NOVEMBER ON TCM

November on TCM is upon us and as usual, they’re showing a few Lee Marvin gems. Maybe not as much as some months but there is always something worth watching in which he appears or has a connection to a given film. Regular readers here (if there are any!) know that my intention of this blog is to of course t encourage folks to read and discover my book Lee Marvin Point Blank. So coupled with that is to equally encourage folks to discover his films. With that in mind, I’ll be starting off each month with notification of his films or films he was connect with here on this site. First up, November on TCM. All times are PST:

I Died a Thousand Times airs Monday, November, 2, 10:30pm:

Ad art for I DIED A THOUSAND TIMES featuring a cowering Lee Marvin.


Since Shelley Winters is November’s “Star of the Month” on TCM, they’ll be showing her costarring with Jack Palance in this lush looking remake of High Sierra (194?). The original helped make Humphrey Bogart a breakout star and I guess Palance was hoping for the same. He did a few more sympathetic leads in the 1950s (The Big Knife, Attack!), but then quickly returned to villainous costarring status. A rare exception was his poignant turn as Lee Marvin’s buddy in Monte Walsh (1970) but Marvin had the lead that time. So, check out their earlier teaming in which Marvin plays second banana to Palance as his tough acting yet ultimately cowering henchman. More factoids about it were plumbed here.

Point Blank airs Saturday, November, 7, at 1:30pm.

The better ad art for POINT BLANK’s video release as opposed to the film’s original poster.


 






Considered the first “arthouse action film,” this stylized John Boorman thriller was largely ignored when first released but has since become a recognized classic of the genre, and with good reason. One of Lee Marvin’s first major starring vehicles is clearly also one of his best. It’s also the reason why I used it as my book’s subtitle as I explain in the introduction. If you haven’t seen the film, or even if you have, check it out again and be reminded of Lee Marvin’s gritty brilliance. Read more about it here.

The Dirty Dozen airs Wednesday, November, 11, at 11 am. 

Composite of scenes from the TCM perennial, THE DIRY DOZEN.

If Ted Turner and the good folks at TCM have a perennial favorite other than Gone With the Wind (1939), it must be The Dirty Dozen. It’s airing again as part of the Veteran’s Day line-up of classic war films and the testosterone driven classic still holds up no matter how many times you see it. The all-star male cast is one of the best ever and director Robert Aldrich gets them all to deliver the goods. No wonder TCM programmers like it so much. How much? Check this out

Honorable mentions:
Ride the High Country (1962) Sam Peckinpah’s best film besides The Wild Bunch (1969) airs November 6 and as a friend, drinking buddy and rival of Lee Marvin, it’s a definite must-see. 
Others worth viewing that Marvin doesn’t appear in this month but bears import in the man’s life and work are: the original High Sierra (11/4 & 11/29), The Hurt Locker (11/10) The Snows of Kilimanjaro (11/12), Brother Orchid (11/14), and Kiss Me, Deadly (11/21). Read Lee Marvin: Point Blank to find out their importance. Check local listing for airtime.
So there you have it! November on TCM for Lee Marvin fans. More to come next month and until then, stay safe!

– Dwayne Epstein

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PRESIDENT DONALD TRUMP: AN OP-ED

The ongoing controversy surrounding the candidacy, election, and then presidency of Donald Trump has raised the question a while back (in my mind at least), what would Lee Marvin had thought of him? Before I go any further with that thought, allow me to give an important disclaimer: I never met Lee Marvin personally, therefore I am no expert on his politics, nor am I any kind of political expert, per se. In the words of Will Rogers, all I know is what I read in the papers.
However, while researching and writing Lee Marvin Point Blank, I think I can come to some logical conclusions. Granted, there were not any candidates like Donald Trump when Lee Marvin was alive, but there is a way of confirming Marvin’s political viewpoint which is stated in detail in the book.
All that said, President Donald Trump is well on his way to become arguably the single worst commander-in-chief this country has ever seen. There are a plethora of examples given in the daily news cycle since he’s been in office. Most recently, and most devastating is the effect his administration has had on the COVID-19 pandemic. He knew about it as far back as January/February of this year and did nothing to stem its tide. Now,over six months into this nightmare, he continues to do nothing as tens of thousands of citizens continue to get sick and die and the economy implodes.
On top of that, it’s recently been reported that Russian president Vladimir Putin has offered bounties to Afghan soldiers who kill American soldiers in that ongoing war. Trump claims he was not aware of such intelligence info during any briefings. However, since it’s been reported, the Trump Administration has done nothing to condemn the Russian government, nor retaliated in any way. His Democratic rival, former vie-president Joe Biden has called Trump’s reaction, whether he was aware of it then or since, “A dereliction of duty.” He was being diplomatic. It’s quite simply treason in the face of a foreign enemy.

