite sex very much in keeping as he had throughout his pre-stardom years of the 1950s. By the end of the 1960s, however, he was an undeniable superstar, in the clinches with the likes of Jane Fonda, Jeanne Moreau and the ever present Angie Dickinson. How did he deal with these ladies on camera as well as off? The subject of the next blog entry….and a good portion of Lee Marvin Point Blank.
– Dwayne Epstein

 

Share

MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

Share