MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

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OREGON ARCHIVES SHOWS LOVE OF LEE MARVIN

Readers of Lee Marvin Point Blank are well aware of the strange shenanigans that took place during the Oregon location shooting of Paint Your Wagon (1969) and later, Emperor of the North (1973). The interesting thing is, that once a book is released, you come in contact with people you wished you had met while researching the book. Case in point, a recent new friend on Facebook brought to my attention a few rare images of Lee Marvin from the set of both films.
Katherine Wilson is a historian working on a much anticipated book on the history of Oregon filmmaking and looks to be a winner! Here’s a sample of what to look forward to in 50 Years of Oregon Film. When she saw my Lee Marvin book she made friend request and proceeded to share with me two photos from both Oregon locations. The first, seen below is obviously from Paint Your Wagon and, according to Wilson, the photographer was a state employee and were then given to Katherine by the governor’s secretary, Wanda Merrill who is to be credited for her generosity. Pictured left to right are: Nina Westerdahl, the assistant’s wife; Wanda Merrill, secretary to then governor Thomas McCall; Lee (in costume as Ben Rumson); Governor McCall’s wife, Audrey. Clearly, the ladies are enjoying the company, What I like about this photo is that it drives home the point that even though Lee Marvin never had matinee idol good looks, He definitely had what used to be called “star quality” and it shines in this photo. Charisma, Larger-than-life, whatever term fits, Marvin clearly had it without looking like Tyrone Power or Brad Pitt.
A few years later, Marvin was back in Oregon (with script in hand), but this time he was there to film the underrated, Emperor of the North with multi-film costar, Ernest Borgnine. Below, they are seen with Warren Merrill, Oregon’s first film commissioner. What’s going on in this pic is anybody’s guess but it is cool to see them in costume, ain’t it?

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MY FAVORITE FIGHT SCENES, PART 4 OF 5

Presenting the pentultimate installment in my own choices of favorite movie fight scenes. I became even more aware of the distinct changes that took place thru the decades, due to researching Lee Marvin Point Blank and discovering Marvin’s important influence on screen violence. This time, the late 60s lead into to the early 70s, with both known and obscure choices. Nautrally, Lee Marvin is duly represented.

16. DARK OF THE SUN-1968

Rod Taylor unrelentingly takes on Peter Carsten for the murder of Jim Brown.

Rod Taylor (left) unrelentingly takes on Peter Carsten (right) for the murder of Jim Brown.

Unrelenting. That single word is the best way to describe Rod Taylor’s battle with his opponent in the underrated action opus Dark of the Sun. One of the 1960s many international productions, this one deals with mercenaries carrying out a mission in Africa to save both missionaries and a cache of diamonds…they are, after all mercenaries. The film contains plenty of action, incuding train battles, buzzsaws and such obligatory eye candy as Yvette Mimiuex.
But, the growing animosity between team leader Rod Taylor and former Nazi team member Peter Carsten, results in one of the most brtual and unrelenting fight scenes of its era. When Taylor leaves the team momentarily, Carsten kills Taylor’s comrade Jim Brown and attempts to abscond with the goods. When Taylor returns and discovers what transpired, no amount of common sense or cajoling can stem the tide of his anger. A rousing climax to a film that just made me a Rod Taylor fan all over again. I’ve read that his fight scene in Darker Than Amber (1970) with William Smith is even better but since I’ve yet to see it, this will have to suffice. Maybe if I revamp this list in a few years I’d have seen it and changed my mind. Until then, Dark of The Sun. Unrelenting.

17.THE SCALPHUNTERS-1968

Scalphunters

Burt Lancaster as Mountain man Joe Bass (right) tries to teach a lesson to runaway slave Joseph Lee (Ossie Davis, left) as the plot continues around them in The Scalphunters.

