WILLIAM SHAKESPEARE AND…LEE MARVIN?

William Shakespeare is not usually a name associated with the likes of Lee Marvin. More is the pity as the actor had several brushes with the bard as recounted in my book Lee Marvin Point Blank. First, as a fledgling postwar acting student at the American Theater Wing (ATW), in which several hilarious anecdotes are retold by David Ballantine, a friend from Lee Marvin’s Woodstock days.

Lee Marvin (far right) cavorts  with fellow students during his American Theater Wing days in costumes from a play by William Shakespeare.


Later, on the set of The Big Red One, in which costar Kelly Ward recounted an amazing incident at sunset in an ancient Israeli ampitheater. 
Apparently, my research struck a chord with one who would definitely know more about the subject of William Shakespeare’s work than I ever would. Through the wonders of the digital age, noted actor/writer/historian David Weston sought me out to contact recently and wrote me the following:
“I was an actor for more than 50 years and I agree with all you say about Marvin’s talent and magnetism. He would have been game-changing in several Shakespearean roles..” 
 I was humbled by his words once I found out more about him via the internet. Not only does he know his stuff, he’s married to actress Dora Reisser, who knew Marvin well, ever since her costarring role as Telly Savalas’s victim in The Dirty Dozen. When I asked David if I could use his comments concerning William Shakespeare and Marvin on my blog, he sent me the following mini-essay. To call it a wonderful surprise, is an understatement. Here now is David Weston making the point better than I ever could. Enjoy….
– Dwayne Epstein

(L-R) Dora Reisser and David Weston.

Lee Marvin as a Shakespearean Actor

Shakespeare’s plays are full of violence and comedy, two things Lee Marvin revelled in. Titus Andronicus, probably the Bard’s first play, contains mutilation, rape, ripped out tongues and cannibalism. As far as I know Lee Marvin never appeared in a Shakespeare play, although he told my wife, Dora Reisser, that when he was filming The Klansman with Richard Burton, he would make up mock Shakespearean speeches and ask the inebriated Welshman to guess which plays they had come from. I will give some examples of roles in which Marvin could have excelled at various stages in his life. It could have happened. Richard Burton, like Marvin, no the weak spinner of fanciful tales, once told me that Marlon Brando had wanted to join him for a season at the Old Vic, only to be rejected by the board.

As a young actor Lee Marvin was never a Romeo, but he would have been a superb Mercutio [Romeo’s best friend], revelling in the bawdy comedy.  His catlike movement would have been ideal for the sword fights and tragi-comic death.

Richard Burton was a pretty good Petruchio [in The Taming of The Shrew], but can you imagine Lee’s drunken antics or his savage treatment of Kate – Gloria Graham’s coffee springs to mind.

Likewise he was born to play Bottom [in A Midsummer Night’s Dream]. Kevin Kline attempted it recently but he would not have touched Lee’s befuddled wonder at acquiring ass’s ears and the love of the Fairy Queen.

His lighting quick humour and savagery would have made him a terrifying yet hilarious Richard III. Kevin Spacey was a pussy cat in comparison.

Sean Connery was the best Hotspur I’ve seen [Henry IV, Part I], but Lee would have run him close.

Shakespeare could have written the part of Pistol, the bawdy braggart, with Lee in mind, but in the same plays in his more mature years he would have been one of the great Falstaffs. I can close my eyes and see him in the tavern scenes, bragging, wenching, hilarious – yet over brimming with pathos, glimpses of which we saw in Cat Ballou.

Marlon Brando was a superb Marc Antony [in Julius Caesar), in what I consider to be the second best Shakespeare film ever made after Laurence Olivier’s Henry V, but Lee Marvin would have been better.

So many actors can play King Lear in their old age – it is in fact one of Shakespeare’s easiest leading roles – but Lee’s fury would have been terrifying and his grief over Cordelia’s death heart-breaking. As a young actor he would have revelled in the sadism of the Duke of Cornwall in the terrible scene when he takes out Gloucester’s eyes.

Last of all Iago [in Othello]. Again the humorous villainy and savagery – Liberty Valence in tights.

There is something for him in every play. It is our loss he was never asked.
– David Weston

Covering McKellen by David Weston.

Covering Shakespeare by David Weston

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MARVIN MOVIE BLOOPERS, PART 1

Marvin movie bloopers is not a subject I’ve dealt with before but I got the idea for it from the last blog entry I did. When director Buzz Kulik told me the story of Lee Marvin being face down on the courtroom table in Sergeant Ryker and how he left the shot in the movie, it reminded me of similar moments that we either told to me or that I witnessed myself while working on Lee Marvin Point Blank.
For instance, costar Kelly Ward offered a funny anecdote concerning a scene in The Big Red One, in which Lee Marvin kept stumbling over the line, “Nothing but combat rejects on the beach at Colleville-sur-Mer.” Try as he might, he just couldn’t pronounce the name of that little French town. The moment he did finally get it right, it’s not only left in the film, but he does a take to the camera to let everyone know what he thought of that line. It’s in the movie and the details to the story are in my book. Pretty funny, especially the James Coburn reference.

“Psst! Hey, Buddy! Tell me again how to pronounce this French beach, will ya?”

Always fun to look for things left in a movie that has not been noticed before. Another example of a Marvin movie blooper is in The Professionals. Watch one of the dialog scenes in the desert between Marvin and Burt Lancaster and see what the horse is doing in the background. One of my best friends and I had watched the film so many times, he was the one who caught it after multiple viewings and could not stop laughing. We like to think of it as the animal kingdom’s critique of the film before it was released.

“Hey Lee! Look what your horse is doing! Heh, heh.”

That’s pretty much it for now but as Johnny Carson used to say, more to come, such as moments in Cat Ballou and The Dirty Dozen to look for.
– Dwayne Epstein

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