Once Upon a Time in Hollywood, the latest opus from favorite contemporary filmmaker, Quentin Tarantino, was anxiously awaited by yours truly like a kid awaits the end of the school year and the start of summer vacation. Seriously. Everything I had read and seen about it had me practically drooling in anticipation. Then I watched it.
Don’t get me wrong, it’s not a bad picture, at all. It’s just that I guess my anticipation of it, had me expecting more.
There’s also much to recommend. My family and I moved to California from New York in 1968 so I’m familiar with what the southern California scene of 1969 was like in those days. Tarantino’s re-creation of that time and place is something to marvel at throughout the film. Whether it’s the bus benches advertising Hobo Kelly, or the brief TV moment showing late night L.A. horror host Seymour, it brought back nostalgic childhood memories for yours truly.
Most of the performances in Once Upon a Time In Hollywood are also uniformly excellent. A true standout is Brad Pitt as the laconic stunt double and gopher to Leonardo DiCaprio’s fading TV star.
I say ‘most’ performances as some of them are downright strange. The film is peppered with cameos of real-life individuals and some are just strange. An actor playing Bruce Lee challenges Pitt to a fight in one of my favorite scenes and one of the most controversial in its portrayal of the legendary martial artist.
In another sequence, British Actor Damian Lewis makes a brief appearance as Steve McQueen at a party at the Playboy Mansion in a performance that can best be described as bizarre. While there is a resemblance, in speaking with McQueen biographer Marshall Terrill, we both agreed that the speech pattern Lewis invokes is just plain weird. He may have been trying to mask his British accent but the result is nothing like McQueen. Bizarre.
So, what is it about the film that received a six minute standing ovation when it premiered at the Cannes Film festival that I have a problem saying that it’s truly great? Simply put, the main character played by DiCaprio is just not worthy of much sympathy and being the central focus of the film, it’s the key factor keeping me from loving the film. Hate to say it but it’s true.
I won’t give away any more as I hate when writers do that sort of thing. Suffice to say, I’ll probably see it on DVD, if only to see again my Lee Marvin Point Blank interview subject, Clu Gulager as an aging Westwood bookstore owner. Until then, I wonder why such a big Lee Marvin fan as Tarantino left Lee Marvin out of the film when he was big box office in 1969. How big? Check out Lee Marvin Point Blank to find that out. In the mean time….