FREQUENTLY ASKED QUESTIONS OF LEE MARVIN POINT BLANK

Frequently Asked Questions (or FAQs), has become a popular aspect to most websites, and this one dedicated to underscore my book Lee Marvin Point Blank, is now no exception. Don’t know why I hadn’t thought of it until now but a recent transaction with a friend on social media gave me the idea. I’ve since amassed enough frequently asked questions I thought this a good time to address them. So, with that in mind…

Cover of the trade paperback that includes a quote from Leonard Maltin and a starburst heralding some exclusive additions.


1. How did you come to write about Lee Marvin?
I get this one a lot. Short answer is that of course, I’m a fan. Long answer is slightly more involved. Marvin is just one of my personal favorite actors that include the likes of James Cagney, Burt Lancaster and most of all, Steve McQueen. I’ve read a lot about all three actors so when the biography entitled STEVE McQUEEN: PORTRAIT OF AN AMERICAN REBEL came out in 1994, I had to read it. Having done so, I decided to try to contact the author, Marshall Terrill, to discuss a few aspects of his book. Much to my surprise, he responded and when he was next in L.A., we met up. A casual conversation turned into a friendship that exists to this day. Because I had a journalism background, early on he asked me if I ever considered writing a biography? I responded, “Yeah, you wrote it!” Since Marshall had a marketing background, he then proceeded to discuss possibilities based on what would sell and who has not had a definitive bio done about them. Enter Lee Marvin. I told him I’d think about it and he persisted so that over time I became fascinated with the research I was uncovering. Eventually (almost 19 years later!) it came into existence.

My copy of Marshall Terrill’s book that he inscribed: “It’s been a real pleasure to meet someone with the same zeal that I do for Steve McQueen. You really know your stuff. I’d really like to see you pursue a book on Lee Marvin. The timing is right and there’s no one better qualified to write it. Please keep in touch as I think you are incredibly well-versed in movies, which makes for great conversation. Take care, Best wishes, Marshall Terrill  2/15/94.



2. Did Lee Marvin ever attend any USMC reunions, why or why not? 
According to Lee’s first wife, Betty, he did maintain contact with his war buddies but didn’t particularly care to go to any reunions. Despite his sincere efforts towards promoting and helping the Marines throughout his life, the idea of reunions was something he was not fond of being involved in. As he told Johnny Carson one night, “I went to a few reunions but after awhile, you get bored hearing the same old war stories.”

Lee Marvin happily hands over a check for a USMC charity in support of his favorite branch of the service.



3. Why is there no mention of what Lee’s daughters are doing and why didn’t you interview them?
There is mention of what his daughters, Courtenay, Cynthia and Claudia have been doing in the bibliography entitled Posthumous Events Related to Lee Marvin. As to interviewing any of them, I did speak with each of them but none of them wanted to go on the record about their father which of course, is their choice and I respect it. Luckily, their brother Christopher did agree to be interviewed as well as write the poignant Afterword to the book.

Pictured here at Cynthia’s 1982 wedding are (L-R) Christopher Lamont Marvin, his sister Courtenay Lee Marvin, Lee Marvin, Cynthia Louise Marvin Michaels, Betty Marvin, and youngest of the four siblings, Claudia Leslie Marvin.


4. Is the story of Bob Keeshan (Captain Kangaroo) saving Lee’s life during WWII true? My agent, the late Mike Hamilburg, once called me up and asked me this as a friend of his said it was true. I told him exactly what I had written in a blog later on about the same subject involving such urban legends as found here. In other words, despite it’s nagging persistence, it is not now nor has it EVER been true. 

5. Who were Lee Marvin’s favorite and least favorite actor to work with in his career? 
Marvin was a professional and veteran of countless performances so he basically learned to get along with pretty much everybody he worked with. If he had a favorite actor my guess would be Toshiro Mifune, his costar in Hell in the Pacific (1968), of whom his admiration was immeasurable. 

At the press conference for the Japanese premiere of HELL IN THE PACIFIC, Marvin admires Toshiro Mifune as he fields a reporter’s question.

As to who was his least favorite actor to work with, well, that question got answered a while back but still worthy of this FAQ blog in terms of symmetry. The answer can be found here.

6. How come your book doesn’t have a filmography?
Ahh, but it does. It’s just not done in the obvious way of previous film biographies. There’s one of several bibliographies in the back of the book, and in the one entitled Important Dates in the Life of Lee Marvin ALL of his film (and most TV) appearances are listed. 

7. When does your next book come out and what’s it about?
Been avoiding this one for a quite a while now. The answer is….well, that will be in the next installment of Frequently Asked Questions *wink, wink*

There you have some of the most frequently asked questions that I’ve come across over time. Naturally, if any of your questions were not addressed, by all means feel free to ask them here and I’ll do my best to answer them. Thanks!
– Dwayne Epstein

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HAPPY HEAVENLY BIRTHDAY, TOSHIRO MIFUNE

The first of April is known to most folks as April Fool’s Day (or Easter this year!) but to some observant film fans it also the birthday of Lee Marvin’s favorite co-star, Toshiro Mifune. Lee Marvin Point Blank readers are well aware of Marvin’s feelings for Mifune.

Original release ad for HELL IN THE PACIFIC, Marvin & Mifune’s only film together.

