JANUARY 2021 ON TCM

January 2021 is FINALLY upon us and not a moment too soon, as far as I’m concerned. With this new month and year (hell, new decade even!), comes a new schedule of films from the good folks at TCM. Below are the films that either star Lee Marvin or has a particular link to Marvin’s life, career or legacy. So, with January 2021 upon us, let the classic films begin!
All times are Pacific Standard Time

The Sea Wolf (1941), Wednesday, January 6 (1:15 am): It’s hard to imagine that Lee Marvin might have had anything in common with the legendary John Garfield but the two men shared an appreciation of the writing of Jack London. Garfield begged Jack Warner to put him in a London biopic but instead he got to costar in this classic sea story. London was at one point the most popular writer in the English language and his 1904 novel The Sea Wolf became his most often filmed stepchild. Filmed no less than nine times since 1913, this version with Garfield, Edward G. Robinson, Alexander Knox and Ida Lupino is the best known and for my money the best of all. I could easily see Marvin playing the villianous captain Wolf Larsen as well as Robinson played it, of whom Marvin was also a huge fan. Unfortunately, the closest Marvin ever got to playing a London character was A#1 in the London inspired Emperor of the North.
By the way, frequent Marvin costar Charles Bronson took a shot at playing the title character in a cable TV movie version for Turner’s TBS station with less than stellar results.

The Big Heat (1953), Saturday, January 9 (9 am):

The attitude of Vince Stone toward his annoying girlfriend, Gloria Grahame, is shown building to a painful climax in Fritz Lang’s THE BIG HEAT (1952).

You want early Marvin sadistic mayhem? It doesn’t get any better than this. As gangster Vince Stone he terrorizes men but especially women like the screen had never seen before. Fritz Lang’s neo-noir classic stars Glenn Ford as a tough cop putting the heat on for the murder of his wife, Jocelyn Brando, you-know-who’s real-life sister.  Ford’s encounters with the city’s underbelly makes up the bulk of the film but the real stars are Gloria Grahame as Stone’s pouty-mouth moll and Marvin as Stone. Stories galore of its making in Lee Marvin Point Blank with the best being NY Times critic Vincent Canby dubbing Marvin “The Merchant of Menace.” Canby had no idea the best was yet to come.

The Searchers (1956) Saturday, January 16 (5pm):

John Wayne to Harry Carey, Jr: “What do you want me to do, DRAW YOU A PICTURE?! DON’T EVER ASK ME AGAIN!”

It’s been said that the cinematic mythology of the American western was pretty much created by John Ford and the best of his westerns  always starred John Wayne. Of their many films together, The Searchers remains their greatest for countless reasons and not the least of which is the fact that ol’ Duke Wayne was never more vicious in a movie than he was here. A shame he didn’t play more men of questionable morals as the racist Ethan Edwards but at least he did once…well, twice if you count his wonderful Captain Bligh on the cattle trail in Howard Hawks’ Red River (also airing this month on Saturday, January 23, 12:30pm) . What does all this have to do with Lee Marvin? Quite simply, Marvin loved the cinematic output of both men and luckily got to work with them both later in their careers. Watch The Searchers and discover why he admired them so much if you haven’t done so already..

A Streetcar Named Desire (1951), Sunday, January 17 (12:30 pm):

A young Lee Marvin as Mitch in the stage version of STREETCAR.

There isn’t much more to be said about this classic film starring the brutish young Marlon Brando, delicate Vivien Leigh, along with Oscar-winning Kim Hunter and Karl Malden. However, most people may not be aware that a young Lee Marvin played in the stage version in Summer stock. If you think he portrayed the savage Stanley Kowalski, think again. Actually, he played Mitch, Stanley’s oafish co-worker who’s smitten with Stanley’s sister-in-law, Blanche, until he sees the light, as it were. So, when watching the classic film written by Tennessee Williams and directed by Elia Kazan, pay attention to Karl Malden and picture a young Lee Marvin in the role.

Drum Beat (1954), Thursday, January 28 (5:30 am):

(L-R) Alan Ladd as Johnny Mackay and Charles Bronson as Captain Jack in DRUM BEAT.

