STUART WHITMAN, COMANCHEROS COSTAR, DEAD AT 92

Stuart Whitman, who costarred with John Wayne and Lee Marvin in 1962’s The Comancheros, has died at the age of 92 from skin cancer.

Ad for THE COMANCHEROS, in which Lee Marvin’s appearance remains is not quite what it was in the movie.

The age of 92 is a ripe one for any person, but for a veteran actor know for his dark, brooding good looks to survive for that period of time, is quite an accomplishment.

In all honesty, I was not much of a fan, despite his lengthy and prolific career listed in this online obit.
An apt description was given his career in British David Quinlan’s 1981 compendium, The Illustrated Directory of Film Stars: “Black-haired, craggy-faced American leading man who played a lot of very small roles before breaking into the big time via a Fox contract. These years at the studio (1958-1965) were his only ones as a top Hollywood star, and contain his best performances. Since then, he has remained a regular, if somewhat immobile, second-line leading man.”

COMANCHEROS Pressbook press release on the then burgeoning career of Stuart Whitman.

Whitman also had a small role in the underrated Randolph Scott & Lee Marvin western, Seven Men From Now (1956). That aside, I just always thought of him as part of that generation of actors who for a brief period starred in films at the tail of the studio system, as Quinlan mentioned. Hollywood’s feudal studio system was beginning to crumble so the attempts to make superstars out of the likes of Stuart Whitman and George Hamilton was short-lived. The changing cultural landscape did allow audiences a glimpse at early roles of actors who supported the likes of Hamilton and Whitman, and would become lasting major superstars later in the 1960s and 1970s, Such as Charles Bronson, and yes, Lee Marvin.
Don’t get me wrong, Whitman was a serviceable presence in the right role, such as Pau Regret in The Comancheros — the making of which is detailed in Lee Marvin Point Blank. Personally, despite his well-deserved Oscar-nomination for The Mark (1961), I liked him best in the gritty true-life crime drama, Murder Inc. (1960). Granted, Whitman’s all-American good looks seemed out of place among the ethnic faces, but his scene towards the end of the film in which he confronts Abe “Kid Twist” Reles (Peter Falk), may very well be Stuart Whitman’s best acting ever, in my humble opinion.
Until then, with all the social isolation in place, it might not be a bad idea to catch up on some classic films made by Whitman and others so you can judge for yourself. The ranks are clearly thinning.
– Dwayne Epstein

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MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

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RELEASED THIS DAY IN 1953: LEE MARVIN IN SEMINOLE

Lee Marvin’s earliest supporting roles are often overlooked, such as Seminole, released this day in 1953. The film itself is a typical Hollywood take on a fascinating aspect of U.S. history, as pointed out in Lee Marvin: Point Blank. In fact, when Marvin was in school Florida, he found the true story of the Seminole tribal chief Osecola so fascinating, he wrote a book report on the subject. He may have been equally thrilled to get the job in the film only to become equally disappointed once he read the script.

Original poster art for 1953's Seminole, in which 7th billed Lee Marvin is no where in sight.

Original poster art for 1953’s Seminole, in which 7th billed Lee Marvin is no where in sight.

TIME magazine aptly derided the film as “a swampy melodrama,” in which mean soldiers try to eliminate marauding Indians with a sympathetic White officer caught in the middle. Rock Hudson played the sympathetic officer Anthony Quinn played Osceola, and the the mean soldiers were headed up by RIchard Carlson. Marvin was listed SEVENTH down the cast list, but he did have a a substantial scene towards the end of the film.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

 

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

The film’s director, the underrated Budd Boetticher, did point out how the run-of-the-film led to better things for Marvin shortly thereafter…..
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“…..[Marvin] played Sgt. Magruder and he was very, very good. [Seminole’s screenwriter] Burt Kennedy brought him in. He suggested Lee to play the second lead on my next picture with Randy [Scott]. Now Duke Wayne [as producer], and you can quote me on this, Duke was either a son-of-a-bitch or the best friend you ever had, depending on the mood he was in. Burt asked Duke, “Who should we use?” Duke said, “Let’s use Randy. He’s through.”
The result was one of Lee’s earliest lead roles and one of his all-time best performances: Big Masters in Seven Men From Now (1956).

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