CELEBRATE THE 4TH WITH THE DOZEN

Celebrate the 4th with the dozen, a Dirty Dozen, that is. Such is the game plan I came across on line, recently.

Celebrate the 4th with he one, the only, the original, DIRTY DOZEN (1967)

A writer at the venerable Chicago Tribune (former home base for the late Gene Siskel) came up with the interesting concept of what all-American films would be worthy of Independence Day. Some obvious ones were included, such as 1776, and some were a bit of a stretch, like his first choice of The Godfather. Surprisingly, he didn’t include my go-to choice each 4th of July which is Yankee Doodle Dandy with the great James Cagney in his Oscar winning role as George M. Cohan.
The Tribune writer, Rex Crum, explains his concept here. If you don’t care to scroll the entire article, here’s his reasoning to celebrate the 4th with the Dozen:

“Did you know that in addition to leading Jim Brown, Charles Bronson, Donald Sutherland and nine other American military convicts on a crazy raid against the Nazis, Lee Marvin actually fought in World War II and is buried in Arlington National Cemetery? If that doesn’t just scream “AMERICA!” then nothing does.
How To Watch: Invest $2.99 and stream “The Dirty Dozen” on iTunes. You’ll be glad you did.”

…..And there you have it. Interesting idea, don’t you think? Could even make a drinking game out of it. How you ask? How about this: every time a Nazi gets killed, you do a shot. Of course, by the explosive finale, you might as well just shake up a bunch of beers and spritz everyone in the room like a winning world series ball team.

Better yet, have a more relaxing time this 4th of July avoiding the crowds and noisy fireworks by reading Lee Marvin Point Blank. You can’t get more American than that.
– Dwayne Epstein

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THE DIRTY DOZEN IN THE FILMS OF THE SIXTIES

Long gone, the publishing company Citadel Press put out a series of books known as “The Films Of..” which focused on actors, genres, directors and decades, with The Films of The Sixties being a prime example. Written by Douglas Brode and published in 1980, it contains a series of essays chosen by the author in chapters broken down by each year within the decade. Brode was one of the better writers in Citadel’s stable and his insight into a given film is highly perceptive. That’s the good news about this title. The bad news is in the amount of information he got wrong, either by misinformation or by omission.  By omission it can be stated that he includes only two Lee Marvin films in his assessment, The Professionals and The Dirty Dozen. Since the book came out in 1980, the cult status and influence of Point Blank was well enough established to have been included in the book, as well as several others.

The cover of the Citadel Press book, THE FILMS OF THE SIXTIES by Douglas Brode.

When researching Lee Marvin Point Blank, I perused all available sources but was left wanting by Brode’s essay on the film. Why, you may ask? Well, the essay is below but here’s what to look for in terms of what went wrong.
-Donald Sutherland may be complimented to be referred to as intellectual but he’s certainly not English. He was born and raised in Canada and his character, Vernon Pinkley is neither Southern nor retarded. Slow-witted maybe, but his standout scene inspecting Robert Ryan’s troops shows him to be anything but retarded.
– Jim Brown’s character of R.T. Jefferson (Napoleon White in the novel) has good reason to be anti-white but Trini Lopez was certainly not his character’s Puerto Rican sidekick. Brown’s sidekick in the film is clearly Charles Bronson’s character.
– Although it’s a point that’s open to interpretation, Maggot’s murder of the young German girl is hardly on par with the inceneration of German officers and their civilian female counterparts.
– The author even misspelled Telly Savalas’ TV alter ego, Theo Kojak. Oy!
His overall assessment of the film and its importance is on the money, but the wince-inducing mistakes left me cold. This month being the 50th anniversary of The Dirty Dozen’s release, I invite you read for yourself the essay written on the film’s impact….

Page 1 of Douglas Brode’s DIRTY DOZEN essay.

Page 2 of DIRTY DOZEN essay.

Conclusion of DIRTY DOZEN essay.

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SUPERBOWL SUNDAY: HOW LEE MARVIN HELPED THE NFL, SERIOUSLY!

