MY FAVORITE FILM FIGHT SCENES, PART 2 OF 5

As stated in the first installment, writing Lee Marvin Point Blank gave me a new appreciation for movie fight scenes. In this second installment of my favorite film fight scenes, the 1950s and early 1960s are rightfully represented….

6. IT’S ALWAYS FAIR WEATHER -1955

(L-R) Gene Kelly, Dan Dailey & MIchael Kidd survery the damage they wreaked aftet their brawl on live TV.

(L-R) Gene Kelly, Dan Dailey & MIchael Kidd survery the damage they wreaked aftet their brawl on live TV.

Let’s be honest, You’re infinitely more likely to see somebody sing and dance down the street then you’ll ever see an intergalactic space battle. Yet the latter rules the current box-office while the former has been relegated to the dustbin of time as being phoney and unrealistic. That’s a shame for many reasons, not the least of which is the amount of talent and ingenuity being wasted by not producing any more original film musicals which was once the bread-and-butter of the industry.
One of the best and least appreciated of the genre was the atypical, It’s Always Fair Weather. Three war buddies vow to remain friends and meet 10 years later only to find they have absolutely nothing in common. Not the plot of a ‘How-are-we-going-to-get-the-show-on’ musical, but an interesting character study that also pokes satirical fun at Madison Ave, professional sports, and most of all that new stranger in the house, television. Gene Kelly had at first thought it would be a sequel to On The Town but opted instead for a dance extravaganza with atheletic Dan Dailey, leggy Cyd Charisse and bite-sized Michael Kidd. I could go on about the greatness of this forgotten classic (it’s the one in which the 3 leads dance with trash-can lids on their feet and Kelly solos on roller skates) but since this about fight scenes check out this movies’ amazing climax. Since all fight scenes are essentially choreographed, who better to show off their prowes in their field than 3 of the best dancers in movie history? Kidd especially shines with rapid movements in, out, down and around the fight but Kelly and Dailey are no slouches. Just watch it some time and see for yourself.

7. BAD DAY AT BLACK ROCK-1955

Robert Ryan (left) sics his bulldog Ernest Borgnine (right) on poor one-armed Spencer Tracy (center).

Robert Ryan (left) sics his bulldog Ernest Borgnine (right) on poor one-armed Spencer Tracy (center).

Maybe not THE most, but certainly one of the most influential fight scenes in movie history. A brillian study on that all-American virtue known as bigotry, director John Sturges and writer Millard Kaufman slowly turn the screws of tension as middle-aged, one-armed, slightly paunchy Spencer Tracy gets shut out in his attempts to find out what happened to his war-time comrade, Komoko, in the sleepy desert town of Black Rock. The film is brimming with great moments (including several with lower-billed henchman Lee Marvin) but the highlight is without question what happens when bulldog-squeezed-into-a-pair-of-jeans Ernest Borgnine taunts Tracy into a fight.
How could Tracy possibly come out alive? As Steve Allen said to me when I interviewed him back in the 90s: “The moment when poor, one-armed Spencer Tracy finally lashed out as the good guy, elicited from a good neighborhood totally white audience the loudest ‘Yeah!’ I ever heard in my life in a movie. I mean you hear it at football games and such but I never heard a [movie] audience do that before.”

8.THE KENTUCKIAN 1955

Director and star Burt Lancaster (left) lays it on bad guy Walter Matthau (right) in Matthau's film debut.

Director and star Burt Lancaster (left) lays it on bad guy Walter Matthau (right) in Matthau’s film debut.

Burt Lancaster made his directorial debut with this film, and although rarely appreciated in his canon of work, it has one of my all-time favorite fight scenes. Walter Matthau made his film acting debut as Lancaster’s nemesis, taking him on with a whip as Lancaster battles bare-fisted. It’s a western, but unlike most westerns it takes place in the early 1800s, tells the tale of a traveling backwoods single father and his young son and, despite some overly talky scenes, has some phenomonally action scenes. It buils to a fight between Lancaster and Matthau, whom we’ve seen is an expert with a bullwhip while all Lancaster has is bare knuckles. Feel sorry for Matthau, who does make you think he has ol’ Burt out maneuvered….for a little while, anyway.
Becuause former acrobat Lancaster directed the film, he gave himself a rousing end scene in which he races through a pond without cutting away in order to stop his enemy from relaoding his flintlock. Must be seen to be believed.

