LEE MARVIN POINT BLANK: THAT FUNNY FACE YOU MAKE WHEN….

Writing Lee Marvin Point Blank one discovers amazing things, such as ‘That Funny Face You Make When…”  Sorry. I should explain. The man was of course an actor who took his work seriously but he also was someone with a genuinely funny sense of humor. After all, he won his only Oscar for his comedy performance in Cat Ballou, which is a rare achievement in its own right.

Lee Marvin showing his ability to do Shakespeare…or Kid Shelleen in Cat Ballou. Not sure which.

However, despite the majority of his films being action-driven dramas, his sense of humor was a major component of the man and his appeal. Readers of Lee Marvin Point Blank are fully of aware of this aspect of the man both onscreen and off. There are several examples, such as the Robin Hood Party, The Vibrator Salute, Black Helen to the Rescue, and more. Not familiar with those escapades? Read Lee Marvin Point Blank and you will be. But I digress…
I mention this merely to point out what I quickly discovered in my research. I’m currently in the arduous process of archiving all of my research material (more on that later) when I came across some examples of Marvin’s ability to mug for the camera, even late in life, that most of his contemporaries would never even attempt to do. Case in point is the seen image below from the now defunct magazine US Weekly. He was asked about the palimony suit and the results speak for itself. Personally, I like tho think of it as, “That face you make when you learn Donald Trump won the election,” or “Geez, Lee, that’s the worst Robert Morley impression I’ve ever seen.” Feel free to add any interpretation you like. Any and all suggestions are welcome.
– Dwayne Epstein

“What do you mean Donald Trump is president?”

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OTHER SOURCES: JAMES GARNER ON LEE MARVIN

James Garner wrote about Lee Marvin in his 2011 memoir The Garner Files.  Since they never worked together, I never thought to use it as a source for Lee Marvin: Point Blank. However, once I read Garner’s book, I figure his take on Marvin deserves to be recounted here.

The cover of James Garner’s 2011 memoir, THE GARNER FILES.

It’s interesting to note that the TV & movie star belies his easy going charm as his experiences but mostly his point of view are both anything but easygoing. A better word to describe what he writes would be curmudgeonly. Not surprisingly, his cowriter, Jon Winokur, is the author of The Portable Curmudgeon. I get the feeling that Garner sought Winokur out based most likely on that fact. Don’t get me wrong, the book is a great read, mostly for just that reason. His take on his life, work, costars, the culture and society-at-large is a lot of fun. Brett Maverick or Jim Rockford he is not. Well, maybe a little. One minor correction to his comments below. To make his point, he states Lee Marvin’s salary went up to a million dollars a picture after Cat Ballou and he worked less because of it. Not true. Marvin first got a million for Paint Your Wagon and as most fans know he worked a lot after his Oscar winning role. Well, Garner certainly has a right to his opinion and I am a fan of some of his work. It’s just that the facts don’t support his point of view. No matter.
As to his main point about Marvin, of that, I guess he should be taken on his word as others have recounted similar encounters as stated in my book….

“In Hollywood you have to ‘defend you quote’ — keep your fee as high as possible and never accept less. Lee Marvin raised his quote to a million dollars a picture after he won an Oscar for Cat Ballou and had trouble getting parts.
“I never worked with Lee, but I thought that as an actor he was very colorful. As a guy, he was a pain in the ass. He just didn’t care. He was a and drinker. One night in a limousine on our way to a function, he made moves on my wife. That’s a little more than I can handle  and almost decked him.

Garner and his wife, Lois, probably around the time Garner wrote about his encounter with Lee Marvin.

“Anyway, Lee wanted to work but couldn’t take a salary cut. I didn’t want to fall into that trap, so I never let my quote get too high. Actors are paid more than they’re worth anyway.  Producers are idiots for paying the ridiculous prices we ask. We make so much money, the majority of pictures never make a profit. I think movies would be a lot better if more actors waived heir big salaries in order to do worthwhile pictures.
“I don’t think actors today are well served by their agents and managers, who aren’t as good as they used to be. They just want their 10 percent and let their clients do things they shouldn’t. They have one hit and three flops and their careers are over.”

Lee Marvin approximately around the time James Garner knew him.

Oh and for what it’s worth, Garner didn’t like Charles Bronson, either.
– Dwayne Epstein

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MASSIVE LEE MARVIN PHOTO SALE OF OVER 100 ORIG. IMAGES!

