MEN ON A MISSION: THE BEST OF LEE MARVIN

Men on a Mission, a subgenre of pretty much every possible action film, has been around for a very long time and is undergoing a resurgence of sorts within the ranks of superhero films and the like. The undeniable king of the subgenre, however, has to be Lee Marvin. Whether the genre is a western, WWII, crime films or sometimes impossible to categorize, no actor did more of them or the best of them than Marvin.
According to a 2014 IndieWire article on WWII films, “The recipe is simple: take a bunch of men (the more ill-suited and quarrelsome the better), give them an objective—killing Hitler, looting Nazi gold, saving Private Ryan, protecting crucial work of arts from destruction by the Germans—and send those men on the mission.”
By that definition, no list of great WWII Men on a Mission films could be complete without The Dirty Dozen (1967). Of course, the definition left out the crucial aspect of training which often makes up the best part of the film, all elements of which are even the ad line for the film….

Poster for THE DIRTY DOZEN, the best of WWII Men on a Mission films in which the genre is defined in the ad.

When it comes to westerns within the subgenre, it’s hard to beat The Professionals (1966) for plot, character, action and dialogue. Kind of forgotten nowadays but anyone familiar with it knows how great a film it truly is.

 

Poster art for THE PROFESSIONALS.

 

 

 

 

Some crime films don’t usually include the subgenre as they are often revenge or heist oriented in their plots and themes. One obvious exception would be Prime Cut (1972).

The very strange project had Marvin tasked with rounding up a crew to get rogue mobster Gene Hackman to fork over the money he’s been skimming from the Kansas City mob. Naturally, Hackman does not take kindly to their mission and the resulting violence makes up the bulk of the film. Marvin does rescue Sissy Spacek from Hackman along the way and dallies with ex-girlfriend Angel Tompkins but that aside, it’s pure male-dominated action. At one point, Marvin even has to introduce himself to the mother of one of his young recruits!

Two different ad campaigns for director Michael Ritchie’s, PRIME CUT.

And then there are action films that simply defy categorization. The best example of this is Marvin’s 1973 opus, Emperor of the North. The mission, which is also clearly stated in the ad, was so unique audiences did not know what to make of it and ultimately simply avoided it altogether. A shame really as the finale and the cinematography throughout are excellent.

EMPEROR OF THE NORTH’s ad states the mission quite clearly.

So there you have it. A small smattering of examples showing Lee Marvin’s work as the best of the subgenre. There are many more, of course, but for the uninitiated, the above examples are a good place to start. Naturally, all of his films, including the ones mentioned herein, are explored in detail, from inception to reception within the pages of Lee Marvin Point Blank. Feel free to check it out for yourself and you’ll discover the best of a rediscovered and still relevant subgenre.

  • Dwayne Epstein
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LEE MARVIN’S BEST MOVIES? NOT EVEN CLOSE!

Lee Marvin’s best? That’s a pretty subjective concept. After all, one man’s meat is another man’s poison but still and all, some things along such lines are pretty obvious.  “The 5 Best Lee Marvin Movies” is the title of a recent blog entry I came across by chance on the web and the concept is the subject of this blog.
I’m not really big on chiding other writers but the author’s choices leave much to be desired. The title alone is somewhat irksome: “The 5 Best Lee Marvin Movies.” Why only five? Wouldn’t ten be more appropriate for such a lengthy career? And his choices! If you can’t see the link I included above, here’s what he chose:
5. The Wild One
4. The Big Heat
3. Cat Ballou
2. The Man Who Shot Liberty Valance
1. The Dirty Dozen
Can you see the problem I had with the choices that were made? Three of the five are not even Lee Marvin movies in the strictest sense. Marvin had supporting roles in The Wild One, Big Heat and Liberty Valance. Granted, they were great scene-stealing roles, but supporting roles, nonetheless. They are all better known as Marlon Brando, Glenn Ford & John Wayne movies and Lee Marvin would be the first one to say it. All the films (and more) are of course recounted and detailed in Lee Marvin Point Blank, by the way. It also includes Marvin’s input into these roles as well as what he thought of each of them.
While I applaud the effort made in the end to encourage others to seek out Marvin’s films, doing so by this list would make someone wonder what’s the fuss about Lee Marvin since he apparently was merely a villain in the 1950s & 1960s. The author barely recognized the fact that Marvin was a major star in the 1960s & 1970s.
I’m not and never have been a fan of “Best Lists,” which is why there isn’t any on this blog site. However, if one were to attempt a list of Lee Marvin’s best, here’s a good start, at least in terms of what might make someone a fan. Consider the following a sort of starter kit. If after viewing these films, you’re still not a fan, then you never will be.
– Dwayne Epstein

The Professionals, 1966.

Point Blank, 1967

Monte Walsh, 1970

Emperor of the North, 1973

The Big Red One, 1980

 

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AQUAMAN’S JASON MOMOA TALKS LEE MARVIN

Aquaman’s Jason Momoa has hit the big time with the success of the film’s holiday release. Globally, it’s made over $750 million, giving the Marvel franchises a definite run for their money. Fine by me as I grew up a D.C. fan and argued constantly with my Marvel-loving buddies.

AQUAMAN’s Jason Momoa in full regalia.

To help promote the film, Momoa naturally did a lot of press and in so doing, I came across this little nugget from an interview he gave the Philadelphia Inquirer:

“I spent a lot of time watching old westerns with my mom. I was raised by a single mother, and I was lucky she had a love of old cinema, and classic cinema. I loved watching Brando, and I was particularly a huge fan of Lee Marvin,” said Momoa.
He remembers being enthralled by Emperor of the North, and he admired Marvin’s unaffected grit and toughness, attributes he’s sought to emulate during his career, which led him to enter the DC universe as Aquaman,..”

The muscle bound, six-foot-four Momoa is not alone in his appreciation of Lee Marvin. The more diminutive Sam Rockwell is apparently also a fan. In promoting the film Vice, in which he plays President George W. Bush, he recently told Rotten Tomatoes about his personal five favorite films, one being The Man Who Shot Liberty Valance:

Oscar winner Sam Rockwell.

“That movie blew me away. I think my dad made me see that and I remember Lee Marvin in that; Lee Van Cleef and Strother Martin are sort of the sidekicks. Woody Strode, John Wayne, Jimmy Stewart. Just an incredible cast, I mean… It was just a surprise kind of western. There’s this scene where he gets his heartbroken — John Wayne gets kind of vulnerable in the bar. He loses the lady. That’s a great scene.”

Good to see a new generation of film actors showing their appreciation for Lee Marvin. In case you don’t know what it is they’re so enamored with, there’s only one way to find out: Start the new year by reading Lee Marvin Point Blank.   You won’t be disappointed.
Happy new year!
– Dwayne Epstein

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