What do any of these horrific revelations concerning President Donald Trump have to do with Lee Marvin? I think the answer can be found in the 1956 Robert Aldrich directed film, Attack! in which Marvin costarred. The underrated WWII drama was quite controversial in its day, as I had blogged previously. The star of the film was Jack Palance, in a rare sympathetic role.

(L-R) Lee Marvin as Col. Clyde Bartlett and Eddie Albert as Capt. Erskine Cooney in Robert Aldrich’s ATTACK!

However, I think it can be seen that the characters portrayed by both Marvin and Eddie Albert may be the two sides of Donald Trump, candidate and president. Marvin is Colonel Bartlett, a platoon leader with political aspirations after the war. His cunning and wily ways are shown to be similiar to that of candidate Trump as his ultimate goal is purely selfish. He enlists the aid of his friend, Captain Erskine Cooney to help plan an attack as the Battle of Bulge looms. Bartlett’s history with Cooney goes back to their childhood, when Bartlett clerked for Cooney’s politically powerful father, hence Bartlett’s postwar aspirations.
Then there is Cooney, as brilliantly and frighteningly portrayed by Eddie Albert. He is without question a bully and a coward masquerading as an officer, consequently putting his men’s lives in danger. I won’t spoil it for anyone who has not seen the film but to my mind, Cooney’s actions rival the recent ones of President Donald Trump. See the film and draw your own conclusions.
What brought it to mind for me was the publication of the book by Trump’s niece, Mary Trump. I have not read it yet but the many revelations being reported about it concerning Trump’s father treatment of his son and that of Captain Cooney’s revelation about his own father are quite remarkable.

The cover of Mary Trump’s new book about her uncle: TOO MUCH AND NEVR ENOUGH.

The book’s cover is Trump’s military school photo. The last time I saw that image was in the New York Daily News and it had served a different a purpose. But the very image is what brought to mind Trump in the first place….

Cover of New York’s Daily News when Trump was still a candidate.

The comparison for me is undeniable. Cunning political manipulator like Col. Bartlett and candidate Trump — or cowardly military leader endangering the lives of American soldiers, like Capt. Cooney and President Trump? A little of both or more one than the other? I have my own opinion and I’m pretty sure in light of recent revelations, Lee Marvin would agree with me.
– Dwayne Epstein.

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MOVIE MAN WAVE ON ITS WAY…AND IT’S NOT THE FIRST TIME

Movie man wave? Whatever it is, it’s on its way, according to an article in Deadline Hollywood. I’m assuming the writer is trying to come up with a new, hip phrase along the lines of “Bro-mance,” or some other term in these days of viral social media. Based on the comment section he appears to be taking his lumps for it, too. Personally, I think ‘movie man wave’ is a terrible term but the movies he’s referring to all sound like winners. From Ford Vs. Ferrari to The Irishman and more, it’s looking to be a great end of the year movie season. Of course, nothing in Hollywood happens as a stand alone as Quentin Tarantino’s Once Upon a Time in Hollywood started the current trend last summer.
Truth be told, it’s a trend that actually started as far aback as silent movies, with the likes of What Price Glory? (1926). Some of the best early ones co-starred the likes of James Cagney and Pat O’Brien, or Clark Gable and Spencer Tracy. When I was growing up such films were called ‘Buddy Movies,’ which made more sense than ‘Bro-mance or ‘Man Wave.’

Paul Newman and Lee Marvin may have lacked chemistry in POCKET MONEY but the film did allow for this wonderful candid image of Marvin that remains my favorite.

The actor who made more films in this realm? Probably Lee Marvin, whether as friends, rivals, or downright enemies, he worked with all the other major male stars in that capacity. It’s an impressive list that includes the likes of Marlon Brando, Montgomery Clift, John Wayne, Charles Bronson, Toshiro Mifune, Jack Palance, Paul Newman, Gene Hackman, Robert Shaw, Richard Burton, Oliver Reed, practically the entire spectrum of male movie stars. The final result often varied in quality but the star power certainly didn’t. And what did Marvin think of this various and divergent list of co-stars? That answer can only be found in detail within the pages of Lee Marvin Point Blank.
– Dwayne Epstein

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