MASSIVE LEE MARVIN PHOTO SALE! Please be sure to scroll to the bottom to see ALL images and information required for purchase.
Readers of Lee Marvin Point Blank are well aware of the great photos found within its pages, so now here’s a photo sale to own ALL of my own original 8×10 film-related images for yourself! I have made every attempt to upload as many images as possible, but several dozen are still not able to be shown due to length and size of the blog entry. If a specific image is requested let me know and I’ll do what I can to send it privately.
What this is: All the images listed below are being sold in bulk. It is being sold solely on this website and not via Ebay or other venues for a variety of reasons. All images are ORIGINAL 8x10s put out to promote a given project for film or TV promotion and are in condition from mint to very good. An amazing feat considering most of these photos are several decades old! Descriptions in blue are links to previous blog entries in which the image has been posted with greater clarity. To viewer larger versions of each image simply click on the  image.
How this works: Any and all interested parties need merely reply to this blog entry at the bottom of the page. PAYPAL is the preferred method of payment but may accept check, money order, or Western Union all with seller’s approval. The reply will NOT be seen publicly as I am the only one who can approve the reply and I will keep all messages private and will also respond in private. Any and all questions, offers or comments will be responded to privately. All serious offers will gladly be considered but keep in mind I have set a necessary reserve price that I won’t be making public.
So, feel free to peruse the images below and make me an offer if interested. I’ll respond in kind. Thanks for looking and greatly look forward to doing business with you. Enjoy!
FREE PRIORITY SHIPPING!
FILMS: U.S.S. TEAKETTLE (film debut): 3
HANGMAN’S KNOT (1952): 2
GUN FURY (1953): 1
THE BIG HEAT (1953): 1
SHACK OUT ON 101 (1955): 4
ATTACK! (1956): 1
SEVEN MEN FROM NOW (1956): 1
RAINTREE COUNTY (1957): 1
THE COMANCHEROS (1961) : 1
DONAVAN’S REEF P.R (1963): 1
SGT. RYKER (1963): 2
THE KILLERS (1964): 3
SHIP OF FOOLS(1965): 3
CAT BALLOU (1965): 1
THE PROFESSIONALS (1966): 5
POINT BLANK (1967): 4
MONTE WALSH (1970): 1
POCKET MONEY(1972): 4
PRIME CUT (1972): 1
EMPEROR OF THE NORTH (1973): 1
SPIKES/ICEMAN(1974-73): 1
SPIKES GANG: (1974) 1
SHOUT AT THE DEVIL(1976): 2
GREAT SCOUT & CATHOUSE THURSDAY (1976): 2
AVALANCHE EXPRESS (1979): 10
BIG RED ONE (1980): 2
DEATH HUNT (1981): 5
GORKY PARK (1983): 2
DIRTY DOZEN:THE NEXT MISSION (1985) 6
DELTA FORCE(1986): 1
MISC: PING PONG W/ PAUL FIX & JOHN DEHNER (1960, APPROX): 1
MARINE AWARD (1963): 2
W/ MEYER MISHKIN @ LONDON PREMIERE (1969): 1
PARAMOUNT PROMO (1969): 1
1971 PR PIC: 1
CONTACT SHEETS: U.S.S. TEAKETTLE: 1 (separated)
MICHELE TRIOLA (Approx. 1960): 2
MONTE WALSH: 1
NEWSPAPER PALIMONY PIX: The newspaper I used to work for had a morgue file on the palimony suit with a bunch of pix of Lee and his wife Pam during the trial that the paper let me have for good. They are of varying sizes and include captions. I’d say about 3 dozen in all mostly in sepia tone (but not all) on velox paper as camera-ready images.
FRAGMENTED IMAGES: From newspapers, mostly the 70s & 80s numbering about 2 dozen with captions.

Four studio 8×10 portraits of Lee Marvin from the 60s and 70s.

Extremely rare separated contact sheet of Lee Marvin with Gary Cooper on the set of Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Images can be blown up larger and framed, of course.

Two extremely rare onset photos from Lee Marvin’s first film, U.S.S. TEAKETTLE (aka YOU’RE IN THE NAVY NOW). Top photo, Marvin is on the far right with headphones around his neck. Bottom photo Marvin is running second from left. Also pictured is Millard Mitchell, Jack Warden and Harvey Lembeck.

Photo set from SHACK OUT ON 101 with Terry Moore, Kennan Wynn, Whit Bissel & Jess Barker.

Photo set from SHIP OF FOOLS with Vivien Leigh.

Photo set from THE PROFESSIONALS with Woody Strode, Robert Ryan & Burt Lancaster.

Photo set from POINT BLANK with Angie Dickinson, Carroll O’Connor & Sharon Acker.

Photo set from SHOUT AT THE DEVIL with Pam Marvin.

2 Photo set from THE GREAT SCOUT & CATHOUSE THURSDAY with Elizabeth Ashley & Kay Lenz.

Photo set from AVALANCHE EXPRESS with Robert Shaw, Linda Evans, Mike Connors, Joe Namath, Maximilian Schell & Horst Bucholtz.

Photo set from GORKY PARK with William Hurt and Ian Bannen.

Photo set from THE DIRTY DOZEN: THE NEXT MISSION with Ernest Borgnine, Richard Jaeckel, Larry Wilcox, Ken Wahl, Sonny Landham, Jeff Harding, Michael Paliotti, Jay Benedict, Sam Douglas, Gavan O’Herlihy, Rolf Saxon, Ricco Ross & Stephen Hattersley.

Some but not all of the Velox images used by newspapers during the 1979 “palimony” suit that made headlines for months.

Two separate contact sheets of Michele Triola’s semi-nude modeling days before she met Lee Marvin. Probably the late 50s or early 60s. Images can be blown up larger and framed, of course.

A contact sheet of photos taken on the set of MONTE WALSH of Lee Marvin and Jeanne Moreau, as well as separate images of Ina Balin from THE COMANCHEROS on the same sheet. Images can blown up larger and framed, of course.

Smaller newspaper images from his various films kept on file for the celebrity columns in the 60s-80s. Each measure approx, 3×5, very much like a wallet size photo. Some have captions as shown above.

 

 

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