RELEASED THIS DAY IN 1953: LEE MARVIN IN SEMINOLE

Lee Marvin’s earliest supporting roles are often overlooked, such as Seminole, released this day in 1953. The film itself is a typical Hollywood take on a fascinating aspect of U.S. history, as pointed out in Lee Marvin: Point Blank. In fact, when Marvin was in school Florida, he found the true story of the Seminole tribal chief Osecola so fascinating, he wrote a book report on the subject. He may have been equally thrilled to get the job in the film only to become equally disappointed once he read the script.

Original poster art for 1953's Seminole, in which 7th billed Lee Marvin is no where in sight.

Original poster art for 1953’s Seminole, in which 7th billed Lee Marvin is no where in sight.

TIME magazine aptly derided the film as “a swampy melodrama,” in which mean soldiers try to eliminate marauding Indians with a sympathetic White officer caught in the middle. Rock Hudson played the sympathetic officer Anthony Quinn played Osceola, and the the mean soldiers were headed up by RIchard Carlson. Marvin was listed SEVENTH down the cast list, but he did have a a substantial scene towards the end of the film.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

Marvin (far left) is dutifully militaristic as Richard Carlson (left) and Rock Hudson (center) plot their next move.

 

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

Anthony Quinn as Osceola (left) and childhood friend Rock Hudson (right) ride off together in dubious battle.

The film’s director, the underrated Budd Boetticher, did point out how the run-of-the-film led to better things for Marvin shortly thereafter…..
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“…..[Marvin] played Sgt. Magruder and he was very, very good. [Seminole’s screenwriter] Burt Kennedy brought him in. He suggested Lee to play the second lead on my next picture with Randy [Scott]. Now Duke Wayne [as producer], and you can quote me on this, Duke was either a son-of-a-bitch or the best friend you ever had, depending on the mood he was in. Burt asked Duke, “Who should we use?” Duke said, “Let’s use Randy. He’s through.”
The result was one of Lee’s earliest lead roles and one of his all-time best performances: Big Masters in Seven Men From Now (1956).

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