Other than Marvin himself, the only other actor who spent a longer apprenticeship on the way to superstardom was frequent costar Charles Bronson. His scene-stealing performance as renegade Modoc warrior Captain Jack in the Alan Ladd western Drum Beat may have given hope that success might be right around the corner. Hope springs eternal. He had changed his name from Buchinski to Bronson with this film and got the best reviews of his career up to that time:
“The renegade redskin is forcefully played by Charles Bronson,” Variety.
“Charles Bronson is probably the most muscular Indian ever to brandish a rifle before the camera,” NY Times.
Alan Ladd…is dwarfed by that of Charles Bronson…proud, ruthless, magnificent,” Films and Filming.
Unfortunately, not many folks saw this fact-based color horse opera. He does outshine the nominal star, Alan Ladd, but it would be almost 20 years for audiences to appreciate Bronson’s screen image in 1973’s Death Wish. Watch him in Drum Beat to see what the likes of Lee Marvin and a handful of others had seen long ago.

The Killers (1964), Saturday January 30 (9:30pm) & Sunday, January 31 (7:00 am):

As hired killer Charlie Strom, Lee Marvin gently persuades blind receptionist Virginia Christine  to divulge vital information in Don Siegel’s THE KILLERS.

Ernest Hemingway’s five-page short story was first filmed in 1946 with a star-making debut of Burt Lancaster as the doomed Swede, an ex-boxer awaiting the title characters. The story goes that screenwriter Richard Brooks met Hemingway in a bar and asked him what he thought the reason would be the killers were coming for Swede. A drunken Hemingway apparently slurred, “Damned if I know. Probably had something to do with big money or maybe a special woman…or maybe both.” Thus, a film noir classic was born.
Almost 20 years later, Lew Wasserman of MCA had the idea of reworking it on the cheap as the first TV-movie, that is until JFK was murdered on the streets of Dallas. There is of course infinitely more to tell about the remade little thriller and I was lucky enough to get great stories about it for Lee Marvin Point Blank from such principal players as Angie Dickinson, Clu Gulager, Norman Fell and Bob Phillips. If you’ve read my book you’ll know what to look for when watching the film.

So there you have it, a summary of Lee Marvin films and interests on TCM for January 2021. Enjoy and above all, have a great new year and good riddance to 2020!
– Dwayne Epstein

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WILLIAM SHAKESPEARE AND…LEE MARVIN?

William Shakespeare is not usually a name associated with the likes of Lee Marvin. More is the pity as the actor had several brushes with the bard as recounted in my book Lee Marvin Point Blank. First, as a fledgling postwar acting student at the American Theater Wing (ATW), in which several hilarious anecdotes are retold by David Ballantine, a friend from Lee Marvin’s Woodstock days.

Lee Marvin (far right) cavorts  with fellow students during his American Theater Wing days in costumes from a play by William Shakespeare.


Later, on the set of The Big Red One, in which costar Kelly Ward recounted an amazing incident at sunset in an ancient Israeli ampitheater. 
Apparently, my research struck a chord with one who would definitely know more about the subject of William Shakespeare’s work than I ever would. Through the wonders of the digital age, noted actor/writer/historian David Weston sought me out to contact recently and wrote me the following:
“I was an actor for more than 50 years and I agree with all you say about Marvin’s talent and magnetism. He would have been game-changing in several Shakespearean roles..” 
 I was humbled by his words once I found out more about him via the internet. Not only does he know his stuff, he’s married to actress Dora Reisser, who knew Marvin well, ever since her costarring role as Telly Savalas’s victim in The Dirty Dozen. When I asked David if I could use his comments concerning William Shakespeare and Marvin on my blog, he sent me the following mini-essay. To call it a wonderful surprise, is an understatement. Here now is David Weston making the point better than I ever could. Enjoy….
– Dwayne Epstein

(L-R) Dora Reisser and David Weston.

