STARTING THE NEW YEAR OFF W/ A GIG: CLINT WALKER!

Happy new year faithful Lee Marvin Point Blank blog readers, and for yours truly, there’s no better way to start the new year than with a a new gig interviewing TV and movie legend Clint Walker! It proved to be another example of my Lee Marvin research turning into something more fortuitous.
The background story is rather interesting. I had interviewed the big fella back in the early days of my work on the book as he costarred with Marvin in The Dirty Dozen. Unfortunately, not all that great stories he related made the book, but hey, that’s where blogs come in handy.  I had then gotten back in touch with him fairly recently in hopes of getting his thoughts on working with Charles Bronson in The Dirty Dozen and then later in Bronson’s strange western/fantasy film, White Buffalo. As for the Bronson project, as Johnny Carson used to say, more to come.
Anyway, having done those two interviews with him, it occurred to me that the good folks who run Filmfax Magazine might be interested in a career-spanning interview with Walker. I contacted publisher Mike Stein about it and it was a go. I then contacted 90-year-old Clint Walker about it and he was slightly less enthusiastic about. He was retired in Northern California with his wife and really didn’t want to have anything to do with the business any more, aside from the occasional memorabilia show. On top of that he had recently suffered a fall and health-wise, he just wasn’t up to it. Well, it took no small amount of convincing by yours truly (as well as several schedule rearrangements!) and more than a title help from Facebook friend Deb Elsie, but eventually……

Filmfax cover for issue #150.

My interview with Clint Walker even made the cover. Seriously.
What’s that?
Don’t see it?
Well, look a little a closer in the top left corner there. Here, let me help…..

Top banner of FIlmfax, Dec.-Feb. 2018.

There, that’s better. Anyway, the interview indeed went well as Walker eventually opened up to talk about his many decades in the industry. I got him to tell great tales on such luminaries as Jack Warner, Cecil B. DeMille, Doris Day, The Bowery Boys, Kim Novak, Frank Sinatra, Arnold Schwarzenegger even The Beatles! It’s the reason I love what I do.
I’m not going to post the article here, as it’s available in bookstores and newsstands everywhere. However, I can tease you a little to go out and buy a copy with this first page of the 8-page article….

Page 1 of my Filmfax interview with Clint Walker.

If  this teaser does want to make you go out and buy a copy of the magazine that publisher Mike Stein calls, “A five-ounce ton of intelligent fun,” then I humbly thank you.
By the way, if you like what you read, feel free to comment as the magazine really does print any and all letters to the editor. Honest! The contact info is:
FILMFAX MAGAZINE
Re: Edits 1320 Oakton St.
Evanston, IL 60202
Of course, if you didn’t care for the article, let’s just keep that to ourselves, shall we? I thank you and here’s to a happy and prosperous 2018!!
-Dwayne Epstein

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THE DIRTY DOZEN IN THE FILMS OF THE SIXTIES

Long gone, the publishing company Citadel Press put out of series of books as “The Films Of..” which focused on actors, genres, directors and decades, with The Films of The Sixties being a prime example. Written by Douglas Brode and published in 1980, it contains a series of essays chosen by the author in chapters broken down by each year within the decade. Brode was one of the better writers in Citadel’s stable and his insight into a given film is highly perceptive. That’s the good news about this title. The bad news is   in the amount of information he got wrong, either by misinformation or by omission.  By omission it can be stated that he includes only two Lee Marvin films in his assessment, The Professionals and The Dirty Dozen. Since the book came out in 1980, the cult status and influence of Point Blank was well enough established to have included in the book, as well as several others.

The cover of the Citadel Press book, THE FILMS OF THE SIXTIES by Douglas Brode.

When researching Lee Marvin Point Blank, I perused all available sources but was left wanting by Brode’s essay on the film. Why, you may ask? Well, the essay is below but here’s what to look for in terms of what went wrong.
-Donald Sutherland may be complimented to be referred to as intellectual but he’s certainly not English. He was born and raised in Canada and his character, Vernon Pinkley is neither Southern nor retarded. Slow-witted maybe, but his standout scene inspecting Robert Ryan’s troops shows him to be anything but retarded.
– Jim Brown’s character of R.T. Jefferson (Napoleon White in the novel) has good reason to be anti-white but Trini Lopez was certainly not his character’s Puerto Rican sidekick. Brown’s sidekick in the film is clearly Charles Bronson’s character.
– Although it’s a point that’s open to interpretation, Maggot’s murder of the young German girl is hardly on par with the inceneration of german officers and their civilian female counterparts.
– The author even misspelled Telly Savalas’ TV alter ego, Theo Kojak. Oy!
His overall assessment of the film and its importance is on the money, but the wince-inducing mistakes left me cold. This month being the 50th anniversary of The Dirty Dozen’s release, I invite you read for yourself the essay written on the film’s impact….

Page 1 of Douglas Brode’s DIRTY DOZEN essay.

Page 2 of DIRTY DOZEN essay.

Conclusion of DIRTY DOZEN essay.

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WHAT LEE MARVIN REALLY THOUGHT OF THE DIRTY DOZEN

The Dirty Dozen, the biggest box office hit Lee Marvin had in his career, was released in theaters June 15, 1967 and in the 50 years since, fans have speculated what Marvin really thought about the film. Despite social media comments to the contrary, in my nearly 20 years of researching Lee Marvin Point Blank, nowhere have I found any reliable quotes attributed to the actor in which he claimed to dislike the film. How that got started I have no idea, but I do know that Marvin had his opinion of the film and it was not a negative one. As late as 1986, a year before he died, he told the L.A. Daily News in his own inimitable style: “Here I am a reclusive major going no place in the military, and they really want to court martial me. So rather than do that they say, ‘Let’s kill him doing something good for the movement.’ They get me all these baddies and we go over and blow ourselves up getting the German generals. So that’s it — the American underdog, right?” Does that sound like someone who didn’t like the film and did it only for the money? By the way, it may not seem like it looking at the final products, but Marvin never did a film just for the money, and that includes such bombs as Paint Your Wagon, The Klansman, Pocket Money, and more. The script is what ignited his interest, but of course the sizable paydays helped. So, for the record, Marvin was as proud of The Dirty Dozen as he was of any of the films he ever made.
The making of the film provided some of the best anecdotes I ever encountered in researching his life — the tales of costar and Marvin crony Bob Phillips (Cpl. Morgan) being a prime example — but for that, you must read the book!
In the meantime, here’s a rare 1967 British magazine heralding the film’s release. Enjoy and all hail The Dirty Dozen on its 50th anniversary!

November 1967 cover of ABC FILM REVIEW highlighting the release of The Dirty Dozen.

ABC FILM REVIEW pp. 1-2

Double trunk spread of ABC FILM REVIEW article. Sorry for the cut-off caption. Blame my scanner.

Article page 3

Dirty Dozen article featuring artwork and quotes used in the film’s advertising.

Article page 4

ABC FILM REVIEW

FINAL PAGE

ABC FILM REVIEW article conclusion.

 

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