JIM JARMUSCH AND THE SONS OF LEE MARVIN

Picture this: I’m in the earliest stages of researching Lee Marvin Point Blank, standing in the middle of the public library, when I read the Film Comment article written by director Jim Jarmusch that reveals the first mention I’ve ever heard concerning the Sons of Lee Marvin. I was still slightly on the fence at the time about whether I should undertake the project at all, that is unti I read Jarmusch’s article.
Being a lifelong film buff I had read much about the legacy of film stars following their passing. The cult surrounding stars such as Marilyn Monroe, Humphrey Bogart, James Dean and others are well know to myself and the general public. Such reverence is often shown via film revivals, books and other venues. However, in all the years I have encountered such things I have never encountered anything as what Jarmusch talks about in his unveiling of the Sons Of Lee Marvin. It literally made me laugh out loud when he retold the anecdote concerning fellow member Tom Waits and the real son of Lee Marvin. I was shushed by the librarian and warned if I repeat the guffaw I’d be asked to leave. I acquiesced to the glares and stares of the other patrons but figured in my head, what the hell, it was worth it. My appreciation of Marvin expanded and my curiosity deepened. Quite simply, the more I found out about him, the more I liked him.
This article, by the way, was part of series in Film Comment in which film makers were asked to list their “Guilty Pleasures,” films they know are bad but they like anyway and with a given reason. Jarmusch dedicates one 10th of his entire list to his favorite Marvin films! So, without further ado, below is the original article that helped pushed me over the edge into dedicating myself to researching and writing Lee Marvin Point Blank.
Oh, and by the way, the story about Waits and Christopher Marvin is pure b.s. but sounds great, doesn’t it? If you want to know the truth, from Christopher Marvin himself. you gotta read Lee Marvin Point Blank.

The original article by Jim Jarmusch in Film Comment.

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