Lee Marvin as a Shakespearean Actor

Shakespeare’s plays are full of violence and comedy, two things Lee Marvin revelled in. Titus Andronicus, probably the Bard’s first play, contains mutilation, rape, ripped out tongues and cannibalism. As far as I know Lee Marvin never appeared in a Shakespeare play, although he told my wife, Dora Reisser, that when he was filming The Klansman with Richard Burton, he would make up mock Shakespearean speeches and ask the inebriated Welshman to guess which plays they had come from. I will give some examples of roles in which Marvin could have excelled at various stages in his life. It could have happened. Richard Burton, like Marvin, no the weak spinner of fanciful tales, once told me that Marlon Brando had wanted to join him for a season at the Old Vic, only to be rejected by the board.

As a young actor Lee Marvin was never a Romeo, but he would have been a superb Mercutio [Romeo’s best friend], revelling in the bawdy comedy.  His catlike movement would have been ideal for the sword fights and tragi-comic death.

Richard Burton was a pretty good Petruchio [in The Taming of The Shrew], but can you imagine Lee’s drunken antics or his savage treatment of Kate – Gloria Graham’s coffee springs to mind.

Likewise he was born to play Bottom [in A Midsummer Night’s Dream]. Kevin Kline attempted it recently but he would not have touched Lee’s befuddled wonder at acquiring ass’s ears and the love of the Fairy Queen.

His lighting quick humour and savagery would have made him a terrifying yet hilarious Richard III. Kevin Spacey was a pussy cat in comparison.

Sean Connery was the best Hotspur I’ve seen [Henry IV, Part I], but Lee would have run him close.

Shakespeare could have written the part of Pistol, the bawdy braggart, with Lee in mind, but in the same plays in his more mature years he would have been one of the great Falstaffs. I can close my eyes and see him in the tavern scenes, bragging, wenching, hilarious – yet over brimming with pathos, glimpses of which we saw in Cat Ballou.

Marlon Brando was a superb Marc Antony [in Julius Caesar), in what I consider to be the second best Shakespeare film ever made after Laurence Olivier’s Henry V, but Lee Marvin would have been better.

So many actors can play King Lear in their old age – it is in fact one of Shakespeare’s easiest leading roles – but Lee’s fury would have been terrifying and his grief over Cordelia’s death heart-breaking. As a young actor he would have revelled in the sadism of the Duke of Cornwall in the terrible scene when he takes out Gloucester’s eyes.

Last of all Iago [in Othello]. Again the humorous villainy and savagery – Liberty Valence in tights.

There is something for him in every play. It is our loss he was never asked.
– David Weston

Covering McKellen by David Weston.

Covering Shakespeare by David Weston

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MOVIE MAN WAVE ON ITS WAY…AND IT’S NOT THE FIRST TIME

Movie man wave? Whatever it is, it’s on its way, according to an article in Deadline Hollywood. I’m assuming the writer is trying to come up with a new, hip phrase along the lines of “Bro-mance,” or some other term in these days of viral social media. Based on the comment section he appears to be taking his lumps for it, too. Personally, I think ‘movie man wave’ is a terrible term but the movies he’s referring to all sound like winners. From Ford Vs. Ferrari to The Irishman and more, it’s looking to be a great end of the year movie season. Of course, nothing in Hollywood happens as a stand alone as Quentin Tarantino’s Once Upon a Time in Hollywood started the current trend last summer.
Truth be told, it’s a trend that actually started as far aback as silent movies, with the likes of What Price Glory? (1926). Some of the best early ones co-starred the likes of James Cagney and Pat O’Brien, or Clark Gable and Spencer Tracy. When I was growing up such films were called ‘Buddy Movies,’ which made more sense than ‘Bro-mance or ‘Man Wave.’

Paul Newman and Lee Marvin may have lacked chemistry in POCKET MONEY but the film did allow for this wonderful candid image of Marvin that remains my favorite.

The actor who made more films in this realm? Probably Lee Marvin, whether as friends, rivals, or downright enemies, he worked with all the other major male stars in that capacity. It’s an impressive list that includes the likes of Marlon Brando, Montgomery Clift, John Wayne, Charles Bronson, Toshiro Mifune, Jack Palance, Paul Newman, Gene Hackman, Robert Shaw, Richard Burton, Oliver Reed, practically the entire spectrum of male movie stars. The final result often varied in quality but the star power certainly didn’t. And what did Marvin think of this various and divergent list of co-stars? That answer can only be found in detail within the pages of Lee Marvin Point Blank.
– Dwayne Epstein

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