MORE MARVIN MOVIE BLOOPERS, PT. 2

More Marvin bloopers for those who might be interested. Last blog entry I mentioned some interesting tidbits that stayed in the final version of both The Big Red One and The Professionals. Here to provide some more Marvin movie bloopers are things left in both Cat Ballou and The Dirty Dozen.
Like most Lee Marvin fans, I had seen both films a plethora of times but was not aware of some of the things left onscreen until I interviewed the participants on these projects for my book, Lee Marvin: Point Blank. For instance, director Elliott Silverstein enlightened me on a scene from Cat Ballou in which Marvin was clearly ‘in his cups.’

Lee Marvin as Kid Shelleen confronts his twin brother, Tim Strawn, after his “walk” thru the whorehouse corridor.

Silverstein was quick to point out that it wasn’t really Marvin’s fault as he was called in on a day he was not scheduled to work and was consequently pretty inebriated when he showed up on set. It was a short scene, the one in which Marvin’s character — in full gunfight regalia — walks comically thru the hallway of a whorehouse in search of his target, his evil twin brother, Tim Strawn.  According to Silverstein:

“Here I was with a guy that could stand up, that’s about it. We put on this heavy costume that we had designed for him, this mock suit of lights with more sliver that could break the back of horse. He stood up at the back of the room, weaving, his eyes blood red and I said, “Lee, you got to go to this door and walk through that door and then that door. I got a metronome here for you that will give the rhythm downstairs. Let’s try it.” Well, needless to say, it was all off. It would not work. While he didn’t stumble, he surely weaved. It was not right for a gunfighter who has gone though the previous scene (not yet shot), getting dressed to kill, mean- eyed focus on killing the bad guy. I couldn’t let that go by so I said, “Lee, let’s try this. I’m going to count for you: 1, 2, 3. Each count you take a step. On 4 open the door. On 5 close the door and I’ll start again as you come diagonally down the corridor towards the camera going from one side of the corridor to the other. [mimes Marvin mumble] “All right, yeah.” He was cooperative. Very benign but he was drunk. Then we tried that. We took about 5 takes, but eventually he pushed through and managed to do that. If you watch that scene closely, you’ll see he lumbers a bit.”

Yours truly, author Dwayne Epstein (left) getting Cat Ballou director Elliot Silverstein to sign my copy of LEE MARVIN POINT BLANK.

 

 

Then there’s that joke comedian Franklyn Ajaye used to tell about the original Star Trek: “I was watching a rerun the other night and noticed a run in Uhura’s stocking. I thought to myself, ‘Damn, I never noticed that the first 273 times I saw this episode.”
I’ve never even come close to watching that many reruns of Star Trek but, movies, that’s another story. Case in point, I’ve lost track of the amount of times that I’ve watched The Dirty Dozen and can quote from it verbatim. That said, my interview with the late, great, Clint Walker, enlightened me to a moment in the film not unlike comedian Ajaye’s observation about Lt. Uhura’s stocking. You know the scene where Lee Marvin makes Walker taunt him with the knife? Well, after talking to Walker, he told me an interesting anecdote about that scene that also got left IN the movie. I then went home, pulled out my nearly worn-out VHS copy and watched it in slow motion. Damn if he wasn’t right as I caught it the minute the scene started! Want to know what it is? Read Lee Marvin Point Blank.  Until then, all the best,
-Dwayne Epstein

“STOP PUSHING!”

Share

CELEBRATE THE 4TH WITH THE DOZEN

Celebrate the 4th with the dozen, a Dirty Dozen, that is. Such is the game plan I came across on line, recently.

Celebrate the 4th with he one, the only, the original, DIRTY DOZEN (1967)

A writer at the venerable Chicago Tribune (former home base for the late Gene Siskel) came up with the interesting concept of what all-American films would be worthy of Independence Day. Some obvious ones were included, such as 1776, and some were a bit of a stretch, like his first choice of The Godfather. Surprisingly, he didn’t include my go-to choice each 4th of July which is Yankee Doodle Dandy with the great James Cagney in his Oscar winning role as George M. Cohan.
The Tribune writer, Rex Crum, explains his concept here. If you don’t care to scroll the entire article, here’s his reasoning to celebrate the 4th with the Dozen:

“Did you know that in addition to leading Jim Brown, Charles Bronson, Donald Sutherland and nine other American military convicts on a crazy raid against the Nazis, Lee Marvin actually fought in World War II and is buried in Arlington National Cemetery? If that doesn’t just scream “AMERICA!” then nothing does.
How To Watch: Invest $2.99 and stream “The Dirty Dozen” on iTunes. You’ll be glad you did.”