9. WEST SIDE STORY-1961

Richard Beymer (left) as Tony scrambles to help Russ Tamblyn as RIff (center) against rival gang leader Bernardo (right) played by Geroge Chakiris.

Richard Beymer (left) as Tony scrambles to help Russ Tamblyn as RIff (center) against rival gang leader Bernardo (right) played by Geroge Chakiris.

Yeah, it’s a favorite and since there’s very little I can add about this classic that hasn’t been said already a million times, I’ll just go on about what it means to me personally. Oh, other than it’s another example of a movie still chided for being less beleviable than a superhero franchise simply because street gangs don’t go around dancing the mean streets of NYC. Right. But caped crusaders do. Please!
Anyway, when I was a kid and first saw the knife fight ballet, it scared the hell out of me! Seriously.  I bought into the film’s premise completely and since I was just a kid, I picked sides. Russ Tamblyn as Riff was a favorite since seeing him in Tom Thumb and then seeing the gymnasitc dancing he did made him even more a favorite. I still recall being on the edge of my seat during that knife fight and my pounding heart jumping into my throat at the outcome. I really didn’t expect it and watching it today, it still gets to me. Sure, they’re dancing in the fight but it makes it no less belevable to me. I recall George Chakiris once saying that Jerome Robbins taught him the difference in dancing between just movement in step and movement as character and geez, does it show in this sequence. Watch it again and you’ll see what I mean.
Oh, one more  afterthought:  Tamblyn and Chakiris have remained friends through the years and recently, Tamblyn underwent open heart surgery. Apparently it was touch-and-go but when they wheeled him out of post-op one of the people Tamblyn saw nervously awaiting the outcome, was Chakiris. They locked eyes and Tamblyn smiled, held up his hand and snapped his fingers. Is that cool or what? I guess Riff was right: “When you’re a Jet you’re a Jet all the way….”

10. THE MANCHURIAN CANDIDATE-1962

Henry Silva (left) as a VERY savvy houseboy and Frank Sinatra (right) do battle.

Henry Silva (left) as a VERY savvy houseboy and Frank Sinatra (right) do battle.

If a paranoid cold war thriller can be considered perfect, than this is the one.  Why they thought it neccessary to remake it 2004, is beyond me. Well, they didn’t ask me so there you go…..
Anyway, from the very first scene this one grabs you. The opening (suggested to director John Frankenheimer by Frank Sinatra) sets the tone for the unrelenting weirdness to come, all the way up to and including the amazing ending. In the midst of the strange doings, Korean War vet Frank Sinatra, frsutrated over the nightmares he’s experiencing, confronts one of the people in his nightmare, Korean houseboy Henry Silva (!?) Both being combat vets, they tangle in hand-to-hand-combat while Sinatra desperatley tries to extract needed information from Silva. It’s a fight scene that is filmed, edited, and performed in a highly stylized format for the early 60s and consequently, still packs a wallop. A true stand-out in films in general but especially for a film already brimming with stand outs.
I remember seeing an interview Barbara Walters did with Frank Sinatra late in his life in which they toured his Palm Springs home. They then settled in by the pool in which Walters noticed the giant Queen of Diamonds shimmering in the cement beneath the crystal clear water. She then asked Sinatra, “Is that a symbol from your Vegas Rat Pack days?” Sinatra smiled at her and said, “Actually, Barbara, it’s from a film I made years ago called The Machurian Candidate….”
I hate a journalist who doesn’t do their homework.

