THE ARCHIVES: MY FILMFAX INTERVIEW W/ ROBERT J. GURNEY, JR

Anyone who knows me knows that with precious few exceptions, I am no fan of the science fiction genre. So, with that in mind, I’m the last writer wiling to research, interview, and write up a piece on an unsung Sci-Fi filmmaker. Enter Filmfax Magazine. You never know what you might learn and enjoy being a professional writer and writing for Filmfax is the best example of that. I had recieved a call from the magazine’s publisher, Mike Stein (terrific guy, by the way), telling me such an unsung filmmaker has made his presence known and wanted to speak with Filmfax. It concerned a recent book that had incorrectly stated that Invasion of the Saucer Men was not meant to be a comedy, despite the laughs it garnered from audiences upon its release.
I thought it over, and eventually figured, what the hell, might even be a little enlightening on some level. I was still very much researching  Lee Marvin Point Blank at the time but needed to keep my actually writing chops up. Besides, I needed to pad my resume’ as well as my bank account as best as I could. Keep in mind, this was back in 2002, and my ability to navigate the digital highway, was tenative at best. Any research was done the old-fashioned way, i.e. my local library. Not only had I not heard of Robert J. Gurney, Jr., neither had any of the stalwart genre fanatics I knew personally. The intrigue was rising.
Turns out, Gurney was living in Marina Del Rey and had a voice like a late-night FM  radio announcer with a Southern drawl. Upon meeting with him, I discovered he was a sweet, unassuming, older gentleman with a razor-sharp memory definitely worthy of Filmfax’s auspices, beyond what his valid complaint was. The complaint, by the way, was also a natural lead for the article. Better yet was discovering his life story included eye-opening personal anecdotes with the likes of Stanley Kubrick, Marlon Brando, Roger Corman, AIP’s exectuives Sam Arkoff & Jim Nicholson, a future mutli-Oscar winning cinematographer named Conrad Hall,  and the genesis of some groundbreaking films still in dire need of rediscovery. My favorite example being Gurney’s long-lost late 50s thriller, Edge of Fury. He had a print he had not seen since its release, and because I knew someone who could transfer it to VHS, we were able to watch this strange little thriller together as I took notes on his reactions. Those are the times I love my job. So, posted below, in its entirety, is my eye-opening interview with writer/director/producer and thought-provoking racontuer, Robert Gurney, Jr.
Oh, one more thing. According to Google, at the age of 92, Gurney is still with us, but my contact information for him is long gone. If anybody who reads this knows how to get back in touch with him, please let me know. In the mean time, I give you my cover story interview with Mr. Gurney from Filmfax, 2002. Enjoy…..

Artist Harley Brown rendered the cover art for the Oct/Nov 2002 issue of Filmfax featuring my interview with filmmaker Robert J. Gurney.

Artist Harley Brown rendered the cover art for the Oct/Nov 2002 issue of Filmfax featuring my interview with filmmaker Robert J. Gurney.

Robert Gurney Filmfax interview, page 1.

Robert Gurney Filmfax interview, page 1.

Robert Gurney Filmfax interview, page 2.

Robert Gurney Filmfax interview, page 2.

Robert Gurney Filmfax interview, page 3.

Robert Gurney Filmfax interview, page 3.

Robert Gurney Filmfax interview, page 4.

Robert Gurney Filmfax interview, page 4.

Robert Gurney Filmfax interview, page 5.

Robert Gurney Filmfax interview, page 5.

Robert Gurney Filmfax interview, page 6.

Robert Gurney Filmfax interview, page 6.

Robert Gurney Filmfax interview, page 7.

Robert Gurney Filmfax interview, page 7.

Robert Gurney Filmfax interview, page 8.

Robert Gurney Filmfax interview, page 8.

Robert Gurney Filmfax interview, page 9.

Robert Gurney Filmfax interview, page 9.

Robert Gurney Filmfax interview, page 10.

Robert Gurney Filmfax interview, page 10.

Robert Gurney Filmfax interview, page 11.

Robert Gurney Filmfax interview, page 11.

Robert Gurney Filmfax interview, page 12.

Robert Gurney Filmfax interview, page 12.

Robert Gurney Filmfax interview, page 13.

Robert Gurney Filmfax interview, page 13.

-Dwayne Epstein

 

 

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FOR THE RECORD: ADDITIONAL LEE MARVIN VINYL SOUNDTRACKS

Since records are making such a comeback, I thought I’d post images of the remainder of my Lee Marvin vinyl soundtrack collection. First up, the four record set of The Iceman Cometh, the eventful filming of which is detailed in Lee Marvin Point Blank. The album consists of the entire audio of the film, a pamphlet about the play and this really impressive original cover art. Trying getting all that on CD!

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The Iceman Cometh Soundtrack cover

In 1976, Marvin made two films for drive-in fodder studio AIP as they attempted to class up their stable. Much money was spent on Shout at the Devil but the soundtrack was an inexplicable French release. …..

Maurice Jarre’s score for the film is melodic but certainly not on par with his more impressive work for David Lean’s Lawrence of Arabia & Dr. Zhivago, or evern Richard Brooks’ The Professionals. The best reason for listening? Lee Marvin & The Barflies rendition of “Shagging O’Reilly’s Daughter.” It just has to heard to be believed…

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Shout at the Devil soundtrack cover

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Shout at the Devil soundtrack back cover

 

Lastly, James Horner’s score for Michael Apted’s Gorky Park, a decent film worthy of rediscovery, if only for Marvin’s wonderful performance as Jack Osborne and Horner’s haunting “Tubular Bells”-like main theme…..

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Gorky Park Soundtrack

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