MOVIE MAN WAVE ON ITS WAY…AND IT’S NOT THE FIRST TIME

Movie man wave? Whatever it is, it’s on its way, according to an article in Deadline Hollywood. I’m assuming the writer is trying to come up with a new, hip phrase along the lines of “Bro-mance,” or some other term in these days of viral social media. Based on the comment section he appears to be taking his lumps for it, too. Personally, I think ‘movie man wave’ is a terrible term but the movies he’s referring to all sound like winners. From Ford Vs. Ferrari to The Irishman and more, it’s looking to be a great end of the year movie season. Of course, nothing in Hollywood happens as a stand alone as Quentin Tarantino’s Once Upon a Time in Hollywood started the current trend last summer.
Truth be told, it’s a trend that actually started as far aback as silent movies, with the likes of What Price Glory? (1926). Some of the best early ones co-starred the likes of James Cagney and Pat O’Brien, or Clark Gable and Spencer Tracy. When I was growing up such films were called ‘Buddy Movies,’ which made more sense than ‘Bro-mance or ‘Man Wave.’

Paul Newman and Lee Marvin may have lacked chemistry in POCKET MONEY but the film did allow for this wonderful candid image of Marvin that remains my favorite.

The actor who made more films in this realm? Probably Lee Marvin, whether as friends, rivals, or downright enemies, he worked with all the other major male stars in that capacity. It’s an impressive list that includes the likes of Marlon Brando, Montgomery Clift, John Wayne, Charles Bronson, Toshiro Mifune, Jack Palance, Paul Newman, Gene Hackman, Robert Shaw, Richard Burton, Oliver Reed, practically the entire spectrum of male movie stars. The final result often varied in quality but the star power certainly didn’t. And what did Marvin think of this various and divergent list of co-stars? That answer can only be found in detail within the pages of Lee Marvin Point Blank.
– Dwayne Epstein

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CELEBRATE THE 4TH WITH THE DOZEN

Celebrate the 4th with the dozen, a Dirty Dozen, that is. Such is the game plan I came across on line, recently.

Celebrate the 4th with he one, the only, the original, DIRTY DOZEN (1967)

A writer at the venerable Chicago Tribune (former home base for the late Gene Siskel) came up with the interesting concept of what all-American films would be worthy of Independence Day. Some obvious ones were included, such as 1776, and some were a bit of a stretch, like his first choice of The Godfather. Surprisingly, he didn’t include my go-to choice each 4th of July which is Yankee Doodle Dandy with the great James Cagney in his Oscar winning role as George M. Cohan.
The Tribune writer, Rex Crum, explains his concept here. If you don’t care to scroll the entire article, here’s his reasoning to celebrate the 4th with the Dozen:

“Did you know that in addition to leading Jim Brown, Charles Bronson, Donald Sutherland and nine other American military convicts on a crazy raid against the Nazis, Lee Marvin actually fought in World War II and is buried in Arlington National Cemetery? If that doesn’t just scream “AMERICA!” then nothing does.
How To Watch: Invest $2.99 and stream “The Dirty Dozen” on iTunes. You’ll be glad you did.”

…..And there you have it. Interesting idea, don’t you think? Could even make a drinking game out of it. How you ask? How about this: every time a Nazi gets killed, you do a shot. Of course, by the explosive finale, you might as well just shake up a bunch of beers and spritz everyone in the room like a winning world series ball team.

Better yet, have a more relaxing time this 4th of July avoiding the crowds and noisy fireworks by reading Lee Marvin Point Blank. You can’t get more American than that.
– Dwayne Epstein

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EMMY.COM’S LEE TV: STORY BEHIND THE STORY

Emmy.com’s Lee TV article that went online the day after Lee Marvin’s birthday was culled from my book Lee Marvin Point Bank, obviously. The brief story behind it I think is interesting and at the very least, worthy of this blog. If you haven’t seen it, it’s available for your perusal here.  Readers of my book are certain to get a sense of deja vu as it’s contents are largely from my chapter about Marvin’s TV work entitled “Man in a Straitjacket.”
What makes the story interesting? Well, it works like this: In need of some freelance work, I was fortunate to contact the managing editor of Emmy.com late last year and submit my resume. She liked what she saw and eventually offered me some freelance work. My first was an interview with Nick Rutherford of Dream Corp. LLC, which I thoroughly enjoyed. Since it was near the end of the year, I didn’t get another offer until I interviewed Crazy Ex-Girlfriend’s Vella Lovell this month, which I also enjoyed. It was terrific speaking with these talented up-and-comers, as I discovered not all interesting things for me to write about has to be retro. However…..
I took a chance and pitched the idea of writing about Lee Marvin’s TV work. I was surprised and elated when the Emmy.com’s managing editor went with the idea and so, Emmy.com’s Lee TV was born. I thought it best to take the point of view I had in the book, that Marvin hated the medium contrasted with his versatile performances within the medium.
That proved to be misstep, as I was told the negative quotes from the actor were not in keeping with the TV Academy. If it were to fly, a rewrite was in order. Had this been me, say 10-20 years earlier, I’d have balked and walked. With age comes wisdom and so, less than a day later, I rewrote it and re-submitted it. I’m glad I dd as the editor was right, it reads much better. The result was the currently posted article of Emmy.com’s Lee TV. Live and learn, right?

Lee Marvin (left) & Patricia Donahue in a romantic clinch fro G.E. Theatre’s “The Last Reunion,” something you’d rarely see the actor do on film.

The idea was to show how much Marvin did things on the small screen he never did on film, which includes actually playing a Marine…TWICE!
I got to thinking about it some more and realized there are a plethora of such legendary actors who proved more versatile on television than they ever were on the silver screen. When the medium was still in its infancy, so too were the careers of several future postwar superstars. For instance…..

Paul Newman & Eva Marie Saint are the singing leads in a TV musical of OUR TOWN. Narrator Frank Sinatra had a hit song from it with “Love & Marriage.”

Did you know that Paul Newman actually sang in an original musical adaptation of Thornton WIlder’s Our Town? I kid you not! And how about this…

(L-R) Lillian Gish as Mary Todd Lincoln, Raymond Massey as Abraham Lincoln, and Jack Lemmon as John Wilkes Booth, in an episode of the dramatic anthology series ‘Ford Star Jubilee’ called ‘The Day Lincoln Was Shot,’ February 11, 1956.

Known on film mostly for his brilliant comedic and dramatic performances as a harried, middle-class contemporary man, Jack Lemmon once played John Wilkes Booth on an episode of an anthology series AFTER Lemmon had already won an Oscar for Mr. Roberts.

Then there’s my personal favorite example. Most folks don’t know that cult favorite Charles Bronson had an extensive career on television long before his middle-aged international stardom n the 1970s. He even had his own series based on a real-life individual…..

The rarely seen smile of actor Charles Bronson from his show MAN WITH A CAMERA as freelance photographer, Mike Kovac.

The possibilities are pretty impressive, don’t you think? I’ll be looking into such possibilities in the not too distant future but in the mean time, anybody need an award-winning, NY Times Bestselling writer? You can reach me here. Thanks!
-Dwayne Epstein

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