POINT BLANK REMAKE? NOT EVEN CLOSE!

“POINT BLANK REMAKE” blared the headline in Variety.    Of course, my initial reaction to the headline itself was one of mixed emotions. While glad to see attention was being paid to Lee Marvin’s neo-noir classic — which could enliven his work to a wider audience — I bemoaned the lack of originality constantly being shown by Hollywood bigwigs. After all, Even Point Blank itself, was not the first version of Richard Stark’s (aka Donald Westlake) mysterious character….

Liner notes from the POINT BLANK soundtrack CD describes the films genesis, as well as a graph of its many incarnations.  The only one missing since the CD’s release is Taylor Hackford’s PARKER (2013), starring Jason Statham.

Then I actually read the article. Never heard of a 2010 version of the same title with a completely different premise. Never heard of Fred Cavaye. Never even heard of Frank Grillo. How in god’s name did they get away with naming a non-related film Point Blank...and then make an announcement to remake it? Bizarre!
By the way, readers of Lee Marvin Point Blank are well aware of Lee Marvin’s complete immersion in the John Boorman original, as well as the films evolution to the screen and its current well-earned cult status. Those who haven’t read it are in for an eye-opener!

Original ad art for two of several versions of Richard Stark’s original tale that would make a great double feature.

About the only positive thing I can possibly take away from the Variety article is the prominence of Anthony Mackie in the project. Unlike Frank Grillo, I am quite familiar with Mackie’s film work, having been impressed with him in both Clint Eastwood’s Million Dollar Baby (2005), and even more so in Kathryn Bigelow’s The Hurt Locker (2008). As Sergeant JT Sanborn, Mackie is a standout in the now classic film in which he draws an interminably long bead on an enemy Iraqi soldier…

Actor Anthony Mackie drawing a bead on the enemy in Kathryn Bigelow’s THE HURT LOCKER.

That point may seem off topic, but in truth it is definitely worthy of a mention in a Lee Marvin-themed blog. No one can really tell for sure but it’s a pretty safe bet Lee Marvin himself would have been impressed with both Mackie’s performance and the film itself. It’s dealing with the current veteran’s trauma of PTSD and Bigelow’s unflinching detail of it would definitely be in Marvin’s wheelhouse.
With such films possible, why a Point Blank remake….that isn’t even a Point Blank remake? Boggles the mind. Better yet, how about a biopic on the man who put Point Blank on the map…and endured a lifetime of grappling with PTSD? Just a thought.
– Dwayne Epstein

Share

30TH ANNIVERSARY OF THE PASSING OF LEE MARVIN

This August 29th will mark the 30th anniversary of Lee Marvin’s passing and much has transpired in those three decades. Truth be told, much more should have transpired within that time period. The publication of Lee Marvin Point Blank in 2013 I felt was a worthy addition to the effort of keeping his memory alive but there really hasn’t been much else. If you look at the scan from my book’s back pages you’ll see there’s only been a handful of projects that are a result of Lee’s work & legacy.

From the paperback version of Lee Marvin: Point Blank.

Some of the highlights include the long overdue The Big Red One reconstruction in 2004; A tribute to his films in 2007 by the Film Society of Lincoln Center;  MTV voting Lee Marvin’s Walker in Point Blank the top 5 badass in movie history in 2009; Playwright Nick Zagone’s original stage play “Lee Marvin Be They Name” in 2011.
When my book was in production and my publisher wanted a little more back material, I came up with this idea to keep the actor’s legacy alive in the mind of the reader….

From Lee Marvin: Point Blank, my own idea of films Lee could have made had he lived.

After my book was published, the good people at the American Cinematheque, in conjunction with Larry Edmunds Bookstore in Hollywood contacted me about the possibility of running a short film festival of some of Lee’s films. The turn out surprised everyone as the event proved to be a sell out!

Aero Theater Schedule for Lee Marvin film fest.

Aero Theater write-up. Part 2

Flyer of the festival as put out by Larry Edmunds Bookstore.

As I say, the turn out was wonderful and surprising to all. Similarly, was the fact that Lee Marvin Point Blank made the NY Times Bestseller list in 2014 at number four! Everyone has been surprised. This being the 30th anniversary of Lee’s passing, whenever his name is mentioned since then, I keep hearing how surprised folks are that he’s remembered at all and then how great it is that he is remembered.
Hey, I’m not going to lie to you. I think it would be great to keep selling copies of my book but there’s another reason other than money. Want to keep his memory and legacy alive? Sure, buy the book but more than that: Watch a Lee Marvin movie and tell other folks about it. Believe me, you won’t be disappointed.
– Dwayne Epstein

Share

MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

Share