By the end of the 1960s, not only had the studio system and ancient production code bitten the dust, the but social upheaval of the times had permeated films of every genre, including the sacred western. No all such attempts at social relevance were successful but The Scalphunters certainly was. The simple plot of a mountain man trying to retreive his stolen pelts from a gang of merciless scalphunters is complicated by the presence of a runaway slave, a wily madam and a band of often drunken Indians.
Fans of star Burt Lancaster’s will recognize the film as a bit of a vanity project since it includes the likes of childhood friend and acrobat partner Nick Cravat as well as longtime stunt double Tony Epper as scalphunters, and ex-girlfriend Shelley Winters as the madam. Even former TV executive Telly Savalas, whom Lancaster successfully talked into giving acting a try, wonderfully chews the scenery as the lead villian. Probably the weakest link, at least in my opinion, is Ossie Davis as the runaway slave. He seemed miscast, as another black actor form the period, such as Al Freeman or Ivan Dixon, might have been better suited in the role.
Alll that aside, the climatic and lengthy battle between Lancaster & Davis through mud, sand, dirt, and crevasses, is wonderfully rendered as the remaining plot points go on without them even noticing! Lancaster was in his 50s when he made this but you’d never know it from his physical performance. The film doesn’t preach it’s point of view. It’s done in a style of rousing fun. REALLY worth a second look!

18. CHISUM -1970
Chisum
Why is this movie on the list, you may ask? Well, picture this: it’s the summer of 1970 and Tim Romero and I decide to go to the movies. Only decent thing playing for a couple of ten-year-old boys is this John Wayne programmer. So we go. Sit through the tedious plot (a largely fictiously tale about Billy the Kid, I later learned) and we are just about to leave out of sheer boredom when John Wayne turns to his buddy Ben Johnson and drawls, “Break out the Winchesters.” Johnsons smiles big and says, “Why sure.” Tim and I give out a hoot and we are in little boy heaven.
While a gun battle rages, John Wayne seeks out lead bad guy Forrest Tucker and proceeds to beat the holy hell out of him. Folks, it just doesn’t get any better than this for a little boy summer matinees. Not great movie making by any stretch of the imagination but I watched it again recently and felt like that little kid again. Nostalgia aside, I genuinely feel sorry for young film goers who think comic book films and their attended CGI effects are worth their time and energy. Unless you’ve felt that child-like adrelaline rush of hearing “Break out the Winchesters,” you are just plain missing out on a great childhood moment.

19. EMPEROR OF THE NORTH-1973

EmperorNorth

The real clash of the titans as hobo Lee Marvin challenges sadistic railroad man Ernest Borgnine in Robert Aldrich’s Emperor of the of the North.

This one could quite possibly earn the right to be called my favorite fight scene of all time as it has, in my opinion, never been equalled. The making of director Robert Aldrich’s violent, non-sentimental, Depression-era fable of non-conforming hobo Lee Marvin challenging the railroad establisment in the person of sadistic conductor Ernest Borgnine is covered in-depth in Lee Marvin Point Blank, of course. All I can add here is the fact that  the fight scene at film’s end may not be beleviable for some people from a realistic standpoint, as it’s been pointed out, but within the realm of the story, it is perfectly in keeping with the film’s style and overall theme. Axes, chains, and 2×4’s may not be worthy weapons in modern films but it certainly makes sense for the Depression!

20. MEAN STREETS– 1973

Robert DeNiro, with pool cue in hand, takes on all comers in Martin Scorsese's Mean Streets.

Robert DeNiro, with pool cue in hand, takes on all comers in Martin Scorsese’s Mean Streets.


Once again, there is not a whole lot more I can add to anything that’s been said of Martin Scorsese’s and Robert DeNiro’s breakthrough film that has not been said a dozen times already. The modern day noir exploded on the screen in 1973 and rattled the minds of moviegoers in the process. There is so much to take in when viewing this masterpiece that several viewings is just not enough. Lasting images permeate every frame, drenched in overly saturated color and photographic stylings.
It’s inclusion here is for one such image. When Harvey Keitel and his buddies go to pick up an overdue loan at a pool hall, it isn’t long before all hell breaks lose. The most eye-popping aspect of the brawl is, without a doubt, DeNiro as Johnny Boy. He scrambles to the top of a pool table and plays ‘King of the Mountain’ to anyone who tries to get near him. He’s as crackling an explosive as the cherry bomb he drops in the mailbox in the film’s opening. Try to find a more beleviable street fighter in a movie than Johnny Boy. G’head, I dare ya!

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