ROGER FRISTOE INTERVIEW WITH LEE MARVIN

Roger Fristoe, insightful freelancer for Turner Classic Movies (TCM) contacted me a while back when I had blogged about Raintree County. At the time I hadn’t known Roger very well but have since gotten to him better via Facebook. He had good things to say about Lee Marvin Point Blank so naturally, I had to get to know him better. Well, since this week is the anniversary of the opening of Raintree County, I asked him if he’d let me run the interview he did with Marvin back in 1986 for The Courier-Journal in Louisville, KY, and he agreed.
The opening before the piece is the e-mail response I’ve included here to give a little more interesting background to Marvin’s performance. Here then, in all its glory, is the interview with Lee Marvin conducted by Roger Fristoe on the making of Raintree County

Sunday magazine cover for Roger Fristoe’s piece on RAINTREE COUNTY for the Lexington Courier that included the sidebar interview with Lee Marvin.



“Hi Dwayne,
The Marvin piece was a sidebar to the main story and ran with it. I thought that gave it more prominence. Something that didn’t get into the piece…I told him that I loved his reading of his final line, “I’m from Raintree County!” He said it was an inspiration of the moment as they were shooting the scene that he added that element of surprise: how could this son of Raintree County come to this end??? ….. ” I may have told you that I wrote to all the surviving stars at the time of the story requesting phone interviews, and he was the only one who called. I was quite startled at work that day to pick up the phone and hear that booming voice: “Hey Roger, it’s Lee Marvin, what can I do for you?”

   Hope you enjoy — all the best, Roger Fristoe”
 
Lee Marvin Remembers
“Raintree County” – and Kentucky
“‘Raintree County was the last big film of its kind from MGM and, along with “Paint Your Wagon, my only exposure to that kind of spectacular production you associate with the old days. I thought it was a great book and a great film. But Civil War stories haven’t done well in years, except for those two ‘North and South series on TV. [According to Lee Marvin:}
“Everybody was in love with Elizabeth Taylor. Even today, when you see her, she just makes you want to smile all over. But she and Monty Clift were locked into a kind of privacy that I didn’t really share. I wasn’t really a noted actor at that time and have never been a leading man in the sense of people climbing all over you and tearing your clothes off. In Danville, I immediately mixed in with the locals with no problem.
“My memory now is not so much the film as those people who were so generous and so conducive to making us feel at home there in Kentucky. And, for God’s sake, this was a Yankee story! Now, Kentucky may have been a border state during the Civil War, but it leaned toward the South, right? I got a great kick out of the whole business of all those Rebs cast as extras and dressed in the blue uniforms of the Yankee army. I told ’em, “Look at it this way: this time you’re gonna win!”

(L-R) Lee Marvin and Montgomert Clift as ‘Bummers’ during the Civil War scene in RAINTREE COUNTY.

“You have an awful lot of time to kill between setups, and you’ve got to keep the juices flowing, so I spent a lot of time talking to the extras and helping them get into the spirit of the thing. When they marched by with a flag, I’d yell, “Don’t just wave it. Snap that flag! I’d get ’em going. And they were marvelous about it.
“My memories of the whole project are absolutely stunning. I kept my nose pretty clean, and the local people accepted me very well. They showed me great courtesy and made the location one of the most pleasant I’d ever worked on. It was amazing the things they did for us, the way they opened up their homes to us, the care they took of us. Everyone there was easygoing and accepting as long as you were genteel yourself.
“My mother is from Virginia, and she had brought me up to practice a certain kind of manners. When you do things in a cordial and acceptable manner, people respond in kind.” 

(L-R) Rod Taylor, Nigel Patrick, director Edward Dmytryk (standing), Elizabeth Taylor, Montgmery Clift, Eva Marie Saint, Lee Marvin, Agnes Moorhead and Walter Abel.


– Dwayne Epstein
Share Button

TCM’S 31 DAYS OF OSCAR HIGHLIGHTS LEE MARVIN

TCM’s 31 Days of Oscar is an ongoing annual event for the basic cable channel and this year Lee Marvin is very much in evidence. As the schedule shows, there are a plethora of his films on tap. No less than a half a dozen Lee Marvin gems, that’s right, a full half dozen, for most of February. If needed, here are the air dates (if you want to set your recording device for viewing, check your local listings for times). The Oscars or nominations of each film are listed below. My source? Why TCM’s own resident guardian angel, Robert Osborne from his excellent reference book, 50 Golden Years of Oscar. Okay, ready? Here are the Lee Marvin classics being shown for TCM’s 31 Days of Oscar….

THE CAINE MUTINY (1954) Airs Wednesday, February 5th. Nominated for Best Picture (Stanley Kramer, producer), Best Actor (Humphrey Bogart), Best Supporting Actor (Tom Tully), Best Screenplay (Stanley Roberts), Best Sound Recording (John P. Livadary (Sound Director), Best Film Editing (William A. Lyon & Henry Batista), Best Motion Picture Score (Max Steiner).

Marvin & shipmate Claude Akins in THE CAINE MUTINY.

CAT BALLOU (1965) Also Wednesday February 5th. Marvin won for Best Actor and the film was a also nominated for Best Adapted Screenplay (Walter Newman & Frank Pierson), Best Film Editing (Charles Nelson), Best Song: “The Ballad of Cat Ballou” (Jerry Livingston & Mack David), Best Score (Frank DeVol).

Marvin as Kid Shelleen one of 2-roles he enacted for his Oscar-winning performance in CAT BALLOU

THE DIRTY DOZEN (1967) Again, Wednesday February 5th. Won the Oscar for Best Sound Effects (John Poyner). Nominated for Best Supporting Actor (John Cassavetes), Best Sound (MGM Sound Dept.) and Best Film Editing (Michael Luciano).

Marvin confronts Robert Ryan in the Oscar-winning THE DIRTY DOZEN.

RAINTREE COUNTY (1957) Airs Monday, February 10th. Nominated for Best Actress (Elizabeth Taylor), Best Art Direction-Set Direction (William A. Horning & Urie McCleary; Edwin B. Willis & Hugh Hunt), Best Costume Desgn (Walter Plunkett). Best Score (Johnny Green).

Rod Taylor as Garwood Jones and Lee Marvin as Orville ‘Flash’ Perkins in RAINTREE COUNTY.

 

 

BAD DAY AT BLACK ROCK (1955) Airs Saturday, February 15th. Nominated for Best Actor (Spencer Tracy), Best Director (John Sturges) & Best Screenplay (Millard Kaufman).

Most of the cast, excluding Anne Francis, Ernst Borgnine and John Erickson in BADY DAY AT BLACK ROCK.

 

 

THE PROFESSIONALS (1966) Airs Monday, February 24th. Oscar nominated for Best Director and Best Adapted Screenplay (Richard Brooks for both), and Best Color Cinematography (Conrad Hall).

(L-R) Woody Strode, Lee Marvin, Robert Ryan and Burt Lancaster as THE PROFESSIONALS.

So there you have it! Further proof — as if any were needed — that Lee Marvin didn’t just make really good action films. He made some of the greatest of all-time! Don’t think you’ll be seeing any Jason Statham titles in years to come on TCM’s 31 Days of Oscar. Just saying.
And of course, rare behind-the scenes stories on all of theses films (and more!) can only be found in Lee Marvin Point Blank.
See ya at the movies.
– Dwayne Epstein

Share Button

MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

Share Button