With the Panthers & Broncos battling in the Super Bowl this Sunday, it seems as good a time as any to consider another unmentioned aspect in Lee Marvin: Point Blank worthy of exploration… Although in truth, there is very little in the book left unexplored but that’s what this blog for. So, besides being gridiron legends, do you know what Woody Strode, Jim Brown, O.J. Simpson (ahem!) and Joe Namath also have in common? You probably have already guessed based on the theme of this website but yes, they all co-starred in films with Lee Marvin.
The kind of films Marvin made probably had a lot to do with it, but Marvin himself saw film acting as a logicial progression from football. While making The Dirty Dozen with Jim Brown, he joked, “You see those guys on the field every Sunday and they’re acting. When they take a hit and walk off, you see how they play to the crowd with a little extra limp and grimace…and thos guys are the pros!”
Known more for his impressive presence in films, the proverbial gentle giant, Woody Strode is not often remembered for his pro ball career. However, along with Kenny Washington, they integrated the NFL playing for the L.A. Rams, a full year before Jackie Robinson did the same in baseball.  Strode was also a professional wrestler but told this author that the time he spent working with Lee Marvin in both The Man Who Shot Liberty Valance and later (and more prominently) in The Professionals, bonded a life time friendship with Marvin like none he had ever known in other films….

Woody Strode (left) and Lee Marvin on location during The Professionals and bonding a life long friendship.

Woody Strode (left) and Lee Marvin on location during The Professionals and bonding a life long friendship.

Sometimes called the greatest fullback in NFL history, Jim Brown’s tailor-made role in The Dirty Dozen established him evern more than his previous film, Rio Conchos. His acting career then skyrocketed with other big budget films but it was the blaxploitation genre of the early 70s for which he’ll be most remembered cinematically. One such film was even an update of Marvin’s Point Blank entitled The Split.
None of this would have even happened had Brown not made a fateful decision during the filming of The Dirty Dozen. The film ran over schedule due to the constant rain in England, forcing Brown to confront a difficult choice. When Cleveland Browns owner Art Modell threatened a heavy fine if Brown wasn’t back in time for pre-season training, Brown’s decision was thus made: He quit the NFL and set out on his film career. Helping him decide was Lee Marvin, who rightly predicted of Brown’s future: “He’s going to be a wild actor. He’s not afraid of himself. He lets everything show he thinks is right. He’s not pretending. Pretending has no value. To do it right with control has real value.”

Jim Brown & Lee Marvin on set of THE DIRTY DOZEN from the NY Times article annoucing his NFL retirement.

Jim Brown & Lee Marvin on set of THE DIRTY DOZEN from the NY Times article annoucing his NFL retirement.

NY Jets quarterback Joe Namath had a fairly decent film career that in no way eclipsed his record-breaking NFL career. Such films as C.C. & Company with Ann-Margret, as well as The Last Rebel, co-starring Woody Strode, certainly did not break box office records, but he was able to put on his resume that he worked with such veteran performers as Lee Marvin, Robert Shaw, Maximillan Schell, Horst Bucholtz and others in the tepid cold war thriller, Avalanche Express. Namath went on record as stating that in spite of his famous partying days with the Jets, he had never seen anybody drink a tumbler full of vodka for lunch each day as he witnessed Marvin and Shaw do….and then go to work!

Lee Marvin & 'Broadway' Joe Namath in AVALANCHE EXPRESS

Lee Marvin & ‘Broadway’ Joe Namath in AVALANCHE EXPRESS

And then there’s O. J. Simpson. Perhaps the les said about him the better, as the man who worked with Marvin in the wince-inducing disaster titled, The Klansman, was reputed to be more clean-cut than what we now know and think of him. Then again, the still from the film below, might just be the most appropriate. Had Marvin pulled the trigger, who knows…..

Lee Marvin contemplates doing what the Goldman family might have done.

Lee Marvin contemplates doing what the Goldman family might have done.

 

 

 

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