…..And there you have it. Interesting idea, don’t you think? Could even make a drinking game out of it. How you ask? How about this: every time a Nazi gets killed, you do a shot. Of course, by the explosive finale, you might as well just shake up a bunch of beers and spritz everyone in the room like a winning world series ball team.

Better yet, have a more relaxing time this 4th of July avoiding the crowds and noisy fireworks by reading Lee Marvin Point Blank. You can’t get more American than that.
– Dwayne Epstein

Share

CLINT WALKER’S PASSING ONE YEAR AGO

Clint Walker’s passing occurred a year ago and as such, karma had a say in such things. I was browsing at a used bookstore a day or two ago and came across a copy of SCREEN WORLD 1959, the annual journal of films on a given year. I was missing that particular one so I picked it up, opened it to peruse and came across this page first…..

First page I came to in SCREEN WORLD 1959.

 

Pretty amazing timing considering I came across it almost a year to the day of Clint Walker’s passing. Consequently, he’s been on my mind a lot, lately. At the time of Clint Walker’s passing last year, I did blog about it. Since then, some interesting things have transpired.
To start with, I was most fortunate to meet Walker the first time at the the Beverly Garland Hotel (GREAT lady, by the way) at one of her Hollywood Collector Shows back in the 1990s. He agreed to be interviewed for what eventually would become Lee Marvin Point Blank and his stories on making The Dirty Dozen (1967) and the follow-up of sorts, Small Soldiers (1998), were priceless! His anecdotes on Trini Lopez on both projects are unintentionally hilarious.

Clint Walker tangles with Lee Marvin in THE DIRTY DOZEN.

A few years back I had the idea of interviewing him again, but this time it would be about his entire career for Filmfax Magazine. I discovered the best way to contact him was to connect with Deb Elsie, who handled his online presence. Once we spoke and she then contacted him, I took no small amount of pride, in this exchange from her: “He told me to give you his phone number and in all the years I’ve known him, he’s never told me to give someone his phone number. …..Dwayne, I’m super excited about this!!! Especially since it wasn’t that long ago Clint said he wasn’t interested in doing any more interviews. I know he trusts you and so anything you need, I’m here to help.”
The interview went well, I sent it to Filmfax, and liked the response it garnered upon publication. When it came out, I received much praise from his fans via social media and something I never expected. Author and historian Jeff Thompson read it and contacted me about something Clint Walker had said concerning a TV-move he made for Dan Curtis. Curtis, the creator of the cult TV show Dark Shadows (among MANY other things), was chronicled in several books by Thompson who had not known Walker’s input on the project entitled, Scream of the Wolf, that is until he read my interview. He contacted me….

Original TV Guide ad for Dan Curtis’ SCREAM OF THE WOLF (1974).

“I am finishing up the revised second edition of my first book THE TELEVISION HORRORS OF DAN CURTIS for McFarland. I would like to quote your interview in my book thusly:

Jeff Thompson’s original work on Dan Curtis to be updated and released later this year with quotes from your truly’s interview with Clint Walker.

In a 2017 Filmfax interview, Clint Walker (1927-2018) revealed that he almost did not get the part. He explained, They wanted Jack Palance for it, but he wanted more money, and they didn’t want to pay it. So I said to my agent, “Let me talk to them.” I wanted to be the heavy. I said, “If you get Jack Palance, he’s a very fine actor and all, but people are going to know immediately that he’s the bad guy. With me, they’re not going to think of me in those terms until the last minute.” [Scream of the Wolf] was interesting.”

It just goes to prove you never know how one’s work may be perceived, or for that matter, live on beyond inception. I look forward to seeing Jeff’s book, and when it comes to work living on beyond inception, few have done so as well as the canon of work of Clint Walker. He was often a good guy on small and big screen alike but more importantly, he was a good guy in real life. Farewell Cheyenne.
-Dwayne Epstein

Clint Walker as Cheynne Bodie, The way he would want to be remembered. R.I.P.

Share