Professional writer’s get their start in a variety of ways and for yours truly, author of Lee Marvin Point Blank, it actually began with the genre of young adult fiction and later non-fiction. As noted in a previous blog, I was working as a waiter when I met Mike Miller of Miller Educational Material. He took note of my past experience writing for local newspaper and decided to hire me on to work on his company’s catalog. In short order, one catalog became two and then two became three when he decided to branch out into publishing his own short fiction for the young adult market.
My first was The Cooler King, described in the company catalog (also by yours truly): “Marty Berger had been terrorized by Ricky Hyde for as long as he could remember. Even worse, Theresa was watching as Ricky challenged Marty to a fight. All Marty really wanted to do was just watch old movies on his VCR. Why couldn’t he be cool like his hero, Steve McQueen? With the help of a little man and a magical videotape, Marty gets more than he bargained for…he gets the late, great Steve McQueen! Can the original “Cooler King” help Marty face Ricky Hyde?”
The subject of the young adult fiction was my own, with publisher Mike Miller’s approval and artwork by his former Disney artist wife, Fujiko. It was one in a series of five short books published by his Artesian Press, the small company’s newly formed publishing division.
In fact, each of the various series put out by Artesian Press required a resource guide, all written by yours truly. They included Horror and Romance Resource Guides, also.
Speaking of horror,
I was also offered to write one of those in the series, as well, entitled From The Eye of the Cat...
As summarized in the catalog, written by your humble narrator:
“Saturday was Ernie’s favorite day of the week because he got to play in the fields with his friends. Lately, the’ve been spending more time taunting the neighborhood cats. They’ve even taken to calling themselves the Cat Stalkers. Ernie would rather just play army. Then, one morning, he woke up to a living nightmare. Somehow, he became a cat himself. Now he must survive in this frightening new world he sees from the eye of a cat.”
Granted it’s not Hemingway but it did fit within the requirements of the company’s guidelines of young adult fiction subject matter and, most important of all, the reading level dictated by schools nationwide. Sales were decent and some name authors in the field contributed to the various series via Mike Miller’s persistence. I found myself on the receiving end of a promotion, a small staff that I had hired and of course, more responsibility. This included help editing all the titles and, on occasion, adding to the series, such as my entry into (gulp!) the Romance Series entitled Connie’s Secret:
“Shy Connie Martinez has a secret for doing well on school tests. Class clown Jerry Gordon has a secret to being popular. Even though she’s not sure of his reasons, Connie and Jerry agree to share their secrets. Will romance blossom for the mismatched pair?”
In several instances, I was required to do something more. Take for example another title, this time in The Ancient Egyptian Mysteries Series called The Great Pyramid.
“The Oldest and greatest “Wonder of the World” stands silently and demands explanation — how and why? The Great Pyramid of Khufu is so big, so old, and so beautiful that many can’t believe it was built by an ancient people…but it was! And that is the greatest mystery of all — the mystery of the this great people; their organization, enthusiasm, and genius.”
There was yet another mystery which had nothing to do with the pyramids but the actual author of the title. The credited author was a friend of the publisher but the resulting manuscript he turned in left much to be desired in terms of readability. Now I can solve that mystery: I rewrote the entire thing!
As Johnny Carson used to say, more to come!