Marvin’s affection for Mifune was rare for a man of his generation and despite the difficult circumstances during their one project together, their friendship grew and lasted until Marvin death in 1987.
Mifune was a legend in the Japanese film industry, due largely to his collaboration with director Akira Kurosawa. He achieved the rarely seen success of international celebrity in the burgeoning film market of the postwar years, including a handful of American films despite his inability to speak English. It did not matter as his appeal required no words. As Lee Marvin famously said of Mifune: “This guy hypnotizes you with his genius. Those eyes! The battered samurai warrior standing alone, not wanting outside help.”

(L-R) Toshiro Mifune, Lee Marvin, Michele Triola and Mifune’s wife, Sachiko Yoshimine.

Of the one film they made together, Hell in the Pacific is given it’s just due in Lee Marvin Point Blank. Other sources for its production are detailed in director John Boorman’s memoir, Adventures of a Suburban Boy and Stuart Galbraith’s IV mammoth tome, The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune.  Personally, I found it to be a noble failure as both allegory and filmmaking. Upon the heavily edited version released to theaters at the time, Marvin himself felt the same way but, despite it’s reception,  it remained on of his personal favorite films. It’s not without its merits, chief among them being the two actors’ presence and the eye-popping cinematography of Conrad Hall.

(L-R) Cinematographer Conrad Hall (seated), Lee Marvin, director John Boorman and Toshiro Mifune on location during HELL IN THE PACIFIC (1968).

While Galbraith and Boorman give wonderful accounts of the rigorous production, both seem to lack insight into the one element that seems to accompany any Lee Marvin project, and that is humor. Thanks to exclusive interviews with Lee’s first wife, Betty Marvin and his career-long agent, Meyer Mishkin, I was able to secure several hilarious anecdotes to put in my book that would have been lost to time had they not agreed to open up to me.
Still in all, Hell in the Pacific is worth viewing, if only for the powerful presence of both Marvin and Mifune, two actors at the top of their game in a film personal and important to them both. Watch it again for the great Mifune’s heavenly birthday and when Marvin shouts out “Come and get it!” raise a sakazuki in the great man’s honor.
– Dwayne Epstein

Director John Boorman’s 2003 memoir, Adventures of a Suburban Boy.

Author/Historian Stuart Galbraith’s massive 2001 tome, The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune.

 

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THOUGHTS ON THE AERO THEATRE SCREENING LAST NIGHT

For the second time in as many years, I had a terrific time at the Aero Theatre last night signing copies of Lee Marvin: Point Blank for a Lee Marvin double feature, courtesy of the good graces of the American Cinematheque and Larry Edmunds Book Store. The event came out of the blue last month when programmer Grant Monniger contacted me and asked if I wanted to do it as part of their John Boorman retrospective.

The Aero Theatre Marquee in Santa Monica last night

The Aero Theatre Marquee in Santa Monica last night

Naurally, I jumped at the chance. When I asked what I had to do in terms of getting the books, how many, time to arrive, etc. I was told the time and the rest would be done through Jeff Mantor at Larry Edmunds Bookstore. I had no idea how right Grant was. Jeff did indeed do it all….

Flyer done up by Larry Edmunds' for last night's screening.

Flyer done up by Larry Edmunds’ for last night’s screening.

I arrived, schmoozed with Jeff a bit and watched the crowd shuffle in. Met some folks I knew, some I’ve been meaning to meet via Facebook, and heard a lot of people say nice things about Lee Marvin but they’d buy the book after the first film. Jeff told me “Yeah, let’s see about that.” I was asked to introduce Point Blank, which I dutifully did (I could kick myself for not remembering more interesting anecdotes…oh well). Then came the screening…..

Lobby card from Point Blank showing why it was called the first Arthouse action film.

Lobby card from Point Blank showing why it was called the first Arthouse action film.

True to their word, those who said they’d buy the book did indeed do so after the movie, which was quite a relief considering the schlep to get there from Long Beach during rush hour traffic on the 405. What was interesting were some of the comments made to me, en masse about Marvin:
“What was the year of his birth?”
He was wounded on Guadalcanal, right?”
Where did he do most of his drinking in Malibu?”
“Oh 1924. Yeah, but what was the date?”
“Didja ever see Prime Cut?”
When did he die?…No, the actual date.”
You know about him and Capt. Kanagroo, right?”
“Yeah,  I met him a few times….Real asshole.”
And on it went. In fairness, those were the choice ones that stuck out the most in my memory. Most of the other questions & comments were actually pretty encouraging in terms of both Marvin and several folks who read the book and went out of their way to tell me how much they enjoyed it. Then, Hell in the Pacific, which I really was looking forward to finally seeing on the big screen…..

Toshiro Mifune (left) and Lee Marvin in John Boorman's WWII allegory, Hell in the Pacific.

Toshiro Mifune (left) and Lee Marvin in John Boorman’s WWII allegory, Hell in the Pacific.

It was not as late as I thought it would be by the time the film ended so going home was a breeze. I’m only writing this to say such events are always a pleasure and a surprise when they occur and genuinely hope they keep happening.
Oh, and for the record: He was born 2/19/24, he drank at a bar called The Raft in Malibu (among others), he was wounded on Saipan not Guadalcanal, and Yes I’ve seen all of films which includes Prime Cut ….. oh, and for umpteenth time, Captain Kangaroo did NOTsave Lee Marvin’s life on Iwo Jima. Geez!

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