LIBERTY VALANCE REDUX? HERE WE GO, AGAIN!

Liberty Valance redux looks to be on its way into production with some slight changes. According do Deadline.com, John Ford’s classic western will now be about the NY Drug Wars of the 1990s.

The 3 principal cast members of THE MAN WHO SHOT LIBERTY VALANCE (L-R): Jimmy Stewart (Ranse Stoddard), Lee Marvin (Liberty Valance) and John Wayne (Tom Doniphon).

Movie purists will angrily shake their fists at such blasphemy but before they do, there’s some things to keep in mind, so take a deep cleansing breath…..

Liberty Valance toying with his prey on the streets of Shinbone before the big finale.

– John Carpenter did the same with Howard Hawks’ classic western Rio Bravo (1959), by updating it to Assault on Precinct 13 (1976), which itself was later remade in 2005.

– Hawks also bastardized the tale himself over the years with both El Dorado (1967) and Rio Lobo (1970), all three of which starred John Wayne. So much for acting and directing legends maintaining the integrity of their careers.

– Oh, I know Rio Bravo Redux is not Liberty Valance Redux. For the record, it’s also not the first time The Man Who Shot Liberty Valance has had a redux..of a kind. There was a stage play mounted in London a few years back that received surprisingly good reviews.

For Lee Marvin’s opening scene in the film, readers of LEE MARVIN POINT BLANK know the real reason he’s wearing the bandana over his face.

–  Also, an updated remake of Liberty Valance has been bandied about for a while now as I had blogged about it back in 2015. As you can see by the blog entry, I’m certainly not defending the idea of an updated remake. Quite the contrary. It’s just that I think in this day and age we should no longer be either shocked nor surprised by such things. Sadly, it is the way of the world we live in.
Besides, to paraphrase the famous line in the film, “When the truth becomes the legend, (re)print the legend.” Would you expect anything  less from Hollywood?
– Dwayne Epstein

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POLITICALLY INCORRECT LEE MARVIN

Politically incorrect is not something most celebrities would want on their resume’ but it was something Lee Marvin had no trouble with, at all. Granted, it wasn’t bandied about as much in his time as it is today, but it was certainly witnessed in his work, almost from the beginning.
Being politically incorrect, according to Merriam-Webster, is defined as “Not avoiding language or behavior that could offend a particular group of people.” In researching Lee Marvin Point Blank, I quickly discovered a few examples of such behavior in the subject, and the subject was usually women. Wouldn’t always be a matter of the language used by his characters so much as his extreme behavior, most notably….
The Big Heat

The attitude of Vince Stone toward his annoying girlfriend is shown building to a painful climax in Fritz Lang’s THE BIG HEAT (1952).

As bad guy Vince Stone, a glimpse of his attitude towards women is shown early on when he stubs his cigarette out in Carolyn Jones’ hand. The worst is yet to come when he throws a pot of scalding hot coffee in girlfriend Gloria Grahame’s face. Fear not, as she gets her revenge before the film ends.

The Killers

Terrorizing Angie Dickinson in THE KILLERS.

Throughout director Don Siegel’s classic remake the violence comes fast and furious from the very beginning. Lee Marvin’s Charlie Strom terrorizes a school for the blind and later, wreaks havoc on femme fatale, Angie Dickinson. As the actress told this writer, “Oh but I had it coming.”

 

Ship of Fools

Vivienne Leigh drives home her point to Lee Marvin in their heated debate concerning women’s shoe styles in Stanley Kramer’s SHIP OF FOOLS.

Mistaking the aging Vivien Leigh for an onboard prostitute, drunken Marvin grabs and kisses the embittered ‘past-her-prime’ beauty until he shockingly realizes his mistake. She helps him realize the mistake by beating him to a pulp with the heel of her shoe.
The legend is that Marvin kept very few mementos from his career, but he kept that shoe out of his deep respect for Vivien Leigh.
There are of course several other examples of such behavior (on screen and off) and it was not always limited to the ladies. For better or for worse, when it came to being politically incorrect, Lee Marvin was the shining beacon on the hill.
– Dwayne Epstein

 

 

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DVD COMMENTARY…..ANYONE?

DVD commentary seems to be the one aspect saving the ongoing production of such entities from extinction. Since most folks involved in the production of classic films are long gone, it has become the realm of film historians to fill-in the requisite details for said DVD commentary. As the author of Lee Marvin: Point Blank, I have been sought out on occassion to participate in such a capacity.

THE KILLERS

New artwork for the 2014 Blu-Ray re-release of THE KILLERS. My mention is on the left within “Special Edition Contents.”

First up was for the UK Blu-Ray release of The Killers. I wrote about the experience shortly after it took place as linked above. What I didn’t mention was the fact that I came home that night only to discover that my fiancee’s father had died. Talk about bittersweet. As to the on-camera interview itself, I thought it went well, other than my being seated in the sunlight so I came off more washed out than usual. Oh, well. I guess the good folks at Arrow Academy are not James Wong Howe.

SHIP OF FOOLS

Blu Ray cover for the UK re-release of Ship of Fools last year.

When a new release of extras was being put together for Stanley Kramer’s Ship Of Fools, I was also contacted. Once again, it was the UK but the results were quite different in that my research was used in place of my fat face.

Accompanying booklet to the DVD in which my work was utilized.

A few misused statements discovered after the fact aside, I think the results were very well done. I certainly hope they call again as the experience was wonderful. I don’t know the price tag but I can tell you that one thing the foreign release of DVDs have over the American ones are the extras in the booklets which are quite breathtaking in both of the DVDs I was involved in. One more example….
THE MECHANIC

The Mechanic DVD cover with yours truly mentioned in the bottom left corner under “American Samurai.”

Once again, Europe beckoned and I did an on-camera interview for the French release of Charles Bronson’s The Mechanic. German video documentarian Robert Fischer contacted me about it when he learned of my planned next bio (more on that later). We taped it at a friend’s house that he knew in Hollywood and again, I think it went well as I crammed like crazy a few days before to make sure I had enough relevant things to talk about. The end result was an absolutely beautiful package put together in French but containing outstanding graphics and visuals. Seriously. Makes Criterion’s packaging look like the old Goodtime Video Public Domain VHS tapes.

My question (and the point of this blog) is this: I’m grateful to the European folks who asked for my input when it comes to DVD commentary but how come I haven’t been approached by any American DVD distributors to do the same? My book has been out there for some time and new releases of Lee Marvin films still crop up. So, why the crickets in the background? Weird.
Whatever the reason, let it be known that  I am available and my treasure trove of knowledge is always documented. I wouldn’t do it any other way. When it comes to such things, as Lee himself would say, Semper Fi.
-Dwayne Epstein

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