TCM’S 31 DAYS OF OSCAR HIGHLIGHTS LEE MARVIN

TCM’s 31 Days of Oscar is an ongoing annual event for the basic cable channel and this year Lee Marvin is very much in evidence. As the schedule shows, there are a plethora of his films on tap. No less than a half a dozen Lee Marvin gems, that’s right, a full half dozen, for most of February. If needed, here are the air dates (if you want to set your recording device for viewing, check your local listings for times). The Oscars or nominations of each film are listed below. My source? Why TCM’s own resident guardian angel, Robert Osborne from his excellent reference book, 50 Golden Years of Oscar. Okay, ready? Here are the Lee Marvin classics being shown for TCM’s 31 Days of Oscar….

THE CAINE MUTINY (1954) Airs Wednesday, February 5th. Nominated for Best Picture (Stanley Kramer, producer), Best Actor (Humphrey Bogart), Best Supporting Actor (Tom Tully), Best Screenplay (Stanley Roberts), Best Sound Recording (John P. Livadary (Sound Director), Best Film Editing (William A. Lyon & Henry Batista), Best Motion Picture Score (Max Steiner).

Marvin & shipmate Claude Akins in THE CAINE MUTINY.

CAT BALLOU (1965) Also Wednesday February 5th. Marvin won for Best Actor and the film was a also nominated for Best Adapted Screenplay (Walter Newman & Frank Pierson), Best Film Editing (Charles Nelson), Best Song: “The Ballad of Cat Ballou” (Jerry Livingston & Mack David), Best Score (Frank DeVol).

Marvin as Kid Shelleen one of 2-roles he enacted for his Oscar-winning performance in CAT BALLOU

THE DIRTY DOZEN (1967) Again, Wednesday February 5th. Won the Oscar for Best Sound Effects (John Poyner). Nominated for Best Supporting Actor (John Cassavetes), Best Sound (MGM Sound Dept.) and Best Film Editing (Michael Luciano).

Marvin confronts Robert Ryan in the Oscar-winning THE DIRTY DOZEN.

RAINTREE COUNTY (1957) Airs Monday, February 10th. Nominated for Best Actress (Elizabeth Taylor), Best Art Direction-Set Direction (William A. Horning & Urie McCleary; Edwin B. Willis & Hugh Hunt), Best Costume Desgn (Walter Plunkett). Best Score (Johnny Green).

Rod Taylor as Garwood Jones and Lee Marvin as Orville ‘Flash’ Perkins in RAINTREE COUNTY.

 

 

BAD DAY AT BLACK ROCK (1955) Airs Saturday, February 15th. Nominated for Best Actor (Spencer Tracy), Best Director (John Sturges) & Best Screenplay (Millard Kaufman).

Most of the cast, excluding Anne Francis, Ernst Borgnine and John Erickson in BADY DAY AT BLACK ROCK.

 

 

THE PROFESSIONALS (1966) Airs Monday, February 24th. Oscar nominated for Best Director and Best Adapted Screenplay (Richard Brooks for both), and Best Color Cinematography (Conrad Hall).

(L-R) Woody Strode, Lee Marvin, Robert Ryan and Burt Lancaster as THE PROFESSIONALS.

So there you have it! Further proof — as if any were needed — that Lee Marvin didn’t just make really good action films. He made some of the greatest of all-time! Don’t think you’ll be seeing any Jason Statham titles in years to come on TCM’s 31 Days of Oscar. Just saying.
And of course, rare behind-the scenes stories on all of theses films (and more!) can only be found in Lee Marvin Point Blank.
See ya at the movies.
– Dwayne Epstein

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AWARD SEASON THEN & NOW

Award season is upon us and the majors have already begun with the Golden Globe Awards. Oscar nominations came out earlier this week and the the other guild and critic awards are looming large. Much has changed from the days when Lee Marvin won his only Oscar for Cat Ballou back in the mid-60s.

Lee Marvin backstage after winning his Oscar.

For one thing, the amount of competing awards could be counted on one hand. There wasn’t much beyond the Oscars and Golden Globes. The plethora of guilds and critics organizations had yet to boast of award shows that would ultimately make the Oscars anti-climatic as there are now, with or without a wisecracking host. Matter of fact, when Marvin won his Oscar, he was as surprised as anybody since the odds-on favorite was Rod Steiger for his work in The Pawnbroker. The entire episode of Marvin’s win is covered extensively, of course, in Lee Marvin Point Blank, including some nefarious behind-the-scenes machinations that even Marvin himself was not aware of.

Julie Andrews and Lee Marvin accepting their Golden Globes for being the most popular stars of 1967, which is no longer a category.

What got me thinking about these differences in the award season of days gone by and the ones of today, is an article I read online in which an Academy member bemoans the advent of streamers, screeners, and the like and the effect it has on the season itself. It can be read here but the point is laughable. Bottom line is just that there are too damn many awards shows! Want proof? I’m going to go out on limb and make my own predictions of this year’s Oscar winners as shown below. Feel free to check back after the show to see how right I was. There are:

Best Picture: 1917.
Best Actor: Joaquin Phoenix for Joker.
Best Actress: Renee Zellweger for Judy.
Best Supporting Actor: Brad Pitt for Once Upon a Time in…Hollywood.
Best Supporting Actress: Laura Dern for Marriage Story.

What’s my criteria? They’ve already won every other award leading up to the Oscars. Talk about anti-climatic! Somewhere Lee Marvin is laughing his war-wounded ass off.
– Dwayne Epstein

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LEE MARVIN’S BEST MOVIES? NOT EVEN CLOSE!

Lee Marvin’s best? That’s a pretty subjective concept. After all, one man’s meat is another man’s poison but still and all, some things along such lines are pretty obvious.  “The 5 Best Lee Marvin Movies” is the title of a recent blog entry I came across by chance on the web and the concept is the subject of this blog.
I’m not really big on chiding other writers but the author’s choices leave much to be desired. The title alone is somewhat irksome: “The 5 Best Lee Marvin Movies.” Why only five? Wouldn’t ten be more appropriate for such a lengthy career? And his choices! If you can’t see the link I included above, here’s what he chose:
5. The Wild One
4. The Big Heat
3. Cat Ballou
2. The Man Who Shot Liberty Valance
1. The Dirty Dozen
Can you see the problem I had with the choices that were made? Three of the five are not even Lee Marvin movies in the strictest sense. Marvin had supporting roles in The Wild One, Big Heat and Liberty Valance. Granted, they were great scene-stealing roles, but supporting roles, nonetheless. They are all better known as Marlon Brando, Glenn Ford & John Wayne movies and Lee Marvin would be the first one to say it. All the films (and more) are of course recounted and detailed in Lee Marvin Point Blank, by the way. It also includes Marvin’s input into these roles as well as what he thought of each of them.
While I applaud the effort made in the end to encourage others to seek out Marvin’s films, doing so by this list would make someone wonder what’s the fuss about Lee Marvin since he apparently was merely a villain in the 1950s & 1960s. The author barely recognized the fact that Marvin was a major star in the 1960s & 1970s.
I’m not and never have been a fan of “Best Lists,” which is why there isn’t any on this blog site. However, if one were to attempt a list of Lee Marvin’s best, here’s a good start, at least in terms of what might make someone a fan. Consider the following a sort of starter kit. If after viewing these films, you’re still not a fan, then you never will be.
– Dwayne Epstein

The Professionals, 1966.

Point Blank, 1967

Monte Walsh, 1970

Emperor of the North, 1973

The Big Red One, 1980

 

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