THE DIRTY DOZEN IN THE FILMS OF THE SIXTIES

Long gone, the publishing company Citadel Press put out of series of books as “The Films Of..” which focused on actors, genres, directors and decades, with The Films of The Sixties being a prime example. Written by Douglas Brode and published in 1980, it contains a series of essays chosen by the author in chapters broken down by each year within the decade. Brode was one of the better writers in Citadel’s stable and his insight into a given film is highly perceptive. That’s the good news about this title. The bad news is   in the amount of information he got wrong, either by misinformation or by omission.  By omission it can be stated that he includes only two Lee Marvin films in his assessment, The Professionals and The Dirty Dozen. Since the book came out in 1980, the cult status and influence of Point Blank was well enough established to have included in the book, as well as several others.

The cover of the Citadel Press book, THE FILMS OF THE SIXTIES by Douglas Brode.

When researching Lee Marvin Point Blank, I perused all available sources but was left wanting by Brode’s essay on the film. Why, you may ask? Well, the essay is below but here’s what to look for in terms of what went wrong.
-Donald Sutherland may be complimented to be referred to as intellectual but he’s certainly not English. He was born and raised in Canada and his character, Vernon Pinkley is neither Southern nor retarded. Slow-witted maybe, but his standout scene inspecting Robert Ryan’s troops shows him to be anything but retarded.
– Jim Brown’s character of R.T. Jefferson (Napoleon White in the novel) has good reason to be anti-white but Trini Lopez was certainly not his character’s Puerto Rican sidekick. Brown’s sidekick in the film is clearly Charles Bronson’s character.
– Although it’s a point that’s open to interpretation, Maggot’s murder of the young German girl is hardly on par with the inceneration of german officers and their civilian female counterparts.
– The author even misspelled Telly Savalas’ TV alter ego, Theo Kojak. Oy!
His overall assessment of the film and its importance is on the money, but the wince-inducing mistakes left me cold. This month being the 50th anniversary of The Dirty Dozen’s release, I invite you read for yourself the essay written on the film’s impact….

Page 1 of Douglas Brode’s DIRTY DOZEN essay.

Page 2 of DIRTY DOZEN essay.

Conclusion of DIRTY DOZEN essay.

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MORE EARLY INFLUENCES IN LEARNING FILM HISTORY

For no other reason than just for fun, the idea of exploring early influences on both my writing, as well as my love of movies that resulted in Lee Marvin Point Blank, is something I decided was worth exploring just a little more.
I have a vid memory of watching Richard Schickel’s PBS series The Men Who Made the Movies back in the 70s when I was VERY young. Up until then, I never even gave much consideration to the importance of the director to a film and the concept changed my thinking, dramatically.

Extremely rare program for the PBS seres, THE MEN WHO MADE THE MOVIES.

In fact, Some of the subjects in Schickel’s series, such as Raoul Walsh and Bill Wellman, proved even more fascinating than the films they made!
An even greater example of early influences is a series books put out by Citadel Press entitled “The Films of…” and the very first one picked up was the beat up hardcover seen below….

THE FILMS OF JAMES CAGNEY, my 1st Citadel Press title which I still own.

The entire series (each title of interest of varying quality) was a revelation to this young star struck movie fan. Imagine for a moment you’re looking for any well illustrated information on the stars, genres, and periods of filmmaking that you love, long before the days of the internet, and you stumble up this rack at the local mall’s book store….

Citadel Press book rack as seen in at the local mall back in the 70s & 80s.

I was so enthralled by these titles, I even sent away for the full catalog so I could discover what all the titles were that existed and find out what they had to offer….

Citadel Press catalog of “Films Of..” books.

I was so bold at such a young age, I even went so far as to write the publisher and ask if I could write  book called The Films of Steve McQueen. I was politely told that one was in the works but thanks for the offer. They were right, of course. One did come out…about ten years later.

Back of the rare record given to me by author Tony Thomas.

The existing titles varied in quality, as I said, but I noticed several of the best were authored by the same very prolific writer. His name was Tony Thomas and for reasons I can no longer recall, I was fortunate to meet up with him in his home in southern California. I was extremely impressed with his kind demeanor, countless soundtracks shelved on the wall (many produced by him!) and his amazing patience with me. In fact, He simply handed me several soundtracks as we spoke and signed them all! As you can see by the scans below, I still have them. What he wrote remains a treasured possession. I wonder if anybody does that kind of thing any more…..

Tony Thomas inscription on the back of his soundtrack album To Robin Hood.

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