OTHER SOURCES: JAMES GARNER ON LEE MARVIN

James Garner wrote about Lee Marvin in his 2011 memoir The Garner Files.  Since they never worked together, I never thought to use it as a source for Lee Marvin: Point Blank. However, once I read Garner’s book, I figure his take on Marvin deserves to be recounted here.

The cover of James Garner’s 2011 memoir, THE GARNER FILES.

It’s interesting to note that the TV & movie star belies his easy going charm as his experiences but mostly his point of view are both anything but easygoing. A better word to describe what he writes would be curmudgeonly. Not surprisingly, his cowriter, Jon Winokur, is the author of The Portable Curmudgeon. I get the feeling that Garner sought Winokur out based most likely on that fact. Don’t get me wrong, the book is a great read, mostly for just that reason. His take on his life, work, costars, the culture and society-at-large is a lot of fun. Brett Maverick or Jim Rockford he is not. Well, maybe a little. One minor correction to his comments below. To make his point, he states Lee Marvin’s salary went up to a million dollars a picture after Cat Ballou and he worked less because of it. Not true. Marvin first got a million for Paint Your Wagon and as most fans know he worked a lot after his Oscar winning role. Well, Garner certainly has a right to his opinion and I am a fan of some of his work. It’s just that the facts don’t support his point of view. No matter.
As to his main point about Marvin, of that, I guess he should be taken on his word as others have recounted similar encounters as stated in my book….

“In Hollywood you have to ‘defend you quote’ — keep your fee as high as possible and never accept less. Lee Marvin raised his quote to a million dollars a picture after he won an Oscar for Cat Ballou and had trouble getting parts.
“I never worked with Lee, but I thought that as an actor he was very colorful. As a guy, he was a pain in the ass. He just didn’t care. He was a and drinker. One night in a limousine on our way to a function, he made moves on my wife. That’s a little more than I can handle  and almost decked him.

Garner and his wife, Lois, probably around the time Garner wrote about his encounter with Lee Marvin.

“Anyway, Lee wanted to work but couldn’t take a salary cut. I didn’t want to fall into that trap, so I never let my quote get too high. Actors are paid more than they’re worth anyway.  Producers are idiots for paying the ridiculous prices we ask. We make so much money, the majority of pictures never make a profit. I think movies would be a lot better if more actors waived heir big salaries in order to do worthwhile pictures.
“I don’t think actors today are well served by their agents and managers, who aren’t as good as they used to be. They just want their 10 percent and let their clients do things they shouldn’t. They have one hit and three flops and their careers are over.”

Lee Marvin approximately around the time James Garner knew him.

Oh and for what it’s worth, Garner didn’t like Charles Bronson, either.
– Dwayne Epstein

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MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

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5 WAYS TO CELEBRATE LEE MARVIN’S HEAVENLY BIRTHDAY

Sunday, February 19th, marks the 93rd birthday of Lee Marvin. Granted, it is what’s often described as a heavenly birthday as he passed in 1987. However, even though it’s only in spirit, there are some ways to pay tribute to his heavenly birthday. By the way, all photos shown herein is a just a small sample of the images in Lee Marvin Point Blank.

John Wayne: You shoot pretty good drunk.
Lee Marvin: Better drunk than sober.
-The Comancheros

 

 

  1. Get Drunk And Bring Out The Heavy Firearms: According to several sources, such as his first wife, Betty, as well as Keenan Wynn’s son, Ned, Lee did that on more than one occasion.The amazing thing is no one ever got hurt in the process. Sort of like the lines of dialogue between Marvin’s Tully Crowe and John Wayne’s Jake Cutter in The Comancheros. Matter of fact, if guns weren’t available, he’d resort to pantomime. Safer than heavy firepower but not nearly as much fun for him. Sure, the guns in the hands of a drunken ex-Marine might be scary but hey, would you expect anything less from Lee Marvin?

On the left, Marvin in costume as British Marine ‘Hallam’ in the Broadway production of Billy Budd. On the right, in Shakespearean garb while studying at the American Theater Wing.

2. Get Drunk & Wear Period Clothing: Marvin did it for pay in his sole Broadway appearance in Billy Budd. However, bet you didn’t know he was also well-versed in the Bard, did you? The training he received after the war at the American Theatre Wing included fencing, movement, and yes, Shakespeare, which he could quote verbatim. He did so even later in his career, impressing everyone during an improvised dramatic moment on location for The Big Red One. I don’t know if he was sober when the picture in Elizabethean togs was taken but he certainly looks like he’s enjoying himself. By the way, the story concerning his fencing class is a personal favorite.

Lee Marvin ‘s Oscar-winning performance in Cat Ballou included this hard-to-get famous sight gag,.

3. Get drunk & Go to Work: Marvin’s professionalism was as legendary as his drinking exploits. However, tales of his drinking on the job were mostly exaggerated. There were occasions when work and drink did converge (The Killers, Sgt. Ryker, The Professionals) as covered in the book. The specific scenes are covered in the book so you can see exactly where in the given performance it occurred. His Oscar-winning performance in Cat Ballou had one such instance, according to director Elliot Silverstein but the famous sight gag seen here was not one of them. Got to read the book to find out, which also details how they got the horse to  ‘inebriated,’ as well.

A Jeep full of drunk Marines just before shipping out overseas, with Lee top center.

4. Get Drunk & Re-enlist:
According to director, John Boorman, Lee had done exactly that on a at least one occasion while they were making Point Blank. It certainly wasn’t a new phenomena as he admitted to doing it even shortly after the war ended. Not something to be advised for everyone, as Lee was politely turned down each time due to his disability status. Doubtful other drunk ex-Marines may be as lucky.

Lee battles SEINFELD’S Uncle Leo in Shack Out on !01.

5. Get Drunk & Start a Fight: Lee Marvin’s barroom exploits became so famous they actually earned titles like “The Robin Hood Party,” 6-foot tall Black Helen, “The Vibrator Salute,” and “The Battered Banjo player Lawsuit.” Several of theses debauches were more  legend than fact in terms of Marvin’s involvement, such as my personal favorite: The English pub that had the bad luck of being Marvin’s choice of celebratory indulgence for his birthday while filming The Dirty Dozen. Why is it a favorite? As retold by Bob Phillips, if it wasn’d for the 6-foot barmaid dubbed “Black Helen,” it’s doubtful Marvin would have gotten out alive!

Maybe it’s best to just get sober, take the pledge and buy the hardcover of Lee Marvin Point Blank. It’s also available as a Kindle and paperback with extra material. Of course, if you prefer a paperback signed by the author directly to you, there’s always Ebay. It may not be as adventurous but it’s certainly a lot safer. Besides, you can do the other five vicariously through him when reading his exploits.

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