MORE MARVIN MOVIE BLOOPERS, PT. 2

More Marvin bloopers for those who might be interested. Last blog entry I mentioned some interesting tidbits that stayed in the final version of both The Big Red One and The Professionals. Here to provide some more Marvin movie bloopers are things left in both Cat Ballou and The Dirty Dozen.
Like most Lee Marvin fans, I had seen both films a plethora of times but was not aware of some of the things left onscreen until I interviewed the participants on these projects for my book, Lee Marvin: Point Blank. For instance, director Elliott Silverstein enlightened me on a scene from Cat Ballou in which Marvin was clearly ‘in his cups.’

Lee Marvin as Kid Shelleen confronts his twin brother, Tim Strawn, after his “walk” thru the whorehouse corridor.

Silverstein was quick to point out that it wasn’t really Marvin’s fault as he was called in on a day he was not scheduled to work and was consequently pretty inebriated when he showed up on set. It was a short scene, the one in which Marvin’s character — in full gunfight regalia — walks comically thru the hallway of a whorehouse in search of his target, his evil twin brother, Tim Strawn.  According to Silverstein:

“Here I was with a guy that could stand up, that’s about it. We put on this heavy costume that we had designed for him, this mock suit of lights with more sliver that could break the back of horse. He stood up at the back of the room, weaving, his eyes blood red and I said, “Lee, you got to go to this door and walk through that door and then that door. I got a metronome here for you that will give the rhythm downstairs. Let’s try it.” Well, needless to say, it was all off. It would not work. While he didn’t stumble, he surely weaved. It was not right for a gunfighter who has gone though the previous scene (not yet shot), getting dressed to kill, mean- eyed focus on killing the bad guy. I couldn’t let that go by so I said, “Lee, let’s try this. I’m going to count for you: 1, 2, 3. Each count you take a step. On 4 open the door. On 5 close the door and I’ll start again as you come diagonally down the corridor towards the camera going from one side of the corridor to the other. [mimes Marvin mumble] “All right, yeah.” He was cooperative. Very benign but he was drunk. Then we tried that. We took about 5 takes, but eventually he pushed through and managed to do that. If you watch that scene closely, you’ll see he lumbers a bit.”

Yours truly, author Dwayne Epstein (left) getting Cat Ballou director Elliot Silverstein to sign my copy of LEE MARVIN POINT BLANK.

 

 

Then there’s that joke comedian Franklyn Ajaye used to tell about the original Star Trek: “I was watching a rerun the other night and noticed a run in Uhura’s stocking. I thought to myself, ‘Damn, I never noticed that the first 273 times I saw this episode.”
I’ve never even come close to watching that many reruns of Star Trek but, movies, that’s another story. Case in point, I’ve lost track of the amount of times that I’ve watched The Dirty Dozen and can quote from it verbatim. That said, my interview with the late, great, Clint Walker, enlightened me to a moment in the film not unlike comedian Ajaye’s observation about Lt. Uhura’s stocking. You know the scene where Lee Marvin makes Walker taunt him with the knife? Well, after talking to Walker, he told me an interesting anecdote about that scene that also got left IN the movie. I then went home, pulled out my nearly worn-out VHS copy and watched it in slow motion. Damn if he wasn’t right as I caught it the minute the scene started! Want to know what it is? Read Lee Marvin Point Blank.  Until then, all the best,
-Dwayne Epstein

“STOP PUSHING!”

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JIM JARMUSCH AND THE SONS OF LEE MARVIN

Picture this: I’m in the earliest stages of researching Lee Marvin Point Blank, standing in the middle of the public library, when I read the Film Comment article written by director Jim Jarmusch that reveals the first mention I’ve ever heard concerning the Sons of Lee Marvin. I was still slightly on the fence at the time about whether I should undertake the project at all, that is unti I read Jarmusch’s article.
Being a lifelong film buff I had read much about the legacy of film stars following their passing. The cult surrounding stars such as Marilyn Monroe, Humphrey Bogart, James Dean and others are well know to myself and the general public. Such reverence is often shown via film revivals, books and other venues. However, in all the years I have encountered such things I have never encountered anything as what Jarmusch talks about in his unveiling of the Sons Of Lee Marvin. It literally made me laugh out loud when he retold the anecdote concerning fellow member Tom Waits and the real son of Lee Marvin. I was shushed by the librarian and warned if I repeat the guffaw I’d be asked to leave. I acquiesced to the glares and stares of the other patrons but figured in my head, what the hell, it was worth it. My appreciation of Marvin expanded and my curiosity deepened. Quite simply, the more I found out about him, the more I liked him.
This article, by the way, was part of series in Film Comment in which film makers were asked to list their “Guilty Pleasures,” films they know are bad but they like anyway and with a given reason. Jarmusch dedicates one 10th of his entire list to his favorite Marvin films! So, without further ado, below is the original article that helped pushed me over the edge into dedicating myself to researching and writing Lee Marvin Point Blank.
Oh, and by the way, the story about Waits and Christopher Marvin is pure b.s. but sounds great, doesn’t it? If you want to know the truth, from Christopher Marvin himself. you gotta read Lee Marvin Point Blank
 – Dwayne Epstein

The original article by Jim Jarmusch in Film Comment.

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