LEE MARVIN MOVIE QUOTES: THE EARLY YEARS, PART II

Lee Marvin Movie Quotes
Writing and researching Lee Marvin Point Blank allowed me good reason to watch ALL of his films and on occasion, he proved to be the best thing to watch. Take for example his official film debut, You’re in the Navy Now (1951) with legendary actor, Gary Cooper.  Readers of Lee Marvin Point Blank know how he got the handful of lines he spoke in the movie and its a pretty amusing story, thanks to the chutzpah of his acquired agent, Meyer Mishkin. The very fact that he spoke on screen for the first time makes it worthy of some memorable Lee Marvin movie quotes.

Top image shows Marvin waiting to go on camera while bottom image shows hm with costars Gary Cooper and Jack Webb.

Director Henry Hathaway cast Marvin initially as an extra, allowing him to appear throughout the film as a crew member, in this case, the radio operator. Marvin later claimed him he did the voices of 5 other characters offscreen n which he actually talked to himself! Other actors also made their debut in the film, including future Marvin costar, Charles Bronson. Bronson had a bigger role in the flop later retitled USS Teakettle. Marvin’s first words on camera? “Sorry, captain. I can’t get a rise out of them.”

Another example of Marvin’s early, albeit small contribution to film was in the all-star comedy We’re Not Married (1952). Played out like an episode of Love, American Style, it told the tale of 5 different marriages discovering that the clergyman (Victor Moore) who married them was not ordained. The film boasted the likes of Ginger Rogers, Fred Allen, Eve Arden, Paul Douglas, Louis Calhern, Eva Gabor, and a young Marilyn Monroe married to David Wayne(!). The last segment starred Eddie Bracken married to Mitzi Gaynor, who is pregnant with his child but Bracken is going overseas with his Army unit. It being the 1950s, the dilemma of Bracken’s offspring not being legitimate is a major crisis. Since it is the 50s, Bracken’s buddy, Lee Marvin, informs the C.O. that, “He don’t want his kid to be no oddball.”

Marvin & Bracken in the final segment of WE’RE NOT MARRIED.

Don’t you just love that 1950s euphemism for bastard? It’s one of my personal favorite Lee Marvin movie quotes.

And then there’s The Wild One.

Marlon Brando as Johnny and Lee Marvin as Chino in the world’s 1st biker movie, THE WILD ONE (That’s cult legend Tim Carey smiling behind Marvin).

Marvin comes in the middle of the film and commits grand larceny in his scenes with then red hot 50s icon, Marlon Brando. Everything Marvin says and does in the classic is memorable, from his entrance (waving like the prom queen on his chopper as he and his gang ride into town) to his final scene sneaking out of jail when no one is looking. I was lucky to find a letter he wrote his brother before the film was cast and his take on the project is reprinted in its entirety in Lee Marvin Point Blank. Hard to pick a favorite line of his as they’re all delivered brilliantly (“Call my old lady and tell her I’m in the can! Oh, the shame of it all!”) But the one I like best is the one with cultural resonance. When Marvin tells Brando: “We miss ya, Johnny. All the Beetles miss ya.” Apparently another ‘Johnny’ liked that line, too. Any guesses?
– Dwayne Epstein

 

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WEIRD LEE TV MOST FANS MAY NOT KNOW ABOUT

Since TV as a medium has expanded in immeasurably weird ways over the past few years, here are some equally weird and lesser known TV appearances….with Mr. Marvin, of course, that might best be described as weird Lee TV.
In the late 1960s and 1970s, when Lee was at his most popular, not many big movie stars appeared on TV, unless it was a talk show appearance to plug a film. Lee did that too, but he was also not above appearing fairly regularly on say the odd Bob Hope comedy special. Readers of Lee Marvin Point Blank know that he was about to walk on stage of The Flip Wilson Show when he was hit with the Palimony Suit that made headlines through out the 70s. Just one of the many weird Lee facts one can discover in Lee Marvin Point Blank.

Lee Marvin with Bob Hope in the early 70s on one of the legendary comedians many TV specials for NBC.

If the concept of Marvin appearing on a Bob Hope Special seems difficult to wrap one’s head around, imagine seeing him make an appearance on the old Ed Sullivan show! He did, believe it or not, following the release of Paint Your Wagon. Since it was released successfully as a single, he sang ‘Wanderin’ Star’ backed by the Harvard Glee Club. Not surprisingly, he also went out and got soundly drunk afterward.

Hamming it up in a 70s sketch with Bob Hope and Pat Boone.

