On this date in 1962, John Ford’s The Man Who Shot Liberty Valance premiered and it’s production, reception and legacy is fully covered in Lee Marvin Point Blank. Readers will discover how the cast REALLY got along during the filming, what John Ford thought of his new but late-in-the-game stock company member, Lee Marvin, why Lee Marvin’s son considers it his favorite film, what he said when introduced to John Wayne and infinitely more! Most exclusive of all was an interview with the late, great Woody Strode and his personal take on what happened on set and why he loved Lee Marvin.
However, to honor the occasion, here a few strange tidbits from the past to pay tribute to the last great John Wayne/John Ford western that were not included in the book.
This strange ad above is the kind of thing you just don’t see any more, and maybe that’s a good thing. What’s with the nursery rhyming scheme? Did the publicity dept, think anxious film fans would put it to music and sing these little ditties to help promote word-of-mouth? Bizarre. Did these folks even seen the film? Andy Devine’s character of Sheriff Link Appleyard hardly lived to help ‘the ones in need.’ The one for Valance isn’t even accurate. He didn’t spread shame. He spread pain!
Then there’s this ‘Behnd-the-scenes’ article from the June, 1962 issue of Screen Stories.
You can already tell from the opening that a good portion of it was a result more of p.r. than it was actual onset reporting. That’s fine in the long run, I guess, but it also has some interesting trivia, such as the fact that the entire male cast were each 6-foot tall or taller!
Also has one of my favorite John Ford quotes: “We have a very fine cast of actors in this film, and John Wayne.”
And there’s this review, which explains why the movie took a while to get an audience. Not only does the reviewer spell Jimmy Stewart’s name wrong, he commits the ultimate sin of a reviewer by giving away the ending…and then rates the film a C-!
Is it any wonder I dislike most critics? Ahh well. Never mind the critics. Just enjoy the great film for what it is: One of Lee Marvin’s best performances and a lasting testament to what John Ford contributed to the American Western: When the truth becomes the legend, print the legend.