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STEVE ALLEN INTERVIEW, PART 2: FROM THE ARCHIVES

Steve Allen proved to be such an intriguing interview subject, I took it upon myself to interview him on subjects beyond what I orginally intended. In fact, When he found out I was in the midst of researching Lee Marvin Point Blank, it resulted in a great anecdote that didn’t quite make the book, but will be a great subject for an upcoming blog entry.
My decision to go beyond my intended subject of questions must have paid off as it resulted in the following letter to the editor (“Smock Absorber”) in the next issue of Outre, penned by film make Don Glut (a practice that his highly encouraged by yours truly, even on blog posts!) :

Letter to the editor by filmmaker Don Glut.

Letter to the editor by filmmaker Don Glut.

It’s worth noting that during our conversation, Steve Allen’s wife, Jayne Meadows, kept poking in to get her husband to sign some paperwork. Each time she did that, she would look over my shoulder to see the notes I was taking. Luckily, my handwriting is so atrocious she couldn’t make out what I was writing, forcing her to look exasperated each time she left. On the third attempt, she dropped all pretense, tapped my shoulder and blurted out, “Young man, what are you writing?!” I looked at her husband who give me the internationally accepted sign of “It’s okay, go ahead and tell her…” So, I did. We were in the midst of discussing Lenny Bruce, prompting Ms. Meadows to tell me on record her anecdote about  Lenny that is included the interview.
As you’ll also see below, once we discussed Steve Allen’s influence in dragging the American populace kicking and screaming into the age of modern pop culture, I took full advantage of the situation by asking him about popular music, his landmark TV series, Meeting of Minds, his best and worst guests, and so much more. Below are the results which I thought made for great reading. Enjoy…..

Steve Allen, Part 2, Page 1

Steve Allen, Part 2, Page 1

Steve Allen, Part 2, Page 2

Steve Allen, Part 2, Page 2

Steve Allen, Part 2, Page 3

Steve Allen, Part 2, Page 3

Steve Allen, Part 2, Page 4

Steve Allen, Part 2, Page 4

Steve Allen, Part 2, Page 5

Steve Allen, Part 2, Page 5

Steve Allen, Part 2, Page 6

Steve Allen, Part 2, Page 6

Steve Allen, Part 2, Page 7

Steve Allen, Part 2, Page 7

Steve Allen, Part 2, Page 8

Steve Allen, Part 2, Page 8

Steve Allen, Part 2, Page 9

Steve Allen, Part 2, Page 9

 

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STEVE ALLEN OUTRE INTERVIEW, PART 1

Steve Allen
Steve Allen being a personal hero of mine, I was over the moon when he agreed to be interviewed by yours truly for Outre’ Magazine back in 1997. I  met him and his wife Jayne Meadows at one of those Hollywood Collector’s Shows at the Beverly Garland Hotel in which Ms. Meadows worked the room and Mr. Allen was suprisingly subdued. I was there to collect as well, mostly interviews for my book, Lee Marvin Point Blank (which for the record proved a great source, such as Robert Vaughn, Clint Walker, John Dennis and Ms. Garland herself!)
Mr. Allen, I later was to discover, was subdued due to the fact that he didn’t want to be there. When I discussed the possibilty of my interviewing him, he lit up like the proverbial Christmas tree. We exchanged contact info and I checked in with Outre’s publisher Mike Stein, who loved the idea. The dilemma then became what the hell do I talk to him about? I need not have worried since Mr. Allen was a wealth of stories and anecdotes — from Elvis Presley and Bob Dylan to Lenny Bruce and Jack Kerouac — all of which provided me with a natural theme for the interview that practically wrote itself, title included. He even went so far as to give me an anecdote about Lee Marvin! The man was something else!

Steve Allen interview, page 1

Steve Allen interview, page 1

Steve Allen interview, page 2

Steve Allen interview, page 2

Steve Allen interview, page 3

Steve Allen interview, page 3

Steve Allen interview, page 4

Steve Allen interview, page 4

Steve Allen interview, page 5

Steve Allen interview, page 5

Steve Allen interview, page 6

Steve Allen interview, page 6

Steve Allen interview, page 7

Steve Allen interview, page 7

 

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