It would be hard to imagine some of his contemporaries, such as Marlon Brando or Charles Bronson, being willing to do such antics, yet, Marvin did it with gusto. In fact, his turn as gangster ‘Mad Dog’ Marvin on a Bob Hope show is especially hilarious. I don’t think the same could ever be said of Brando or Bronson.
Marvin was also not above other TV appearances, such as hosting and narrating a documentary on the Marines in WWII, or another documentary focusing on American ingenuity.
Possibly the strangest of all, especially since he was a major boxoffice star at the time, was this one from 1977, just in time for the holiday season of TV specials. Personally, I would have loved to have seen the tribute to the banjo as pictured in the ad below. Now THAT would be something to see……

Old TV Guide ad promoting a Gene Kelly variety show special featuring…wait for it… Lee Marvin!

 

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THE ARCHIVES: MY FILMFAX INTERVIEW W/ ROBERT J. GURNEY, JR

Anyone who knows me knows that with precious few exceptions, I am no fan of the science fiction genre. So, with that in mind, I’m the last writer wiling to research, interview, and write up a piece on an unsung Sci-Fi filmmaker. Enter Filmfax Magazine. You never know what you might learn and enjoy being a professional writer and writing for Filmfax is the best example of that. I had recieved a call from the magazine’s publisher, Mike Stein (terrific guy, by the way), telling me such an unsung filmmaker has made his presence known and wanted to speak with Filmfax. It concerned a recent book that had incorrectly stated that Invasion of the Saucer Men was not meant to be a comedy, despite the laughs it garnered from audiences upon its release.
I thought it over, and eventually figured, what the hell, might even be a little enlightening on some level. I was still very much researching  Lee Marvin Point Blank at the time but needed to keep my actually writing chops up. Besides, I needed to pad my resume’ as well as my bank account as best as I could. Keep in mind, this was back in 2002, and my ability to navigate the digital highway, was tenative at best. Any research was done the old-fashioned way, i.e. my local library. Not only had I not heard of Robert J. Gurney, Jr., neither had any of the stalwart genre fanatics I knew personally. The intrigue was rising.
Turns out, Gurney was living in Marina Del Rey and had a voice like a late-night FM  radio announcer with a Southern drawl. Upon meeting with him, I discovered he was a sweet, unassuming, older gentleman with a razor-sharp memory definitely worthy of Filmfax’s auspices, beyond what his valid complaint was. The complaint, by the way, was also a natural lead for the article. Better yet was discovering his life story included eye-opening personal anecdotes with the likes of Stanley Kubrick, Marlon Brando, Roger Corman, AIP’s exectuives Sam Arkoff & Jim Nicholson, a future mutli-Oscar winning cinematographer named Conrad Hall,  and the genesis of some groundbreaking films still in dire need of rediscovery. My favorite example being Gurney’s long-lost late 50s thriller, Edge of Fury. He had a print he had not seen since its release, and because I knew someone who could transfer it to VHS, we were able to watch this strange little thriller together as I took notes on his reactions. Those are the times I love my job. So, posted below, in its entirety, is my eye-opening interview with writer/director/producer and thought-provoking racontuer, Robert Gurney, Jr.
Oh, one more thing. According to Google, at the age of 92, Gurney is still with us, but my contact information for him is long gone. If anybody who reads this knows how to get back in touch with him, please let me know. In the mean time, I give you my cover story interview with Mr. Gurney from Filmfax, 2002. Enjoy…..

Artist Harley Brown rendered the cover art for the Oct/Nov 2002 issue of Filmfax featuring my interview with filmmaker Robert J. Gurney.

Artist Harley Brown rendered the cover art for the Oct/Nov 2002 issue of Filmfax featuring my interview with filmmaker Robert J. Gurney.

Robert Gurney Filmfax interview, page 1.

Robert Gurney Filmfax interview, page 1.

Robert Gurney Filmfax interview, page 2.

Robert Gurney Filmfax interview, page 2.

Robert Gurney Filmfax interview, page 3.

Robert Gurney Filmfax interview, page 3.

Robert Gurney Filmfax interview, page 4.

Robert Gurney Filmfax interview, page 4.

Robert Gurney Filmfax interview, page 5.

Robert Gurney Filmfax interview, page 5.

Robert Gurney Filmfax interview, page 6.

Robert Gurney Filmfax interview, page 6.

Robert Gurney Filmfax interview, page 7.

Robert Gurney Filmfax interview, page 7.

Robert Gurney Filmfax interview, page 8.

Robert Gurney Filmfax interview, page 8.

Robert Gurney Filmfax interview, page 9.

Robert Gurney Filmfax interview, page 9.

Robert Gurney Filmfax interview, page 10.

Robert Gurney Filmfax interview, page 10.

Robert Gurney Filmfax interview, page 11.

Robert Gurney Filmfax interview, page 11.

Robert Gurney Filmfax interview, page 12.

Robert Gurney Filmfax interview, page 12.

Robert Gurney Filmfax interview, page 13.

Robert Gurney Filmfax interview, page 13.

-Dwayne Epstein

 

 

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