Lee Marvin’s best? That’s a pretty subjective concept. After all, one man’s meat is another man’s poison but still and all, some things along such lines are pretty obvious. “The 5 Best Lee Marvin Movies” is the title of a recent blog entry I came across by chance on the web and the concept is the subject of this blog.
I’m not really big on chiding other writers but the author’s choices leave much to be desired. The title alone is somewhat irksome: “The 5 Best Lee Marvin Movies.” Why only five? Wouldn’t ten be more appropriate for such a lengthy career? And his choices! If you can’t see the link I included above, here’s what he chose:
5. The Wild One
4. The Big Heat
3. Cat Ballou
2. The Man Who Shot Liberty Valance
1. The Dirty Dozen
Can you see the problem I had with the choices that were made? Three of the five are not even Lee Marvin movies in the strictest sense. Marvin had supporting roles in The Wild One, Big Heat and Liberty Valance. Granted, they were great scene-stealing roles, but supporting roles, nonetheless. They are all better known as Marlon Brando, Glenn Ford & John Wayne movies and Lee Marvin would be the first one to say it. All the films (and more) are of course recounted and detailed in Lee Marvin Point Blank, by the way. It also includes Marvin’s input into these roles as well as what he thought of each of them.
While I applaud the effort made in the end to encourage others to seek out Marvin’s films, doing so by this list would make someone wonder what’s the fuss about Lee Marvin since he apparently was merely a villain in the 1950s & 1960s. The author barely recognized the fact that Marvin was a major star in the 1960s & 1970s.
I’m not and never have been a fan of “Best Lists,” which is why there isn’t any on this blog site. However, if one were to attempt a list of Lee Marvin’s best, here’s a good start, at least in terms of what might make someone a fan. Consider the following a sort of starter kit. If after viewing these films, you’re still not a fan, then you never will be.
– Dwayne Epstein
Marvin movie bloopers is not a subject I’ve dealt with before but I got the idea for it from the last blog entry I did. When director Buzz Kulik told me the story of Lee Marvin being face down on the courtroom table in Sergeant Ryker and how he left the shot in the movie, it reminded me of similar moments that we either told to me or that I witnessed myself while working on Lee Marvin Point Blank.
For instance, costar Kelly Ward offered a funny anecdote concerning a scene in The Big Red One, in which Lee Marvin kept stumbling over the line, “Nothing but combat rejects on the beach at Colleville-sur-Mer.” Try as he might, he just couldn’t pronounce the name of that little French town. The moment he did finally get it right, it’s not only left in the film, but he does a take to the camera to let everyone know what he thought of that line. It’s in the movie and the details to the story are in my book. Pretty funny, especially the James Coburn reference.
“Psst! Hey, Buddy! Tell me again how to pronounce this French beach, will ya?”
Always fun to look for things left in a movie that has not been noticed before. Another example of a Marvin movie blooper is in The Professionals. Watch one of the dialog scenes in the desert between Marvin and Burt Lancaster and see what the horse is doing in the background. One of my best friends and I had watched the film so many times, he was the one who caught it after multiple viewings and could not stop laughing. We like to think of it as the animal kingdom’s critique of the film before it was released.
“Hey Lee! Look what your horse is doing! Heh, heh.”
That’s pretty much it for now but as Johnny Carson used to say, more to come, such as moments in Cat Ballou and The Dirty Dozen to look for.
– Dwayne Epstein
A recent thread on Facebook gave me the idea for this blog entry concerning ‘lump-in-the-throat’ moments. Due to the kind of films Lee Marvin made, that kind of emotional impact on audiences were not always readily apparent. However, in researching Lee Marvin Point Blank, it did indeed become apparent when having to happily watch and/or rewatch all of his performances. He actually had several such lump-in-the-throat moments in his career and to my mind, there are a couple on both film and television, even within the realm of such genres as war film and westerns. Go figure. First up, on screen….
The look in Jeanne Moreau’s eyes as she gazes into Lee Marvin’s speaks volumes in this scene from Monte Walsh.
Although he was disappointed with the way the studio tampered with director William Fraker’s final cut, Marvin has said that the elegiac western Monte Walsh remains one of his favorite films. Probably because the film’s poignant message of an aging cowboy with nowhere to go still packs a punch. The message is quietly stated by costar Jack Palance, who tells Marvin, “Nobody gets to be a cowboy forever, Monte.”
A personal relationship with costar Jeanne Moreau may be another reason the film resonated for Marvin. In one scene in particular, without giving away the ending, he had never been more touching. He simply absorbs the moment and allows us to feel what he is feeling and it works every time. The film then quickly shifts moods into a thrilling climax involving Mitch Ryan but again, no spoilers here. See it for yourself and you be the judge.
The poignant climax to The Big Red One with Lee Marvin as the unnamed sergeant and a frail, young concentration camp survivor.
Sam Fuller’s The Big Red One, an epic and episodic WWII memoir remains one of Lee Marvin’s best performances and for my money, should really have been his cinematic swan song. He’s a wizened, old war horse throughout the film but a powerful and amazing climax involving a liberated concentration camp culminates with the most impressive, stoic performance that Marvin has ever given. Once again, no spoilers. Simply see it for yourself and make your own judgment. I dare you not to be moved by it.
– Dwayne Epstein